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  • More about Wild Cards


    This material was originally obtained in a POF and published on May 20, 2012.


    Today I followed up on info from my last POF, when I discovered that I am the last cast on the first side of my entity, and the second of only two Artisans in my cadence. All other positions in my cadence are filled by Wild Card Priests from the next cadence.


    While much of this info applies to those Wild Cards, it is of interest to me since I have reason to suspect that one of my daughters is a 6th-cast Artisan wild card.


 Hello to each of you. We are here, now. We can respond to your questions as you pose them.


    Janet: In my last POF session, you told me that my essence was last cast on the first side of my entity, with only two Artisans in my cadence. The following positions in the cadence are managed by wild card Priests from the next cadence. Can you tell me more about the dynamics of this arrangement? Does my cadence have a task or theme that involves only the two Artisans, and/or do we combine forces with the next cadence of Priests toward a specific task or theme? Is there any “job” assigned to one or both cadences that is associated with overlapping two “sides” of the entity? Naturally I’m curious about the impact on my essence but I am also seeking general info about how things “work” as far as the structure of the entity and the connection between the two “sides”. I realize the answer may be lengthy, so you need not answer any of these questions specifically but provide whatever info you deem useful toward explaining the dynamics in the time allotted.


    First, we will say that our response here will be limited to the current understanding of the structure of the entity, but may either find itself expanded upon or replaced altogether as the "new" models unfold.


    Understanding this, we can say that the "wild cards" exist precisely for the point of completing a Cadence. There are no incomplete Cadences, even if there are "empty" Positions, because these "empty" Positions are fulfilled by the following fragments. Their fulfillment of two Positions renders them as "Wild Cards."


    This is because they are bi-directional in their pursuit of experiences, and you "never know" which direction that fragment may take at any given time. They can sometimes be understood as "flickering" in and out of directions, confusing even those whom have known them a long time.


    This "bi-directional" pursuit is, in part, because of the Casting fluctuation that is in place. A first-cast Cadence (Server-Cast) can find itself navigating with that inherent Casting, but also the fulfilled Casting.


    A first-Cast fragment may be fulfilling the Casting Position of any Position between Two and Seven. No fragment will ever have to fulfill a First-Cast Position, and the Seventh-Cast will never have to be a Wild Card.


    You will never find a King-Cast Wild Card, then.


    The math behind the shifting of Fragments clarifies why, but it is also that there is no complementary Position for any King Position.


    We have explained that the fragments merely shift forward sequentially in the Positions, and that can be the case, but if there is a complementary Position available to a Wild Card, it will tend to lock onto that.


    For instance, if the 4th, 5th, 6th, and 7th Positions are vacant, then the 1st, 2nd, 3rd, and 4th Positions following will tend to fulfill those vacant Positions of that "incomplete" Cadence, but it will not always be that the 1st Cast fulfills the 4th; it may gravitate toward the 6th. The complementary being the completion of 7.


    The 2nd might gravitate toward the 5th. The 3rd to the 4th. The 4th may then be left to fulfill the 7th, which is often the case so that its inherent neutrality allows for the Sevenness, but if a 3rd Position had been available, it may have vied for that.


    Janet: And if there were a 6th-cast wild card? Would it have a preference since the complementary 1st position is not available?


    MEntity: That would be correct. If those Positions of complementary mathematics are available, they will be preferred, while the secondary preference would be the Position that shares the same Axis.


    Janet: But are you saying they are not locked into those positions permanently but may change?


    As these are "wild cards," these Positions and preferences are always "up for grabs."


    For an incarnation, for a single Personality, the bi-Casting tends to be sustained, and this can change between lives. Because Casting is a matter of impact in how the Essence functions while incarnated, then it is either one or the other at work in the lifetime at any given time, and not a kind of blended effect. The shift in use of one over the other can be quite distinct in the Wild Card.


    In terms of how this functions within the Entity, there is far more fluidity up through the Astral, but by the Causal, the Position that has been the most fulfilling/fulfilled will tend to be settled upon.


    The impact of being a Wild Card is far-reaching in that this fragment may now also be a "surrogate" Essence Twin for another fragment, and be a part of different group of Traveling Companions. This is why there may tend to be a Position that is preferred, so as to help nurture those mathematical relationships into some stability.


    So if a fragment is 50th-Cast and is fulfilling a 6th Position that would have been the 48th-Cast, it would now be a part of that additional Cadence (traveling companions) that span the Cadre as every 48th and 50th Positions are linked.


    Or rather, to be clear, all 48th Positions are linked, and all 50th Positions are linked.


    This is further complicated (only in terms of the current model) in that there is also a sequential count that binds fragments, i.e. there is no 48th and 49th POSITION, but there would be a 48th and 49th Raw Number (sequential count). Raw Number and Position are often not the same thing, particularly in an Entity with Wild Cards.


    How this works with you, then, is that your incarnations may have a hard time wrangling in these Wild Cards for Tasks, and even when you did, it may be difficult to sustain a shared direction for any length of time because they may be, literally, of two minds, and this can be difficult to adapt to at times.


    This is not to say that the Wild Cards cannot focus on the Task, because that would be entirely inaccurate, but more that even as they focus, they can seem to be of a completely different mindset that is somehow upheld even as the work is being done, and this is not always easy to navigate.


    For those with Cadences "full" of Wild Cards, trying to gather in any lifetime might be like herding cats, if you will.


    Janet: I'm used to herding cats!


    This is probably a part of why.


    The fragments who are in their "own" inherent Position of Casting can often find a pattern of having to "hold down the fort," be the more solid and practical and stable, even when dealing with fragments outside of their Cadence.

    And regardless of Role.


    For those fragments, there is usually profound relief and exhilaration when they feel they can break free from that, even for just a bit, and "let their hair down," "be themselves," instead of "the adult" or the observer or the "sane one," etc, all the time.


    It is tremendously important for non-Wild Card fragments in a Cadence of Wild Cards to have their "crazy time."


    We will continue this exploration in further exchanges with you, Janet.

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      By Kasia
      OMW - Apr 3, 2011 - Personality Pathways
      Channel: Troy Tolley
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      [Oscar] you mentioned "...the positions within the Entity become fleshed out, so to speak, and the contributions to the Entity become important as an intention...", would you elaborate on how that works exactly and how that works for wild cards?
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      Eventually, each position will bring his function/records from the park and back onto the bus, and then the process of organizing ALL of that begins.
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      Wild Cards, ironically, become some of the most-focused, streamlined, and tunnel-visioned of all fragments in the entity during the older soul ages.
      [TimW] What is the best way to validate where one's "core" focus is? For instance, if my attitude is spiritualist (which I'm still seeking to validate), how would this look different if it is the core focus from when it is not?
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      The core then is around which all of the others revolve.
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      [ClaireC] Could you elaborate on "manifested soul age can tend to throw the emphasis of a Personality into a different core"?
      Over the course of a lifetime, the emphasis of core will evolve, eventually to align with the true core.
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      Until then, there may be a sense of being skewed, unsettled, restless, etc. because the emphasized core is not the true core.
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      However, the older one gets in physical and psychological age, the more that gap between the emphasized core and the true core can become, and this can become problematic.
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      When we speak of someone's "manifested" soul age, we are referring to a sustained emphasis, and not just a flexibility of focus for various contexts.
      So the farther away from ones technical soul age one is "manifesting," the farther away one may be from his core, as well, and the less comfortable and aligned within and without one might feel.
      We will continue with the topic now.
      Over the course of lifetimes, your Essence creates your Personalities with more information, experience, and intentions, and that is reflected in the choice of what Core Overleaf is first chosen.
      In that process, the Core Overleaf becomes the "spokesperson," if you will, for the rest of the design of the Personality.
      This may be difficult to imagine, and we are limited by analogies here, but we will try to convey the process.
      Essence would choose the Attitude, first, for example, and so it is that the Spiritualist, for example, is then informed by Essence as to what the plans and intentions and Karma etc. are for the life ahead.
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      This naturally changes the Personality immediately, and that combination now chooses the next Overleaf.
      This second Overleaf chosen is the Support Overleaf.
      The third Overleaf is the Seed Overleaf.
      The fourth Overleaf is the Navigational Overleaf. As this is new information for our channel, other terms could be used, such as the Correctional or Calibrational Overleaf.
      The Support Overleaf does whatever the Core Overleaf leads into and adds to its emphasis, and generally supports the entire Personality.
      An example: a Spiritualist interprets life as a spectrum of Possibilities, and in its positive pole will Investigate those Possibilities; if that person has his Goal of Acceptance as a Support Overleaf, then the Positive Pole of Agape would embrace whatever opportunity/possibility comes forth from the life.
      If that same Spiritualist is in the Negative Pole and goes forward into experiences with unquestioned Beliefs, then Acceptance would support this with an inclination for Ingratiation, or doing what is felt to be necessary for accepting/being accepted.
      The Seed Overleaf is that Overleaf through which all experiences are then funneled into tangibility.
      For instance, then, the Spiritualist with a Goal of Acceptance has his Seed Overleaf as the Mode of Observation.
      This would translate into the life primarily being built from philosophies and perspectives, or the interpretation of life, and then supported by the accomplishments or actions of the Goal, and then manifested or played out in Relationships.
      In other words, the results of the efforts of the Core and its Support could be checked against how well Relationships are going, and what is going on in them, the health of those relationships, etc.
      In this case, if the Core and Support are in the Negative Poles, then the Relationships/Mode may very well be, as well, and Relationships may be experienced as having a sense of isolation, lack, distance, ineffectiveness, etc. as Observation is in Surveillance, or watching, but not living.
      In this case, the Calibration Overleaf would be the Body Type, and it could be that the health becomes a factor in how one processes, removes, or corrects the events, situations, or relationships, etc.
      In the example above, it might be that the Body Type that manages the health of the body is Venusian, and if the Core, Support, and Seed are in the Negative Poles, then the health may fall into "sloppiness," or a rather chaotic collapse that forces attention to it as a means for correction, removal, or full processing.
      We would like to check in here to see if we are conveying this information clearly enough. Is this pattern of the Personality making sense so far?
      [TimW] yes, thank you
      [Jill] yes
      [Oscar] yes 😃
      [Mstudent_al] yes, very
      [Maureen] yes - but complex 🙂
      MEntity: We will continue, then.
      [ClaireC] yes, very much so
      As each of you experience your life, you will have these patterns of Personality that are core patterns, but there will be certain contexts that require flexibilities, and while this will never usurp your core patterns, the flexibility comes in handy for new experiences.
      The Overleaf that takes the lead in projects and when working with others sharing an intention that seeks tangibility is the GOAL.
      The Overleaf that takes the lead in social situations and especially when first introducing yourselves is the ATTITUDE.
      The Overleaf that takes the lead in relationships and especially when the intention is intimacy (and not limited to romantic intimacy, of course) is the MODE.
      The Overleaf that takes the lead in bonding and creating common grounds through which experiences can be mutually shared is the Body Type.
      Understanding these various contexts of emphasis can help in these various contexts.
      Knowing that upon first meeting someone, regardless of his or her Core, you will most likely share your own, and "meet" his or her, Attitude, first, can be enlightening.
      Knowing that it might take up to three exchanges for the Modes to become involved can be helpful for when it seems that you and the other person suddenly begin revealing a different level or facet of yourselves.
      Knowing that your Attitudes and Modes may have to be set aside for a project and that your innate skills as relative to your own GOAL are most necessary for that project can help one to not take things personally and to focus on the tasks at hand.
      Knowing that being around each other in shared physical space, and how that is played out, is a vital factor in how well you can share common ground and process experiences together can be quite helpful.
      We will refer to these as Contextual Cores.
      These do not lead to patterns within, as the Core Pattern cannot be usurped, but the Contextual Core would be the part of your Core Pattern that is shared with others.
      For instance, if someone's Core Pattern is Attitude, Goal, Mode, Body Type, and he is in a project-oriented context, bringing forth the Contextual Core of his Goal, he will still first have chosen this project because of his Core Philosophy, and this project must in some way support that.
      [Oscar] Could you give the Core Pattern for each of us (Core, Support, Seed, Calibrational/Navigational Overleaves)?
      Before we would share with any of you a Core Pattern based upon our interpretation of you, we would first encourage each of you to assess this for yourself.
      We can say that for most Old Souls, the Core Pattern tends to be Attitude, Goal, Mode, Body Type, but that is a tendency, not a standard.
      For Mature Souls, the Core Pattern tends to be Body Type, Mode, Goal, Attitude. For Young Souls: Goal, Mode, Body Type, Attitude.
      For Baby Souls, Attitude, Modes, Goals, Body Types.
      For Infant Souls, Mode, Attitude, Body Types, Goals.
      These, again, are tendencies, and not standards.
      All of this information shared today would require another round of discussion for elaboration, but this is a start.
      To help you in assessing your Core Pattern, we will offer a kind of phrase that may help:
      My life is built and shaped around/by my
      A) Philosophies/Perspectives,
      B) Ambitions/Pursuits,
      C) Relationships/Intimacies, or
      D) Behaviors and Health,
      which is supported by or challenged by my
      A) Philosophies/Perspectives,
      B) Ambitions/Pursuits,
      C) Relationships/Intimacies, or
      D) Behaviors and Health,....
      and plays out most obviously in my
      A) Philosophies/Perspectives,
      B) Ambitions/Pursuits,
      C) Relationships/Intimacies, or
      D) Behaviors and Health,
      and is sometimes/often corrected by, processed by, or altered by my
      A) Philosophies/Perspectives,
      B) Ambitions/Pursuits,
      C) Relationships/Intimacies, or
      D) Behaviors and Health.
      Using that crude phrasing, each of you might be able to share what you feel is your Core Pathway as you understand it currently. To make it easier, you can simply post the lettering associated with the various components.
      So the 'arrangement' of your Core 'package' would account for the order of what is 'cascaded' when one brings back their True Personality from their False?
      For example: A/B/C/D
      [TimW] I'm thinking mine: A/D/C/B
      MEntity: Yes, Maureen.
      [Elaine] acbd
      [Oscar] A/D/B/C
      [Martha] A/B/C/D?
      MEntity: For instance, if one has a pattern of A, B, C, D, and it has come to a place where the body's health (d) is reflecting the states of A, B, C, then the process of healing would begin with the Attitude, and then the Goal, and then the Relationships, before the body might show obvious recovery. This would not be the case in every blip of illness, but for those that alter the life in some way.
      [Maureen] I think I'm standard ~ A/B/C/D
      [Jill] ACDB
      [ClaireC] *A/D/C/B ?
      [Elaine] I am unsure about if I'm ACBD or ACDB
      If you would like to be clearer, translate your post into more relevant correspondences:
      A = A (attitude),
      B = G (goal),
      C = M (mode)
      D = B (body type).
      So your pattern may be A, G, M, B in this case.
      Now that you have this information, you may take it and use it over your next week or so as you observe the patterns of your life, and see if your first assessment is still accurate.
      [Mstudent_al] I think i'm AGMB; B in behavior more then health
      The information shared here is to allow for you to do the "work" part of "workshop."
      There is far more to this information that is available for elaboration, such as a more comprehensive definition of Core, Support, Seed, and Calibration Overleaves, as well as what it would mean for the Goal, Mode, Attitude, or Body Type to be in those positions. In addition to the elaborations, we will also mention that one's Core Pattern affects how one provokes or is provoked by another fragment's Core Pattern, and we can share more on that, later.
      Understanding your Core Pattern can help you to see the hows, whys, and whats of your experiences so that you can more effectively determine how, why, and what you experience.
      [Elaine] Karoliina received the following information regarding the process of solidifying of overleaves during 2nd IM. "During the 2nd Internal Monad, the first of the Overleaves will begin to manifest, and this will set the stage for the general arc of the entire lifetime. For instance, if the Attitude sets first, then the life would take on a more philosophical or Intellectual tone; whereas if the Mode is activated, then the life may bring more emphasis to the themes of relationships and intimacy, while the Goal would bring a life focused more on the gaining of experiences for the point of that Goal." Would that be different or connected to the core overleaf? Would the overleaf that manifests first during the 2nd IM always be the core overleaf, or not necessarily?
      What you quoted from us is an elaboration without the context that we were able to share with you today. During the 2nd Internal Monad, the Core Pattern begins its arc of manifestation through the Personality, which may or may not set the stage for a challenging lifetime.
      If the Core Pattern is A/G/M/B, and the pattern initiates as G, then this becomes part of the process of the 3rd and 4th Internal Monad for alignment with the Core.
      [Elaine] So it is the core pattern which would manifest first during the 2nd internal monad?
      ANY pattern can initially manifest, but it may not be aligned with the Core Pattern already in place; however, for the older souls, the Core is usually manifested during that time as it is already set.
      This is why it becomes a far more comprehensive project in designing and planning the lifetime the older the soul gets, because imprinting and too many random factors can affect the development of the Personality in ways that can be very difficult to recover from. But there are always parallel versions of the Personality that may do better than others, in terms of aligning with its Core Pattern.
      The farther the Personality from its Core, the less the Essence is allowed into the life, and Essence must "wait" until the life is over for the experiences to be collected from that Personality.
      [Oscar] You mentioned: "a Spiritualist interprets life as a spectrum of Possibilities." How do the other Attitudes interpret life?
      MEntity: The Spiritualist might be best understood as interpreting life as if he has never seen it before; the Stoic interprets life as if he has seen it all before; the Skeptic interprets life as if it can all be disproven; the Idealist interprets life as if it can all be improved; the Cynic interprets life the opposite of what it appears to be; the Realist interprets life as it appears to be; the Pragmatist will use whatever interpretation is most effective (or dogmatic).
      [Maureen] Is the pattern always the same - forwards and backwards - from False back to True and so on...i.e. A/M/G/B towards True and then B/G/M/A towards False? Is it that predictable?
      Think of the Core Pattern in the same way that body, itself, processes life: food must be taken in and moves through a pattern before releasing what is not of use. So the Core Pattern is just as static, in terms of how it best functions for Essence to manifest.
      However, as with even the Physical Body, the process does not have to be entirely static, but those times when it is not, the alteration is usually to accommodate an extreme scenario, such as one who may have to have food provided intravenously instead of through chewing.
      One's Core Pattern is how one naturally uses the Personality for the processing of Life, and using the Personality in its inherent pattern frees it for manifestation of Essence, but only if it chooses to use this inherent pattern. No Personality is required to do so, and its happiness or lack thereof is not dependent upon it; it just tends to be "easier" when allowed.
      Ironically, it is far more effort to override the Core Pattern than it is to use it, but many people choose to create from themselves someone else' idea about who they should be, rather than naturally being who they are.
      To fall back into the Core Pattern is a great relief for the bank of energy each of you have for use in a lifetime, which is a finite amount of energy, by the way.
      If 40% of your energy is being used to sustain someone else' idea of who you should be, this is 40% of your energy that is not being used for creating/nurturing what it is you truly desire.
      To be more specific in response to your question, it is only the Core that is necessary for concern when focusing on bringing the Personality back into True Personality.
      So if the Personality's Core is the Attitude, then to focus on bringing the Attitude back into the Positive Pole would naturally cascade through the rest of the Pattern.
      There is not a real "pattern" for manifesting False Personality, except in that the predominance of Negative Poles describes the degree to which one is manifesting the False Personality.
      And if there is a pattern, it would tend to be that if the Core is the Attitude, and it falls into the Negative Pole, it would then cascade through the rest of the Core Pattern.
      The Pathways tend to be unidirectional, and tend to start with the Core, but because they are connected like electrical pathways, the "currents," technically, could travel in either direction in effect.
      The same could be said of the pathways of the body: inserting something into the anus can cause the mouth to respond.
      We will conclude here with you today.
    • Johanne
      By Johanne
      Notions avancées sur le Moulage [NdT: Casting]
      Traduction de la causerie du 23 septembre 2018 avec l’entité Michael (EM)
       Référence : https://our.truthloveenergy.com/topic/2146-michael-speaks-september-23-2018-advanced-casting/?tab=comments#comment-17847
      [Note de la traduction : le mot « casting » n’est pas évident à traduire. Après discussion avec d’autres étudiants du site TLE, j’ai retenu la suggestion des termes « Moulage » et « Mouler ». Ce terme peut avoir des significations différentes selon le contexte et le domaine (par exemple : métallurgie ou céramique). Si on amalgame toutes les définitions et usages du terme Moulage trouvées via Internet, il peut servir à désigner autant les techniques de fabrication d’un moule ou d’une empreinte, que celles de la prise d’empreinte pour le reproduire; il désigne aussi l’objet formé au moyen d’un moule. Les termes Coulage/coulée sont des synonymes mais décrivent plus spécifiquement une technique de moulage. Lors d’une période de questions personnelles avec l’entité Michael, j’ai reçu cette information :
      <EM> For Casting, we think our French students may find « compter »  to be useful. Casting refers to relative position with the count of a pattern, so we think that a reference to that count is valid (…) We prefer terms that we use symbolically, rather than literally, even as these terms have literal contexts in society and language. Keep that in mind as you translate because the translation may be simpler than expected. Comme « moulage » ne répond pas directement à la suggestion de l’entité Michael, je reste très ouverte à d’autres suggestions/discussions]
      Entité Michael (EM) : Bonjour à chacun de vous. Nous sommes ici, maintenant. Nous pouvons commencer. Nous avons compris qu'un sujet va nous être demandé, alors nous vous invitons à poser votre question maintenant. 
      Janet: En réponse à une question sur le Moulage lors d’une session en 2008 qui traitait de l'utilisation pratique des Attributs, vous avez dit: 
      EM: Nous pensons que nous avons beaucoup à dire sur la façon dont le Moulage peut être exploré de manière plus tangible…. Le Moulage est un autre contexte qui aide à comprendre comment nous établissons nos rapports, mais au niveau de l'Essence, pas celui de la Personnalité, et nous ajouterions que ce « Moulage » inclut non seulement la position principale dans la cadence, mais la numérotation de la cadence elle-même, et le numéro de l’Entité. Ces trois nombres peuvent être discutés en termes de comment on peut prendre conscience de notre existence comme Essence et par rapport à d’autres Essences.
      Janet: S'il vous plaît, élaborez plus longuement sur le Moulage en vous fondant sur les commentaires que vous avez faits précédemment. 

      EM : Nous allons commencer. Cela sera utile pour nos étudiants qui connaissent déjà leur position de Moulage, leur numéro de Cadence et leur numéro d’Entité, mais si vous ne les connaissez pas pour le moment, ils peuvent être discernés avec le temps et avec les études ou demandés par l’intermédiaire de nos canaux. 

      Dans notre système, Moulage est un terme large qui décrit une position relative dans un groupe de 7. 

      Cela signifie que le Moulage peut faire référence à votre Position dans votre Cadence, à la position de votre Cadence dans une Grande Cadence, de votre Entité dans son Cadre, ou votre position par rapport à vos Compagnons de voyage/Essence Jumelle.
      Dans la plupart des cas, lorsqu’on fait référence au « Moulage », il s’agit de la Position dans une Cadence. 

      Une Cadence est un groupe spécifique de 7.
      La Cadence peut soit désigner le plus petit regroupement d’un Rôle dans une Entité ou soit un groupe de Compagnons de voyage/Essences Jumelles à travers le Cadre.

      Par exemple, le premier fragment moulé de la première Entité d'un Cadre est mathématiquement relié au premier fragment moulé de chacune des autres entités de ce Cadre. Cette « Cadence » est une Cadence de Compagnons de voyage, dont la plupart forment aussi des paires qui sont les Essences jumelles. 

      Cependant, le terme « Cadence » est le plus souvent utilisé pour désigner un groupe spécifique de 7 fragments ayant le même Rôle dans une Entité.

      Nous partageons les informations ci-dessus car nous souhaitons que vous connaissiez les utilisations plus larges de ces termes, même s'ils sont plus souvent utilisés pour désigner une chose plutôt qu'une autre. 

      Pour l’élaboration d’aujourd’hui sur le Moulage, nous nous concentrerons sur les utilisations les plus courantes de ces termes. 

      L’une des raisons de la demande d’élaborer sur le sujet du Moulage est d’explorer comment ces facteurs qui relèvent de l’Essence, influencent vos vies individuelles en tant que Personnalité. Le Moulage est une dynamique spécifique à l’Essence et ne décrit aucun élément de la Personnalité.

      CORRECTION: Le Moulage est une dynamique qui est spécifique à l’Essence et ne décrit aucun élément de la Personnalité. L’une des raisons de la demande d’élaborer sur le sujet du Moulage est d'explorer comment ces facteurs pourraient apparaître, être identifiés et utiles pour vos vies individuelles en tant que Personnalités. 

      Bien que le Moulage soit spécifique à l’Essence et aux relations de celle-ci avec d’autres Essences, il aura tendance à se manifester d'une manière ou d'une autre dans vos vies personnelles, en particulier lorsque vous progressez pour mieux correspondre et manifester l'Essence à travers la Vraie Personnalité. Les facteurs habituellement limités à la navigation et aux relations de l’Essence deviennent alors une partie de la dynamique de votre vie quotidienne.

      L'étude du Moulage et de ses énergies, sa dynamique et ses relations peut apporter une connaissance approfondie des belles structures de la Sentience et du cosmos, mais peut souvent rester imprécise sur la manière dont elles pourraient vous servir dans votre vie quotidienne. 

      Trois éléments du Moulage de votre Essence peuvent influer sur votre vie quotidienne. 




      Votre position de MOULAGE est la combinaison que vous recevez dans votre profil et qui décrit comment votre Rôle est Moulé. Par exemple, notre canal ici est un Sage MOULÉ-Serveur. 

      Votre Position de Moulage est si importante dans ses effets sur votre vie en tant qu’Essence et en tant que Personnalité qu’elle apparaîtra probablement avant même que votre Rôle ne soit clair pour vous.

      Votre POSITION DE MOULAGE restera un élément puissant de votre être jusque dans les plans supérieurs, même après que votre rôle cessera de vous définir. 

      Ce n'est pas qu'un Sage n'est plus un Sage, mais dans les plans supérieurs lorsque Cadences et Entités fusionnent, alors un groupe de Sages est un groupe de Sages et vous vous différencierez davantage par votre Position dans ce groupe de Sages que par votre Rôle de Sage. 

      Dans votre vie quotidienne, votre POSITION DE MOULAGE décrit comment votre Rôle est EXPRIMÉ. Cela colore tout ce qui concerne la manière dont votre Rôle se présente dans votre vie, comment se concentre ce qui est au cœur de l’Essence. 

      Ce sont des informations bien connues pour beaucoup de nos étudiants.

      Votre Moulage est souvent apparent dans le monde avant même votre Rôle. C'est souvent la façon dont vous vous introduisez aux autres. Par exemple, un Guerrier Moulé-Sage sera un comique charmant et séduisant avant de révéler les éléments plus ancrés et « sérieux » de protection et de loyauté. Plus tard, ce même Guerrier Moulé-Sage montrera d'une manière ou d'une autre que sa loyauté et sa protection de Guerrier s’expriment par le savoir et l'enseignement. 

      Nous pensons que tous les Rôles par Moulage que nous avons définis dans d’autres échanges, ont été archivés. Nous ne répéterons pas cela aujourd’hui, mais chaque Rôle sera différent, non seulement à cause des combinaisons des Attributs mais à cause du Moulage et comment le Rôle est exprimé et comment se révèle ce qui est au cœur de l’Essence.

      Cette compréhension peut vous aider à voir que vous ne serez pas toujours mis en évidence selon votre Rôle. Vous naviguerez souvent selon votre Moulage. 

      Cela peut parfois être une source de confusion pour ceux qui cherchent à déterminer eux-mêmes leur profil ou peut amener certains de nos canaux, qui comptent sur leur intuition, à obtenir des informations pas tout à fait exactes. 

      La façon la plus facile de faire la différence entre votre Rôle et votre Rôle-Moulé dans la vie quotidienne est que le Rôle-Moulé est comment vous vivez et votre Rôle est comment vous brillez. Les conditions doivent être réunies dans des scénarios spécifiques pour que votre Rôle brille vraiment, mais votre Rôle-Moulé assure la navigation et la gestion quotidiennes de la vie.
      Chaque entité est moulée dans un rythme qui est un compte de 7. Ces comptes de 7 sont groupés dans des groupes de 7. Ceci continue jusqu’à ce que l’Entité soit « complète ».

      Une autre façon de dire ce qui précède est que les Cadences sont regroupées dans ce qu'on appelle souvent les Grandes Cadences. 

      Votre position/numéro de Cadence est la position relative de votre Cadence dans une Grande Cadence. 

      Comme vous le savez peut-être déjà, les 7 rôles correspondent à 7 numéros/positions dans cet ordre: 1 SERVEUR, 2 ARTISAN, 3 GUERRIER, 4 CHERCHEUR, 5 SAGE, 6 PRÊTRE, 7 ROI. 

      Donc, si un Sage est dans la première Cadence d'une Grande Cadence de Sages, alors la position de la Cadence de ce Sage est UN, ou CADENCE DE SERVEUR

      Encore une fois, ce Moulage a des effets plus pertinents et significatifs dans la relation de l’Essence avec les autres Essences, mais plus vous Manifestez votre Essence dans votre vie, plus la Position de votre Cadence se révèlera dans COMMENT VOUS ÉTABLISSEZ VOS RAPPORTS AVEC LES AUTRES.
      Si votre numéro de cadence est QUATRE/CHERCHEUR, cela signifie que même si vous êtes un Sage Moulé-Sage, ou un Artisan Moulé-Artisan, vous pourriez vous retrouver à établir des relations avec les autres en utilisant les façons de faire d’un Chercheur. 

      Votre Numéro de Cadence peut vous aider à comprendre comment vous évaluez, naviguez, construisez, démantelez et entretenez la plupart de vos relations. 

      De nombreux facteurs entrent dans la dynamique d’une relation, mais lorsque vous Manifestez l’Essence, vous constaterez peut-être que votre Numéro de Cadence peut vous éclairer sur ce qui est important pour vous, ce qui vous intéresse et ce qui est un défi pour vous, en fonction de votre Position de Cadence. 

      Si vous connaissez votre Numéro/Position de Cadence, une lecture du Rôle qui y est corrélé peut vous éclairer sur la manière dont vous naviguez les relations et établissez des rapports avec les autres.

      La raison pour laquelle cela se manifeste comme la façon dont vous établissez des rapports avec les autres, c’est que c’est aussi comme cela que ça fonctionne dans les plans plus élevés. Votre Cadence travaille à l’intérieur de sa propre Grande Cadence et sa position dans la Grande Cadence détermine les contributions à l’évolution collective.
      Votre Grande Cadence aussi a une position, mais elle n’est pas proéminente ni déterminante dans aucun des plans.

      Et finalement, votre NUMÉRO/POSITION d'ENTITÉ décrit votre position relative au sein de votre Cadre et comment vous contribuez à l'évolution de votre Cadre, mais cela peut se manifester dans votre vie comme une aide pour colorer comment vous établissez vos rapports avec LE MONDE.
      « Le Monde » est pris ici au sens littéral, mais il comprend également vos relations avec votre communauté, un projet, votre lieu de travail, etc. Il décrit comment vous établissez vos rapports avec tout grand groupe à l’extérieur de votre cercle intime. 

      Donc, si vous êtes dans l'Entité DEUX/ARTISAN, vous établirez vos rapports avec le Monde dans les termes les plus larges comme le ferait un Artisan, quel que soit votre Rôle. Toute personne de l’entité DEUX aura tendance à être expressive, créative, chaotique, axée soit sur la création ou soit sur la destruction du « monde ». Tout ce qui est Artisan s'appliquera. 

      Encore une fois, il s’agit d’une définition assez générale, de sorte que l’effet peut souvent apparaître comme une caractéristique cumulative. 

      Plus vous participerez « au monde », plus cela vous semblera évident et vous permettra de mieux comprendre ce qui compte pour vous, quelles méthodes vous utilisez, ce qui est important pour vous, ce qui vous met au défi, etc.

      Le Moulage peut être un concept insaisissable qui dépend d'une très grande compréhension de la structure de la Sentience, mais ce que nous avons partagé ci-dessus peut être utile pour apporter un peu de tangibilité à ces concepts intangibles. 

      Nous vous invitons maintenant à poser des questions: *** LA FILE  EST MAINTENANT OUVERTE *** (note : nous ne pourrons pas fournir de détails personnalisés sur le Moulage dans le format d’aujourd'hui) 

      Uma: Choisissons-nous ces positions entre les Grands Cycles? 
      Uma: Avons-nous une compréhension de cela à partir des précédents Grands Cycles? 
      Uma: À quoi je pensais quand j'ai choisi d'être le 6ème fragment de la 1ère cadence d’une 6ème Entité d'un 2e cadre? 

      EM: Un Grand Cycle commence lorsque la décision est prise de revenir à la fragmentation et d'explorer l'univers à nouveau en tant que conscience indépendante. Cela signifie qu'un Grand Cycle peut commencer bien avant que le Moulage soit établi. Une fois que suffisamment de fragments ont convenu d'une trajectoire d'exploration, alors le Moulage commence. 

      Il est difficile d'expliquer le paradoxe de l’état d'unicité et de celui de conscience individuelle, mais il existe. La vaste collection de conscience est à l’unicité ce que les gouttes d’eau sont à l’océan. Il peut sembler qu'une goutte d'eau soit perdue dans cet océan, mais ces gouttes peuvent reprendre leur forme à tout moment et amener cette conscience indépendante dans la séparation. 

      Donc, le choix de revenir à la fragmentation est fait et un grand nombre de fragments s'entendent, puis le Moulage commence.

      De la même manière qu'une Essence individuelle apprend à mieux concevoir une Personnalité et une vie après une série de vies, l'étincelle individuelle de conscience apprend à mieux coordonner pour une efficacité maximale par rapport à un Grand Cycle. En d’autres termes, lors de son premier Grand Cycle, un fragment a tendance à prendre une Position soit qui est disponible ou soit au hasard, et cela détermine son Rôle et son Moulage, etc. 

      Cela peut prendre jusqu’à 7 Grands Cycles avant que l’on ne commence à saisir la profonde importance de nos positions Moulées. Le Moulage du Rôle a tendance à être la priorité lors des efforts initiaux, puis cela s’élargit pour inclure des considérations reliées à la Position de la Cadence et le Numéro de l’Entité.

      Dans votre cas, il y a peut-être eu une grande vision pour l'exploration de l'axe de l’Inspiration en mettant l'accent sur les éléments Prêtre et Serveur du Moulage. 


      Kurtis: Bonjour Ms, merci pour ce sujet. Je connais mon Rôle-Moulé et mon Entité, mais je n’ai pas la Position de ma Cadence. Je pense toutefois que je suis dans la Rangée Artisan et dans le Bloc Chercheur.
      Kurtis: Dans ce cas, j'aimerais savoir comment les Cadences Artisan vont établir des rapports avec les autres. Peut-être que je pourrais ainsi valider ma théorie à travers votre description. 

      Kurtis: Par Rangée et Bloc, je parle de Cadence et de Grande Cadence:
      EM : La description que nous avons donnée concernant la façon dont l’Entité Artisan pourrait établir des rapports avec le monde, pourrait s’appliquer à la façon dont la Cadence établit des rapports avec le Monde : expressive, créative, chaotique, axée sur la création ou la destruction de liens. Une Cadence Artisan a tendance à trouver les relations assez chaotiques et déroutantes à mesure qu'elle se fraie un chemin à travers la DÉSILLUSION et vers la CRÉATIVITÉ. Ces fragments auront tendance à devoir se dépouiller de toute tendance à projeter, et à apprendre à voir les gens pour qui et comment ils sont (par opposition à la manière dont ils souhaitent voir les autres ou comment ils souhaitent que les autres se comportent ou comment ils souhaitent être vus par les autres) afin de pouvoir établir des relations plus appropriées à partir d’un véritable consensus ou naviguer de façon plus consciente vers les relations qui sont saines tout en s’éloignant de celles qui pourraient ne pas l'être. 


      Janet: Je voudrais développer la question d'Uma. Y a-t-il des structures d'Entités pré-planifiées auxquelles on peut se joindre lorsque le Moulage commence? Ou les structures des Entités sont-elles construites en fonction de la manière dont les participants veulent jouer le jeu une fois qu’ils ont décidé de jouer? Je doute que les structures soient essentiellement les mêmes pour chaque Grand Cycle, mais je peux me tromper. 

      EM: Pour les nouveaux fragments, il y a des structures pré-planifiées en place qui tendent à être assez stables et « classiques » dans la conception d’entités de 1029 fragments sans jokers ou variables. Ces structures sont déterminées Cadre par Cadre. Par exemple, un Anneau d’Énergie (un groupe de 12 Cadres) peut avoir un Cadre ou deux de fragments ayant déjà fait l’expérience de 10 Grands Cycles et qui ont généré la conception de leur Cadre et même de l’Anneau d’énergie, tout en ayant des ensembles de fragments constituant d’autres Cadres mais ayant seulement 1 à 3 Grands Cycles d’expérience. 

      Plus le nombre de Grands Cycles d'une Entité est élevé, plus il est probable qu'elle s’éloignera de la structure « classique » et commencera à varier en nombre et à inclure des jokers.

      Comme dans cet univers le nombre moyen de Grands Cycles est de 3, la plupart des Entités et des Anneaux d’Énergie ont des structures relativement stables et classiques, tandis qu’avec les Cadres comme le vôtre où le nombre moyen de Grands Cycles est autour de 10, les structures sont beaucoup plus créatives et nuancées. 

      Et intentionnelles. 

      L'infrastructure d'un Design (notre terme pour l'ensemble d’une Sentience qui vise à s’incarner dans une espèce spécifique du Plan Physique) a tendance à être en place avant le Moulage lui-même. L’action réelle du Moulage consiste, dans les termes les plus simples, à prendre votre siège « permanent » pour ce Grand Cycle.

      Cependant, pour être un enseignant responsable, nous devons également dire que ce processus de Moulage est en fait un comptage rythmé qui est un processus officiel de « moulage » d’un fragment dans la Position qu’il prendra pour le Grand cycle. 

      Ce n'est pas aussi lent et linéaire que vous pourriez l'imaginer à partir de votre perspective linéaire du temps. En fait, un Design entier est « moulé en une fois », même s'il existe un comptage rythmé qui met le Design et le fragment en mouvement. 

      Nous avons comparé cela à la manière dont un boulanger peut faire un lot entier de biscuits « en une fois » malgré que chaque biscuit doive toujours être formé et placé individuellement. 

      Janet: Est-ce un rythme qui se poursuit tout au long du Cycle et qui fournit peut-être une signature au Cycle? 

      EM : Oui.

      C’est l’une des raisons pour lesquelles le processus de Moulage est comme il est. Il doit y avoir un rythme/battement actif en place qui amène puis ramène les fragments. 

      Ce rythme est au cœur de la beauté que vous cherchez de vies en vies pour retrouver votre chemin et avec lequel vous résonnez. C'est la partie Énergie des trois éléments constitutifs de chaque univers et qui sont la Vérité, l’Amour, et l’Énergie. 

      Uma: Est-ce similaire à la façon dont toutes nos vies existent simultanément? Nos vies sont-elles comme des fractales de ce processus? 

      EM: Chaque Grand Cycle a sa signature rythmique stockée en permanence au cœur de l’Essence et du Tao. Bien que chaque Grand Cycle soit « oublié » lors du démarrage d'un nouveau cycle, il reste enregistré et accessible à l’Essence via les Records Akashiques et au cœur du Centre Instinctif qui évolue avec le temps pour un Grand Cycle. 

      Le Moulage « en une fois » ou simultanément, même s'il y a un comptage rythmé, est similaire à la façon dont on vit toutes les vies simultanément, même s'il s'agit de vies individuelles à différentes périodes. Oui.

      C'est parce que la perspective fait une différence ici. Si vous regardez un calendrier qui montre l'année entière, vous pouvez vous souvenir de cette année comme d'une partie de votre vie et de la façon dont elle a façonné votre vie et ce que cela peut signifier pour votre évolution en termes de CETTE ANNÉE-LÀ, même si vous savez que l’année comprenait 365 jours et que vous pouvez déplacer votre conscience directement vers n’importe lequel de ces jours en utilisant vos souvenirs. 

      Donc, vous pouvez vivre vos 365 jours individuellement, et quand même les voir en termes D'ANNÉE (de jours simultanés). 

      Est-ce que cela répond à votre question, Uma? 

      Uma: Oui 
      Uma: mais cela me souffle aussi. 

      EM : Nous allons conclure ici pour aujourd'hui. Nous savons qu'il y aura toujours plus à explorer concernant ces termes et ces parties de notre enseignement et nous serons ici pour le faire.

      Bonne journée à chacun de vous. 

      Au revoir pour le moment.
    • Bobby
      By Bobby
      Michael Speaks - September 23, 2018 - Advanced Casting
      MEntity: Hello to each of you. We are here, now. We can begin. We understand a topic is to be posed so we invite your question now.

      Janet: In response to a question about casting in a 2008 session that discussed the practical use of Overleaves, you said:

      Janet: MEntity: We will say that we do have much to say about how Casting can be more tangibly explored…. Casting is another context that helps bring about an understanding of how one relates, but from the Essence Level, not the personality level, and we would add that "casting" would include not just the primary position within the cadence, but the cadence numbering, itself, and the entity number. These three numbers can be discussed in terms of how one can bring a conscious awareness to how one exists as Essence in relation to other Essences.

      Janet: Please provide a topic-length discussion of casting based on these comments you made earlier.

      MEntity: We will begin. It will be helpful for our students who already know their Casting Positions, Cadence Number, and Entity Number, but if you do not know these at the moment, they can be discerned over time and with study, or requested through our channels.

      In our system, Casting is a broad term to describe a relative position within a group of 7.

      This means that Casting can refer to your Position within your Cadence or your Cadence position within a Greater Cadence or it can mean the Entity within its group as a Cadre, or it can mean your position relative to your Traveling Companions/Essence Twin.

      In most instances when "Casting" is referenced, it refers to one's Position within one's Cadence.

      A Cadence is a specific grouping of 7.

      Cadence can refer to the smallest grouping of a Role within an Entity, or it can refer to the Cadence that is the group of Traveling Companions/Essence Twins across a Cadre.

      For example, the first-cast fragment of the first Entity in a Cadre is mathematically bonded to the first-cast fragment of every other Entity in that Cadre. That "Cadence" is a Cadence of Traveling Companions, with most paired up as Essence Twins.

      However, "Cadence" is most often used to refer to the specific group of 7 fragments of the same Role within an Entity.

      We share the information above because we wish for you to know the broader uses of the terms, even as they are more often used to refer to one thing over another.

      For today's elaboration on Casting, we will be focused on the more common uses of the terms.

      One of the reasons for the request for elaboration on this subject of Casting to explore how these factors that are of Essence play out within your individual lives as Personality. Casting is a dynamic that is specific to Essence and does not describe any element of Personality.

      CORECTION: Casting is a dynamic that is specific to Essence and does not describe any element of Personality. One of the reasons for the request for elaboration on this subject of Casting is to explore how these factors might show up and be identified and useful for your individual lives as Personalities.

      Though Casting is specific to Essence and the relationships of Essence with other Essences, it will tend to show up in effect in some way in your individual lives, especially as you grow more aligned with and Manifest Essence through True Personality. The factors that are usually limited to the navigation and relationships of Essence then become a part of the dynamic of your daily life.

      Studying Casting and its energies and dynamics and relationships can bring great insight into the beautiful structures of Sentience and the cosmos, but can often be elusive in how they might serve you in your daily life.

      There are three Casting elements of your Essence that may have an effect in your daily life.




      Your CASTING POSITION is the combination that you receive in your profile that describes how your Role is Cast. For example, our channel here is a Server-CAST Sage.

      Your Casting Position is so prominent in its effect in your life as an Essence and as Personality that it will likely show up even before your Role is clear to you.

      Your CASTING POSITION will continue as a powerful element of your being well into the higher planes even when your Role no longer defines you.

      It is not that a Sage is no longer a Sage, but in the higher planes when Cadences and Entities are merging, then a group of Sages is a group of Sages and you become more differentiated by your position within that group of Sages than by being a Sage.

      In your daily life, your CASTING POSITION describes how your role is EXPRESSED. It colors everything about how your Role shows up in your life, how your Essence focuses its core.

      This is fairly common knowledge to many of our students.

      Your Casting often shows up in the world even before your Role. It is often how you introduce yourself to others. For example, Sage-Cast Warrior will be a goofy and charming comic before revealing the more grounded and "serious" elements of protectiveness and loyalties. Later this same Sage-Cast Warrior will show that their Warrior-ness of loyalty and protection is expressed through knowledge and teaching in some way.

      We think it is archived where we have delineated all of the Roles by Casting in other exchanges. We will not do that again today, but every Role will "show up" differently, not just because of combinations of Overleaves, but because of Casting and how that Role is expressed, how that Essence reveals its core.

      This understanding can help you to see that you are not always going to be shining as your Role. You will often be navigating as your Casting.

      This can cause confusion sometimes for those self-assessing their profiles or can cause some channels who rely on their intuition to get information that is not quite accurate.

      The easiest way to tell the difference between your Role and your Casting in your daily life is that your Casting is how you live and your Role is how you shine. Conditions often have to coalesce into specific scenarios for your Role to truly shine, but your Casting does the daily navigation and management of the life.

      Every Entity is cast in a rhythm that is a count of 7. These counts of 7 are grouped into groups of 7. This continues until an Entity is "full."

      Another way of saying the above is that Cadences are grouped into what are often referred to Greater Cadences.

      Your CADENCE POSITION/NUMBER is your Cadence's relative position within a Greater Cadence.

      As you may already know, the 7 Roles correlate with 7 numbers/positions in this order: 1 SERVER, 2 ARTISAN, 3 WARRIOR, 4 SCHOLAR, 5 SAGE, 6 PRIEST, 7 KING.

      So if a Sage is in the first Cadence of a Greater Cadence of Sages, then this Sage's Cadence Position is ONE, or SERVER CADENCE.

      Again, this Casting has more relevant and meaningful effects as Essence relating to other Essences, but as you Manifest Essence in a lifetime, your CADENCE POSITION can show up in HOW YOU RELATE TO OTHERS.

      If your Cadence Number is FOUR/SCHOLAR, this means that even if you are a Sage-Cast Sage, or an Artisan-Cast Artisan, you may find yourself building relationships with others through the ways of a Scholar.

      Your Cadence Number can help you understand how you assess, navigate, build, dismantle, and nurture most of your relationships.

      There are many factors that go into the dynamics of a relationship, but as you Manifest Essence, you may find that your Cadence Number sheds some light on what is important to you and what appeals to you and what is a challenge for you based on your Cadence Position.

      If you know your Cadence Number/Position, reading up on the correlating Role can shed light on how you navigate relationships and relate to others.

      The reason this shows up as how you relate to others is because that is also how it works for Essence in the higher planes. Your Cadence works within its own Greater Cadence and its position within that Greater Cadence determines the contributions to the collaborative evolution.

      Your Greater Cadence also has a position, but it is not as prominent or defining in any plane.

      And finally, your ENTITY NUMBER/POSITION describes your relative position within your Cadre and how you contribute to the evolution of your Cadre, but it can show up in your life as helping to color how you relate to THE WORLD.

      "The World" here is literal, but it also includes how you relate to your community, to a project, to the workplace, etc. It describes how you relate to any larger group that is outside of your intimate circle.

      So if you are in Entity TWO/ARTISAN, you will relate to the world in the broadest of terms as an Artisan, regardless of your Role. Anyone from a TWO Entity will tend to be expressive, creative, chaotic, focusing on either creating or destroying "the world." Everything that is Artisan will apply.

      Again, this is in quite broad terms, so it can often show up as a cumulative characteristic.

      The more you participate "in the world," the more this might be obvious to you and shed insight into what matters to you, what methods you use, what is important to you, what challenges you, etc.

      Casting can be an elusive concept that depends on a grand understanding of the structure of Sentience, but what we shared above can be helpful for bringing some tangibility to these intangible concepts.

      We will open the floor now to your questions: ***QUEUE IS NOW OPEN*** (note, we will not be able to deliver individual details for Casting in this format today)

      Uma: Do we choose these positions between Grand Cycles?
      Uma: Do we have an understanding of this from previous Grand Cycles?
      Uma: What was I thinking when I chose to be a 6th fragment in a 1st Cadence in a 6th Entity in a 2nd Cadre?

      MEntity: A Grand Cycle begins when the decision is made to return to fragmentation and explore the universe again as an independent consciousness. This means that a Grand Cycle can begin long before Casting is set. Once enough fragments have agreed to a trajectory for exploration, then the Casting begins.

      It is difficult to explain the paradox of oneness and individual consciousness, but it exists. The vast collection of consciousness that is the oneness is similar to how drops of water are the ocean. It may seem a drop of water is lost in that ocean, but those drops can form again at any time and carry that independent awareness into separation.

      So the choice to return to fragmentation is made and a massive number of fragments agree and then the Casting begins.

      In the same way that an individual Essence learns better how to design a Personality and lifetime over a series of lifetimes, so does the individual spark of consciousness learn to better coordinate for maximum effectiveness over a Grand Cycle. In other words, a fragment's first Grand Cycle tends to take a Position wherever there is a Position or randomly, and this determines the Role and Casting, etc.

      It tends to take 7 Grand Cycles before one begins to grasp the far-reaching relevance of one's Casting Positions. The Casting of the Role tends to take priority in those initial efforts and then this expands to include consideration for the Cadence Position and Entity Number.

      In your case, there may have been grand vision of exploring the Inspiration Axis by emphasizing the Priest and Server elements of Casting.


      Kurtis: Hi Ms, thanks for this topic. I know my Casting Position and Entity, but do not have my Cadence Position; I think I am in an Artisan Row and Scholar Block though.

      Kurtis: In that case, I would like to know about how Artisan Cadences would relate to others? Perhaps I can validate my theory through your description here.

      Kurtis: By Row and Block I mean Cadence and Greater Cadence

      MEntity: The same description we gave for how the Artisan Entity might relate to The World would apply to how the Cadence relates to Others: Expressive, creative, chaotic, focusing on creating or destroying bonds. An Artisan Cadence tends to find relationships quite chaotic and confusing as they work their way through DELUSION and into CREATIVITY. These fragments will tend to have to strip themselves of any inclination to project and learn to see people for who and how they are (as opposed to how they wish to see others or how they wish others to behave or how they wish to be seen by others) so that they can build more appropriate relationships from a real common ground or navigate in more conscious ways toward those relationships that are healthy and away from those that may not be healthy.


      Janet: I have to expand on Uma’s question. Are there pre-planned Entity structures to join when Casting begins? Or are the Entity structures built based on how the participants want to play the game after deciding to play? I doubt that the structures are essentially the same for every Grand Cycle, but I could be wrong.

      MEntity: For new fragments, preplanned structures are in place and tend to be quite stable and "classic" in the design of 1029 fragments for each entity with no Wild Cards or variables. These structures are determined Cadre by Cadre. For example, one Energy Ring (group of 12 Cadres) can have a Cadre or two of fragments with 10 Grand Cycles under their belts who generate the design of their Cadre and even the Energy Ring, while also having a set of fragments making up other Cadres who have only 1 to 3 Grand Cycles.

      The higher the number of Grand Cycles for an Entity, the more likely it breaks out of the "classic" structure and begins to vary in number and include Wild Cards.

      As the average number of Grand Cycles in this universe is 3, most Entities and Energy Rings are quite stable and classic in structure, while Cadres like your own where the average Grand Cycles are around 10, the structures are far more creative and nuanced.

      And intentional.

      The infrastructure of a Design (our term for the whole of Sentience that will aim for incarnating as a specific species in the Physical Plane) tends to be mostly in place before the actual Casting. The actual action of Casting is in the simplest terms a matter of then taking your "permanent" seat for that Grand Cycle.

      However, to be a responsible teacher we must also say that this Casting process is, in fact, a rhythmic count that is an official process of "casting" one in the Position that one will take for the Grand Cycle.

      It is not as slow and as linear as you might imagine from your position in linear time. In fact, an entire Design is "cast at once," even as there is a rhythmic count that sets the design and fragment in motion.

      We have compared this to how a baker may make an entire batch of cookies "all at once" even as each cookie must still be formed and place individually.

      Janet: Is it a rhythm that continues through the Cycle and maybe provides a signature of the Cycle?

      MEntity: Yes.

      That is one of the reasons for the Casting process to be the way it is. There must be an active rhythm/beat in place that carries the fragments out and then back.

      That beat is at the heart of the beauty you seek and resonate with over lifetimes to find your way home. It is the Energy part of the Truth, Love, Energy building blocks of every universe.

      Uma: Is it similar to the way all our lives exist simultaneously? our lifetimes are like fractals of this process?

      MEntity: Every Grand Cycle will have its signature rhythm that is permanently stored in the core of Essence and Tao. Though every Grand Cycle is "forgotten" upon starting a new one, it remains on record and accessible to Essence through the Akashic Records and deep in the Instinctive Center that evolves over time for a Grand Cycle.

      Casting as "all at once" or simultaneously even as there is a rhythmic count is similar to how one lives all lives simultaneously even as they are individual lives within various time frames. Yes.

      This is because perspective makes a difference here. If you look at a calendar that shows the entire year, you can remember that year as a part of your life and how it shaped your life and what it meant to your evolution in terms of THAT YEAR, even as you know you had 365 days that comprised that year and can move your awareness right into any one of those days through your memories.

      So you can live your 365 individual days, but still see these in terms of a YEAR (simultaneous days).

      Does this answer your question, Uma?

      Uma: Yes
      Uma: but it blows my mind too

      MEntity: We will conclude here for today. We know there will always be more to explore regarding these terms and these parts of our teaching and we will be here to do so.

      Good day to each of you.

      Goodbye, for now.
    • Janet
      By Janet
      [Excerpt from Michael Speaks: October 2005]
      [kittlekats41] I would like to know if fragments who are in the same entity and share all of the same casting information except are on three different ‘sides’ have any special connection or relationship, and how that might manifest?
      [M Entity] There are variations of visualizations for how an entity may be “constructed,” and while the tubular pyramid is popular so as to provide the illusion of “sides,” the sphere is more accurate. We mention this because the connections among fragments within an entity happen in many “directions,” most often creating a star-like pattern radiating out from that position.
      [kittlekats41] radiating like a Moravian type star?
      [M Entity] 
      The “Moravian star” image is valid, though if one were to actually “see” the connections among fragments within an entity, the “star-like” image might seem more like a synapsis, or spark; much like what is depicted in animations describing the process of the brain “thinking.”
      The triangular tube is helpful in one form of visualization, so we will offer another simplistic visual for the sake of answering your question. Providing Entity Structure visuals is quite complicated to convey without actual visuals, but for the sake of answering you within this forum, we will remain with the triangular tube.
      A “classic” entity will then have 3 groups of 343 (hence, the triangular “sides” often portrayed by our channels; 3 sides of 343). It could then be said that PROPORTIONALLY speaking, the positions within one group of 343 is “connected” to each of the “same” positions within each group/side of 343.
      [kittlekats41] that is the basis of my question, yes
      [M Entity] 
      The bonding factor among those sharing “casting” is based on the shared emphasis of that casting position. A fragment who is within a Server Greater Cadence (ONE), Sage Cadence (Column FIVE), Scholar Position (FOUR) on one “side” will share the emphasis of those three coordinates with the fragments on the other two “sides.” Each fragment within that tri-bond would exemplify one facet of manifestation of the same qualities/influences described by the specific coordinate points. In other words, one fragment would exemplify the TRUTH/Expression aspect, another would exemplify the LOVE/Inspiration, and the other would exemplify the ENERGY (beauty)/Action aspect.
      The “tri-bond” could be described as the most karmic bond one shares within one’s entity. Entities grow and morph through experiences based on the tri-bonds among these shared coordinates throughout the entity more than any other.
    • DanielaS
      By DanielaS
      July 1, 2004
      Troy Tolley, Channel
      Michael Speaks Online – Open Floor
      [Note: Here is the transcript from Thursday’s Chat! It was great! I have asked Michael for some clarification on some of it, so there is editing involved. Enjoy! Troy]
      [M Entity] Hello to everyone. We are here with you. Tonight we will open the floor to any questions or topics of interest to each of you as best we can. Troy has restrictions against personal questions, but if you have a way to present a question that is beneficial for all, we will attempt to respond accordingly.
      [kittlekats41] This is based on a personal experience, but I am interested in an answer that everyone can relate to: when we moved down to Atlanta we stopped overnight at a hotel. Upon arrival here [to Atlanta] the energy felt off-centered and discordant, which it hadn’t been before. One of the cats was especially vocal and restless. We determined that we had picked up a ‘stray’ energy that attached itself to us at the hotel with a number of others; we were able to clean the space and remove the energy into a better environment for it – an old tree that is grounded. The question is: a) how common is it for this type of experience to occur? b) how can we deal with it when it does? and c) are animals a common barometer to identify when it happens? That is my question:-)
      [M Entity]
      We would first respond that we would not describe any energy as “stray” that might attach itself to you randomly. We have rarely seen a case of energetic resonance that was not in some way “invited” or allowed. However, what you refer to as “hotels” and “motels” are full of what might accurately be described as “echo energies”. In other words, the emotional and intellectual imprints from the many fragments passing through a small space (which is assumed by fragments to be a sanctuary in many ways) can become literally “coated” with these “echoes” of energy. In the same way that there are “ghosts” of the dead, there are “ghosts” of the living, as well. “Ghosts” are merely echoes of energy, whether from the living or the dead.
      With all of that being said, your being affected by an echo is based on a particular resonance you must have had with that “echo”. It appears to us that you were in a space of deeper concern, worry, anticipation, and possibly anxiety, than you were in the previous trip.
      [kittlekats41] true
      [M Entity] This would naturally align you with any other fragment's concerns, worries, anticipations, anxiety that had left an imprint in that hotel room or location. This alignment then would naturally amplify your own energy, yet again, and because it then becomes disproportional to your original concerns, etc., it can feel strangely disconcerting and distracting.
      [kittlekats41] would that echo remain as a presence for a number of weeks afterwards and be detected by the animals?
      [M Entity]
      We will respond to your questions as quickly and as orderly as possible.
      The way you can “deal with this” is to consciously “clear the space” in any environment that has acted as a sanctuary for so many other fragments. Doing so upon settling into your room can greatly increase your experience of peace and temporary ownership of that space. A simple visualization of a colorful light of your choice sweeping through the room and clearing it of all darker or heavier energies is enough. It is not necessary to create an elaborate ritual; just a simple, conscious shifting of the room’s energy to accommodate you is enough. We would suggest avoiding rituals focusing on “protection”, as this simply amplifies a contrast between you and your space and does not effect a peaceful, restful shift.
      Animals are more sensitive to these echoes than most humans, but they are even more sensitive to the effects of the echoes on their human companions. In other words, your animal companion was responding to your own agitations than to the separate “stray energy” you theorized. The “echo” remains only in the space in which is imprinted, but the effects of that echo upon you can last for weeks. It was Good Work that you created time to transform that effect upon you and to ground yourself again.
      [BradburySE] I just have a question about the number of inputs for the various roles. It seems to be well known that Artisans have five inputs and Sages three, but how about the other roles? I've never seen this written anywhere.
      [M Entity] The “solid roles” of King, Warrior, and Scholar have a single input, while the inspirational roles of Priest and Server have 2 inputs.
      [H2OSprtlvr] We were talking about the 9/11 movie by Michael Moore and it was mentioned that he is a Sage and he had a reincarnation from Josiah Royce. This seems confusing to me that he is a Sage, because all the studying and fact finding is so Scholar. I was wondering where the Scholar might be in his personality, since Sages only want to have fun and are not into fact finding or writing books.
      [M Entity]
      First we will say that we have never said, nor have we implied, that Sages “only want to have fun” and that they are not “into fact finding or writing books”. This conclusion is highly simplified and inaccurate of the Sage and of the Scholar.
      The very Essence of a Sage is to find the Truth and then to disseminate what they have come to believe is true. In that search for the Truth, they will use any means possible. The stereotype of the Sage comes from the fact that in most cases a Sage's method of “fact-finding” and “writing books” simply ends up looking like so much more “fun”.
      By contrast, the Scholars have been responsible for some of the most influential and “beautiful” music on your planet. This could look contrary to the stereotype of the Scholar, but in fact the Scholar finds the connection between music and math to be one of the most beautiful aspects of life on earth and if that can be translated into music, they will try.
      We explain this to you to help contribute to your broadening understanding of the Roles of Sage and Scholar. This is not to say that the fragment now known as Michael Moore does not have Scholar influences, because, in fact, he actually does. This Sage is Scholar-Cast, with a Server Essence Twin.
      [H2OSprtvr] I realize I was stereotyping and I'm grateful for further clarification on the roles.
      [M Entity] Comparing the lives of Beethoven and Royce/Moore can give you great insight into the differences between how a Sage-Cast Scholar (Beethoven) vs. a Scholar-Cast Sage (Michael Moore) may act within a lifetime. In most cases, a Sage-Cast individual will behave more like the “stereotypical” Sage than a Sage with different Casting. Furthermore, in most instances when a fragment is behaving like one of the Essence “stereotypes”, it is usually an indicator of that person's Casting than of their Role.
      [BingeBuddie] I know this may seem like a very basic question, but I have had a hard time validating my role in essence. With so many factors to consider such as casting, ET influence, overleaves, and entity position, etc. is there any definitive way to determine your role? I’ve went with channels in the past, but that causes confusion because its difficult to tell what one input is as opposed to many inputs, such as Scholar having one and Artisan having 5. One channel Roles (Scholar, King, and Warrior) can concentrate in the midst of chaos right? So that's kind of what I try to look at. Is that a good indicator?
      [M Entity]
      No, we would not suggest using your ability to concentrate as your determining factor. The symptom of concentration vs. distraction in terms of Input is another of the simplifications that can happen when first learning about a part of the teaching. While it is true that an Essence with a single input can usually focus more intently in the midst of chaos, the influence of Personality, Imprinting, and Situations can greatly affect that level of concentration.
      What we would suggest as part of your validation of your Role in Essence is this:
      First, study the Roles. It is important to truly comprehend each Role. This means moving beyond the stereotypes that are a part of the initial stage of learning.
      Next, it is important to understand the vital differences between Essence and Casting. Casting affects how you behave “naturally”, how you express yourself to the world on a DAILY BASIS. Your Essence Role is most obviously comprehended in moments where you feel you SHINE.
      For instance:
      A Scholar-Cast Sage: In the daily life of this individual he may appear unkempt, distracted, refined, studious, directed, serious, and maybe even a bit out of synch socially, but this fragment would “shine” as soon as he was able to publicly share what he has gained as experiences in a way that was entertaining to at least a small group.
      A Sage-Cast Scholar, on the other hand, may be dramatic, socially obnoxious, emotional, depressed, extreme, performing, and chaotic in his daily life, but this fragment would “shine” when he is able to wholly comprehend something that can be finalized as a bit of profound personal knowledge.
      We do not know of a more appropriate word than “shine”. When you are in Essence, you feel complete, “on”, and you usually feel cohesion between your mundane self and your higher self. When we say “shine”, we do not intend to mean that everyone will see this, but rather that the Personality and Essence open to each other and a sense of lightness and wholeness pervade.
      We explain all of this to you in the context of an Essence having a different Role than Casting, but of course, there ARE Sage-Cast Sages and Scholar-Cast Scholars, but those fragments usually have little confusion as to their Role.
      Having explained those basic differences between Casting and Role in Essence, you can then figure out your Role or Casting by first determining if you feel you are more exalted or more ordinal in either of those contexts. In other words, in your DAILY LIFE, are you more one-on-one, but when you “shine”, are you surrounded by people? One-on-One might indicate a more Ordinal position, while being inclined toward groups can be an indication of an Exalted position.
      Once you have determined how you may behave in either context, you can then determine if you feel you are more compelled to have an inspiring, expressive, or active effect on your environment. This will then give you an indication as to the final role description you might be in your Casting or your Essence.
      For example, you may notice you are naturally more one-on-one in your daily life, thus indicating that you may be Ordinal-Cast, but when you “shine”, you notice you love to be in a group of people in some way, indicating you may be an Exalted Essence Role. Then you would determine if you are more inclined to be expressive, inspiring, or active in your daily life. If you find you are more concerned with inspiring, you could then safely start trying out the idea that you may be SERVER-CAST.
      When you “shine”, you may find you are more inclined to be expressive, entertaining, and teaching-oriented, which may indicate a SAGE ESSENCE. This would then be a Server-Cast Sage.
      We realize this can still be very confusing and difficult to determine, but it is a start. Because the Scholar Role is neutral, it can be the most difficult to determine and we would not be able to convey in this format the depth of questioning that would need to be explored for true validation of the Essence or Casting.
      One of the most important things you can do while studying our teaching and seeking to validate your Role, Casting, Overleaves, Entity, and Essence Twins, etc. is be open to an evolution of your understanding. You may discover that what you believed was inaccurate channeling is actually profoundly accurate to who you realize you are becoming (as you come into your own identity). Or you may discover that your self-determined Overleaves were highly inaccurate in your initial understanding and you now see that you are someone completely different after all.
      Never feel as if you must conclude who you are. Our system is designed to help you understand who you are, not complicate your self-perception.
      If you are thoroughly confused, pick a Role, pick your Overleaves, and begin “living with them”. You will begin to see what does and does not hold validity.
      [BingeBuddie] But would you have to be past the 4th internal monad to judge completely accurately as to what role you are? (not to ask ANOTHER lengthy question)
      [M Entity]
      It does help to have completed the 4th Internal Monad in the Positive Pole for true self-awareness in terms of Essence, Casting, and True Personality. But then, that is the very crux of having a completion of the 4th Internal Monad in the Positive Pole, so it is not a matter of waiting for that rite to pass before seeking valid self-awareness.
      We are working with Troy in creating two new ways of determining your own basic profiles: a self-test, and a step-by-step process of elimination method. We believe this will help many of our students.
      We never sought to have any student dependent on our channels, so this is an important evolution to our sharing of the teachings.
      We believe we have given you at least some “food for thought” until then.
      [freyaisissuz] That's great, Troy, I will keep it short. I have sensed a connection with J Royce/M Moore. Is he a “reality shifter” or “dream maker” as in cadre 1/entity 3; if another, where?
      [M Entity]
      That is a valid observation. This is a fragment some of our channels would call a “wild card” within Cadre One, Entity Three, as well. This fragment is one of the youngest soul ages in that Entity. (3rd Level Mature)
      If there are no more questions, we will conclude for the evening. If there are more questions, we will take one more.
      [BradburySE]: A quick one
      [M Entity] Yes, Shannon, we will conclude with your question.
      [BradburySE] Who is this other “Dogma Dismantler” besides Michael Moore of whom you spoke in Troy’s energy report? Where will we find him, and is he or she now incarnated?
      [M Entity] Yes, he is incarnated: a Server Essence Twin of the Sage known as Michael Moore. The Server is a reincarnation of William James now focusing on the funneling of necessary requirements as a means to convey the Sage's “truth”. He may only be peripherally identified in the media. We believe he is one of the “producers” of Michael Moore's films, as well as several of his own projects which reflect some of the profound psychology explored in his previous life as William James.
      [BradburySE] Thank you, we can figure it out from here most likely! ?
      [M Entity]
      This relationship would appear to be more like a Task Companion relationship, but that is not the case. The relationship is taut with disagreements and power struggles, regardless of the powerful results.
      Good night to all of you. We will conclude here.
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