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    Roles Correlating to Configuration Positions

    Kasia

    [Excerpt from TT: 2002-02-21]

     

    [LisaC] what do the roles listed have to do with the position they were paired with? Like why was server listed as love position?

     

    [M_Entity] LOVE is that which initiates and is part of EVERYTHING. Love, in terms of the Configurations and the resonance to the Server, is in the fact that the Server Essence is primary to this Universe. The Server Essence inspires on a most basic and attainable level, as does Love.

     

    This resonance DOES NOT, however, mean that only certain Roles will gravitate to the Positions. We merely showed the archetypal correlations so as to enhance your understanding of the Positions. LOVE knows what everyone needs, just as a Server does. A LOVE Position can be inspiring and enthusiastic, or obnoxious and manipulative, as a Server can be.

     

    We realize some of the correlations may appear counter-intuitive, but we remind you that correlations must be considered in context.

     

    For instance, we do not suggest making this sequence parallel to the Chakra System. Though it may very well “work,” it is not a shared context. We believe the most confusing correlations, besides the Server/Love, may be the Scholar/Support, and Artisan/Knowledge. We find the resonance particular to the Configurations because Artisans are ironically highly structured Essences and can refine a great amount of energy and information quite swiftly. A Scholar does not do so. A Scholar is far more interested in indulging in the information, for the sake of the information, than to refine it. As far as the Scholar/Support, we find the resonance there to be in that the energy of the Scholar does not get “invested” in any one angle, and can therefore remain objective, supportive, and cohesive to a group. This does not mean the Support Position does not contribute knowledge, but that it is not invested in any outcome.


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    • Johanne
      By Johanne
      LES ENTRÉES
       
       
       
      Traduction d’une causerie avec l’entité Michael, le 18 avril 2002
       
       
       
      Source anglaise : https://our.truthloveenergy.com/topic/463-michael-speaks-inputs/
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      [Note : je ne suis pas trop satisfait de la manière superficielle avec laquelle nous avons abordé les Entrées pendant la causerie, mais nous sommes limités sur ce que nous pouvons accomplir pendant une si courte période de temps. J’espère que nous pourrons continuer à élaborer sur ce sujet. T.T.]
       
      Entité Michael (EM)
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      [val2] Comme un Sage a trois Entrées, que se passe-t-il quand son Essence Jumelle et ses Compagnons de Tâche sont Artisans? Ajoutent-ils à ses Entrées?
       
      EM : Bien que le «suintement» [NdT : bleedthrough] puisse tendre à conférer une conscience apparemment extra dimensionnelle aux Entrées par défaut d'un Rôle, il n’y a pas « d’ajout » aux Entrées. En raison de la nature intime avec l’Essence Jumelle et les Compagnons de Tâche, il existe un niveau de communication et d'analyse qui permet d’avoir un angle potentiel et alternatif d’Entrée, mais cela n'est pas différent de demander l'avis d'un ami, si l’on peut dire. L'utilisation de l '«opinion» peut ou non influencer la capacité pour vous d'utiliser vos propres Entrées de manière appropriée, mais leurs Entrées ne sont pas littéralement ajoutées.
       
      [Suzanne] Michael, comment la fréquence est-elle liée à l'Entrée unique du Guerrier? J'ai une fréquence de 65, plutôt élevée pour un Guerrier, je suis Sage-moulé et je performe bien en multitâches.
       
      EM
      Dans les Âges plus jeunes de l'Âme, les Entrées peuvent avoir tendance à se manifester sous des formes influencées par le design général de l’Âme; mais au fur et à mesure que l’Âme acquiert de l’expérience, elle accroît son habileté à utiliser une Entrée d’une manière plus appropriée. Au fur et à mesure que l'Essence évolue, il en va de même pour sa capacité à rechercher les expériences à travers lesquelles l'équilibre peut être atteint et maintenu. Cet équilibre éventuel s’applique à tous les extrêmes du design, du ratio d’énergie hautement Focalisé ou hautement Créatif aux hautes ou basses Fréquences.
       
      Pour répondre directement à votre exemple, une interprétation simple d’une plus haute Fréquence associée à Une seule Entrée pourrait être que le mouvement vers la conscience, à travers un Processus, et vers la Compréhension (la triade de chaque Entrée), est «plus rapide» que dans le cas d’une Fréquence basse avec Une seule Entrée.
       
      Le «multitâche» n’est pas un indicateur du nombre d’Entrées; c'est un signe d'adaptabilité à votre culture actuelle. Un Rôle à Une Entrée et un Rôle à Cinq Entrées peuvent être également «multitâches», mais la méthode et l'expérience interne de chacun peuvent être très différentes.
       
      [ClaireN] Pourriez-vous expliquer s'il vous plaît comment les 4 dernières Entrées de l’Artisan sont vécues au cours d’une vie?
       
      EM
      Ce sera très simpliste, mais nous pensons pouvoir décrire un scénario familier:
       
      Pour un artisan, en dehors du Moment présent ou de la Tâche en cours, il semblera toujours y avoir un besoin pour quelque chose de NOUVEAU, une recherche intérieure ou extérieure pour la Muse ou l’Inspiration. On peut dire que c’est le Canal 2. Cela pourrait se manifester d’une façon aussi simple qu’une idée ou aussi profonde qu’un mouvement profondément spirituel et inspirant de créativité. En général, le canal 2 est le canal qui Cherche, Désire, Sait et VEUT créer un changement.
       
      Le Canal 3 se concentrera ensuite à essayer de "terminer" ce qui a été créé précédemment, et qui peut être aussi varié qu’un nouvel emploi, un déménagement ou un nouveau projet artistique. Le Canal 3 surveille vos «enfants», si l’on peut dire.
       
      Le Canal 4 se concentre sur le COMMENT d'un projet ou d’un changement. Cela peut aller du choix de vos couleurs et de votre argile pour un projet artistique, à la conception ou la recherche du chemin qui peut être le conduit ou le support à la création ou au changement. On peut dire que Canal 4 est votre «système de cartographie».
       
      Le Canal 5 est le Canal, ou l’Entrée, le plus large, car il est simultanément conscient de tout ce qui s'est passé et de toutes les probabilités du futur, ainsi que de toute la danse possible entre eux. Cela peut apparaître dans la vie d'un Artisan comme la partie de lui-même qui est douloureusement consciente du passé et de ses supposées erreurs, tout en étant désespérément consciente d’une utopie idéalisée d’un futur distant de ce qu’il fait.  Qu’importe comment il se manifeste, on peut dire que c’est le Canal qui COMPARE constamment. Comme nous l’avons dit, ceci est hautement simplifié, mais c’est un petit peu plus pour vous à considérer dans le cadre de notre partage de cette information au fil du temps.
       
      [Kathryn41] Comment le Rôle-moulé influence-t-il les Entrées? Un Rôle-moulé à multiples Entrées ajoute-t-il des dimensions à un Rôle à Entrée unique, et un Rôle-moulé à Entrée unique, ajoute-t-il de la concentration à un Rôle à multiples Entrées?
       
      EM
      Votre Rôle en Essence est la manière dont le Tao expérimente «à travers vous» les Plans inférieurs, tandis que le Rôle-moulé (étant plus permanent et plus omniprésent) pourrait être considéré comme la façon dont le Tao expérimente «à travers vous» la transition vers des Plans Supérieurs.
       
      Dans le Plan Physique, votre Rôle-moulé (en termes d’Entrée) est le moyen «alternatif» d’Entrée le plus directement disponible, mais c’est SEULEMENT CELA, une alternative. Le Rôle-moulé est une POSITION par rapport à un groupe, alors que votre Rôle en Essence, c'est VOUS. Le Rôle-moulé comme Entrée alternative n’est que TRÈS RAREMENT utilisé de cette façon et habituellement c’est quand un accès à une conscience multidimensionnelle est recherché. Certains canaux, guérisseurs et voyants légitimes ont tendance à accéder aux influences des Entrées du Rôle-moulé, si nécessaire. Pour la plupart, c'est votre Rôle en Essence qui définit vos Entrées.
       
      [JNelson] Il semble que chaque fragment soit capable d'expérimenter le monde comme le fait un Artisan à travers chaque Entrée. Comment cela se manifeste-t-il chez un Artisan par rapport à tous les autres?
       
      EM
      Nous vous rappelons que ce que nous décrivons est l'expérience de l'ESSENCE, pas nécessairement celle de la Personnalité. C'est de là que vient une certaine confusion.
       
      La Personnalité de chaque Fragment, indépendamment de son Essence, a la capacité de concevoir des Attributs qui soient plus ou moins concentrés, inspirants, créatifs ou divertissants. L'examen de vos Attributs en relation avec les Axes peut révéler la manière dont votre Personnalité filtre le monde POUR l’Essence. Cela augmente les possibilités de tous les Fragments. C’est pourquoi un Guerrier peut être créatif et un Artisan peut « casser la baraque ». Ceci ne veut pas dire que le design des Attributs a un effet sur comment l’Essence utilise les Entrées mais plutôt, cela peut expliquer pourquoi différents Fragments ont l’impression que ce qu’ils EXPÉRIMENTENT ou comment ils AGISSENT est différent de notre description des Entrées.
       
      La manière dont les cinq Entrées se manifestent de la façon la plus unique, pourrait être dans l'examen final de la façon dont un Artisan gère sa vie. Les Artisans ne traitent pas les expériences directement ou de manière ciblée, mais ils ont plutôt différents niveaux d’engagements dans différents thèmes de leur vie. Un Guerrier peut trouver un thème et se sentir obligé d’y coller jusqu’à ce qu’il en ait « extrait » tout ce qui était possible. L’Artisan, en revanche, peut constater qu’il a de nombreuses configurations dans sa vie, toutes se répétant et étant mises en évidence et revisitées à différentes étapes de sa vie.
       
      L'aspect qui définit le mieux l'Artisan, en termes d'Entrées, pourrait être dans sa recherche profonde et inlassable de "quelque chose". Bien que ce trait puisse être attribué à n'importe quel Fragment, nous parlons ici d’une façon beaucoup plus profonde qu’une simple distraction pour la Personnalité. L'Artisane « « sait » qu'il y a tellement plus que ce que l'on voit et pourtant, qui n’est palpable que lorsqu’elle le crée. Ce "savoir" versus sa "création" peut soit fusionner la Personnalité et l'Essence en une puissante force de créativité, ou soit que la Personnalité va se scinder de l’Essence et la rejeter.  L’illusion et la retraite deviennent de plus en plus l’emphase du Canal 4.
       
      [Anne751] Il n’y a plus de questions en attente pour ce soir.
       
      EM
      Donc nous avons terminé. Bonne nuit.
       
      ***
       
      Note de Janet, 8 septembre 2017: J'ai trouvé les informations supplémentaires suivantes qui ont apparemment été ajoutées à la transcription d'origine via des commentaires.
       
      RÉPONSES CANALISÉES DE MICHAEL [Le clavardage qui suit]
       
      Question: 
      Citation de Michael: " Dans un premier temps, nous définirons une «Entrée » comme un canal ou une fréquence à travers laquelle une essence prend conscience, traite et comprend".
       
      C’est l’un de mes plus gros problèmes quand je veux comprendre les Entrées. En quoi sont-elles différentes des Centres? J'ai l'habitude de penser que les Centres et leurs parties sont "l'Entrée" et la "Sortie" d'une personne. Ici, les Entrées semblent se substituer aux Centres.
       
      EM :
      Les CENTRES sont une dimension spécifique d’une expérience et/ou d’une expression, et bien qu’ils soient le contexte dans lequel un processus de la vie survient, ils ne sont pas le processus en lui-même. Comme les Centres ont une « entrée » et une « sortie » (qui pourrait alternativement être décrits comme l’Expérience et l’Expression du Centre), ils sont des contextes partagés par la plupart des êtres vivants et ne sont pas uniques à la Sentience.
       
       
       
      Par exemple, tous les êtres vivants ont un Centre Instinctif. Les abeilles et d’autres insectes communautaires ou les bancs de poissons ont principalement et purement un Centre de l’Action; les mammifères supérieurs, en particulier ceux qui ont des interactions avec les humains ont surtout et purement un Centre émotionnel (même les Félins), alors que les primates supérieurs, comme les chimpanzés, commencent à pouvoir avoir aussi un Centre Intellectuel. Cependant sans la conscience individualisée qui définit la Sentience, il n’y aura aucune Entrée pour différentier comment chaque Être pourrait créer et traiter une vie.
       
       
       
      Les Centres sont des fonctions et des outils pours les Corps du plan physique. "À l’extérieur" du Plan physique, ils sont vus plus précisément comme des contextes variés d'interaction avec le Tao.
       
      Les Entrées, cependant, font partie du design unique de la Sentience et des différents Rôles de l’Essence.
       
      Votre nombre d'Entrées décrit simplement comment vous pourriez utiliser n’importe lequel des outils qui vous sont disponibles que ce soit votre Attitude ou votre Centrage. Cela pourrait vous apporter une plus grande compréhension si vous faisiez la différence entre la manière dont l’Essence procède versus les outils disponibles pour supporter ce procédé.
       
       
       
      Les Entrées, qu’elles soient au nombre de Une, Deux, Trois ou Cinq, sont simplement le nombre de thèmes dont l’Essence est capable de: 
       
      Stade 1. Prendre conscience intérieurement 
      Stade 2. Traiter cette prise de conscience
      Stade 3. Comprendre de ce qui a été traité
       
      L'application de cette triade à chaque Entrée, et de l’objet principal de cette Entrée, peut vous aider à comprendre comment votre Essence traite la vie.
       
      En général, les Rois, les Guerriers et les Chercheurs ne peuvent traiter que d'un thème à la fois, que la personnalité soit submergée ou non dans plusieurs thèmes expérientiels. Si nécessaire, ce sur quoi l’Entrée focalise peut changer pour une période plus ou moins longue, mais ces Rôles ne trouveront pas le confort et l'adaptabilité nécessaires à l’immersion dans plusieurs thèmes en même temps. Nous ne parlons pas de leur capacité à regarder la télévision en cousant. Nous parlons des thèmes de vie actuels tels qu'ils s'appliquent pour leur digestion par l’Essence.
       
      Les Chercheurs, les Guerriers et les Rois évoluent de manière constante et durable à travers leurs expériences jusqu'à ce que la compréhension soit atteinte. Nous disons «compréhension» dans le sens de l’ESSENCE, pas nécessairement de celui de la Personnalité. Jusqu’à ce que l’Âme ait atteint l’Âge Vieux, la Personnalité ne se préoccupe pas vraiment que sa compréhension soit simultanée avec celle de l’Essence.
       
      Question: Je suis curieux des mathématiques de Michael cachées derrière le nombre d’Entrées donné à chacun des Rôles. Je soupçonne qu'il y a plus à dire.
       
      EM : 
      Bien qu’on puisse trouver des significations dans les valeurs et distribution numériques, ce serait une attribution arbitraire de significations et de symbolismes. Les Entrées sont similaires au fonctionnement de différents systèmes digestifs; certains ont un estomac, d’autres quatre, etc. La signification derrière le nombre d’Entrées a plus à voir avec les « espèces » particulières de l’Essence et son penchant vers l’expérimentation de certaines « diètes » qu’à n’importe quoi d’autre.
       
      Question: Ceci est une question générique qui va au-delà de seulement les Entrées, mais je me demande comment les Chercheurs conservent les "enregistrements" différemment des autres Rôles.
       
      EM:
      Les Chercheurs gèrent non seulement leurs propres enregistrements, mais comme chaque Essence met à jour ses propres enregistrements au sein de l'Entité et du Cadre, les Chercheurs mettent aussi à jour les enregistrements Akashiques. En d’autres termes, chaque Essence a sa propre "bibliothèque personnelle", mais le Chercheur rend cette information "universelle". Le fait de garder ces informations aussi à jour que possible, si l’on peut dire, permet à de nombreuses versions de la conscience et de la sentience d'y puiser. C'est la matière pour de nouveaux univers.
       
      Les Chercheurs ont une Entrée unique, car avoir une seule Entrée augmente la durée passée à profiter d’une expérience spécifique, plutôt que de toucher brièvement un thème, puis passer à de nouveaux, puis revenir plus tard avec une nouvelle perception.
       
      Les Chercheurs complètent leurs thèmes de manière à avoir une expérience "plus pure".
       
      Question: Citation de Michael: « Le Canal 4 se concentre sur le COMMENT d'un projet ou d’un changement. Cela peut aller du choix de vos couleurs et de votre argile pour un projet artistique, à la conception ou la recherche du chemin qui peut être le conduit ou le support à la création ou au changement ».
       
       
       
      Encore une fois, tout le monde ne peut-il pas se concentrer sur le choix des couleurs et de l'argile pour un projet artistique? Cela signifie-t-il que l'Essence de l’Artisan est constamment concentrée sur de telles sélections?
       
      EM : 
      Un Guerrier peut choisir son matériel pour un projet créatif, mais cela se fera dans les limites de son Entrée unique, ou d'un thème. En d'autres termes, ce projet créatif DANS SON ENSEMBLE aura un Stade 2, qui peut ÊTRE le choix des matériaux.
       
      Pour un Artisan, cependant, le choix d'un matériel aura son PROPRE stade 2.
       
       
       
      Compte-rendu publié le 11 février 2018
      Je pense que cet extrait d’un échange avec Michael lors d’une séance privée (21 décembre 2015) pourrait ajouter un éclairage sur le sujet des Entrées. 
      Janet: Juste pour préciser - le Rôle-moulé n'ajoute pas d'Entrées, n'est-ce pas?
       
      EM :
      Le Rôle-moulé n’ajoute pas d'Entrées, mais affecte les Entrées.
       
      Janet: C'est intéressant. Pouvez-vous développer un peu plus? Je n'avais pas encore entendu cela.
       
      EM : 
      Imaginez l’Entrée d’un Rôle comme jusqu’où on peut tourner la tête, et l’Entrée du Rôle-moulé comme le nombre de chaises qu’on a pour changer de direction.
       
      Ainsi, un Chercheur avec une Entrée unique ne peut que «regarder» droit devant lui, mais peut changer de siège pour voir dans différentes directions.
       
      Une Artisane Artisane-moulée peut non seulement tourner la tête dans 5 directions, mais elle dispose aussi de chaises pour voir dans 5 directions différentes.
       
      Janet: Vous m'avez devancée. Donc je peux voir partout! Lol
       
      EM :
      De pouvoir « voir partout » a ses défis et ses atouts, de même que d’avoir un seul siège et une Entrée unique.
       
      Aucune combinaison n'est une limitation par rapport à une autre. Elles sont simplement différentes. Chacune a ses avantages et ses inconvénients, ses défis et ses forces.
       
       
       
    • DanielaS
      By DanielaS
      July 1, 2004
      Troy Tolley, Channel
      Michael Speaks Online – Open Floor
       
      [Note: Here is the transcript from Thursday’s Chat! It was great! I have asked Michael for some clarification on some of it, so there is editing involved. Enjoy! Troy]
       
      [M Entity] Hello to everyone. We are here with you. Tonight we will open the floor to any questions or topics of interest to each of you as best we can. Troy has restrictions against personal questions, but if you have a way to present a question that is beneficial for all, we will attempt to respond accordingly.
       
      [kittlekats41] This is based on a personal experience, but I am interested in an answer that everyone can relate to: when we moved down to Atlanta we stopped overnight at a hotel. Upon arrival here [to Atlanta] the energy felt off-centered and discordant, which it hadn’t been before. One of the cats was especially vocal and restless. We determined that we had picked up a ‘stray’ energy that attached itself to us at the hotel with a number of others; we were able to clean the space and remove the energy into a better environment for it – an old tree that is grounded. The question is: a) how common is it for this type of experience to occur? b) how can we deal with it when it does? and c) are animals a common barometer to identify when it happens? That is my question:-)
       
      [M Entity]
      We would first respond that we would not describe any energy as “stray” that might attach itself to you randomly. We have rarely seen a case of energetic resonance that was not in some way “invited” or allowed. However, what you refer to as “hotels” and “motels” are full of what might accurately be described as “echo energies”. In other words, the emotional and intellectual imprints from the many fragments passing through a small space (which is assumed by fragments to be a sanctuary in many ways) can become literally “coated” with these “echoes” of energy. In the same way that there are “ghosts” of the dead, there are “ghosts” of the living, as well. “Ghosts” are merely echoes of energy, whether from the living or the dead.
       
      With all of that being said, your being affected by an echo is based on a particular resonance you must have had with that “echo”. It appears to us that you were in a space of deeper concern, worry, anticipation, and possibly anxiety, than you were in the previous trip.
       
      [kittlekats41] true
       
      [M Entity] This would naturally align you with any other fragment's concerns, worries, anticipations, anxiety that had left an imprint in that hotel room or location. This alignment then would naturally amplify your own energy, yet again, and because it then becomes disproportional to your original concerns, etc., it can feel strangely disconcerting and distracting.
       
      [kittlekats41] would that echo remain as a presence for a number of weeks afterwards and be detected by the animals?
       
      [M Entity]
      We will respond to your questions as quickly and as orderly as possible.
       
      The way you can “deal with this” is to consciously “clear the space” in any environment that has acted as a sanctuary for so many other fragments. Doing so upon settling into your room can greatly increase your experience of peace and temporary ownership of that space. A simple visualization of a colorful light of your choice sweeping through the room and clearing it of all darker or heavier energies is enough. It is not necessary to create an elaborate ritual; just a simple, conscious shifting of the room’s energy to accommodate you is enough. We would suggest avoiding rituals focusing on “protection”, as this simply amplifies a contrast between you and your space and does not effect a peaceful, restful shift.
       
      Animals are more sensitive to these echoes than most humans, but they are even more sensitive to the effects of the echoes on their human companions. In other words, your animal companion was responding to your own agitations than to the separate “stray energy” you theorized. The “echo” remains only in the space in which is imprinted, but the effects of that echo upon you can last for weeks. It was Good Work that you created time to transform that effect upon you and to ground yourself again.
       
      [BradburySE] I just have a question about the number of inputs for the various roles. It seems to be well known that Artisans have five inputs and Sages three, but how about the other roles? I've never seen this written anywhere.
       
      [M Entity] The “solid roles” of King, Warrior, and Scholar have a single input, while the inspirational roles of Priest and Server have 2 inputs.
       
      [H2OSprtlvr] We were talking about the 9/11 movie by Michael Moore and it was mentioned that he is a Sage and he had a reincarnation from Josiah Royce. This seems confusing to me that he is a Sage, because all the studying and fact finding is so Scholar. I was wondering where the Scholar might be in his personality, since Sages only want to have fun and are not into fact finding or writing books.
       
      [M Entity]
      First we will say that we have never said, nor have we implied, that Sages “only want to have fun” and that they are not “into fact finding or writing books”. This conclusion is highly simplified and inaccurate of the Sage and of the Scholar.
       
      The very Essence of a Sage is to find the Truth and then to disseminate what they have come to believe is true. In that search for the Truth, they will use any means possible. The stereotype of the Sage comes from the fact that in most cases a Sage's method of “fact-finding” and “writing books” simply ends up looking like so much more “fun”.
       
      By contrast, the Scholars have been responsible for some of the most influential and “beautiful” music on your planet. This could look contrary to the stereotype of the Scholar, but in fact the Scholar finds the connection between music and math to be one of the most beautiful aspects of life on earth and if that can be translated into music, they will try.
       
      We explain this to you to help contribute to your broadening understanding of the Roles of Sage and Scholar. This is not to say that the fragment now known as Michael Moore does not have Scholar influences, because, in fact, he actually does. This Sage is Scholar-Cast, with a Server Essence Twin.
       
      [H2OSprtvr] I realize I was stereotyping and I'm grateful for further clarification on the roles.
       
      [M Entity] Comparing the lives of Beethoven and Royce/Moore can give you great insight into the differences between how a Sage-Cast Scholar (Beethoven) vs. a Scholar-Cast Sage (Michael Moore) may act within a lifetime. In most cases, a Sage-Cast individual will behave more like the “stereotypical” Sage than a Sage with different Casting. Furthermore, in most instances when a fragment is behaving like one of the Essence “stereotypes”, it is usually an indicator of that person's Casting than of their Role.
       
      [BingeBuddie] I know this may seem like a very basic question, but I have had a hard time validating my role in essence. With so many factors to consider such as casting, ET influence, overleaves, and entity position, etc. is there any definitive way to determine your role? I’ve went with channels in the past, but that causes confusion because its difficult to tell what one input is as opposed to many inputs, such as Scholar having one and Artisan having 5. One channel Roles (Scholar, King, and Warrior) can concentrate in the midst of chaos right? So that's kind of what I try to look at. Is that a good indicator?
       
      [M Entity]
      No, we would not suggest using your ability to concentrate as your determining factor. The symptom of concentration vs. distraction in terms of Input is another of the simplifications that can happen when first learning about a part of the teaching. While it is true that an Essence with a single input can usually focus more intently in the midst of chaos, the influence of Personality, Imprinting, and Situations can greatly affect that level of concentration.
       
      What we would suggest as part of your validation of your Role in Essence is this:
       
      First, study the Roles. It is important to truly comprehend each Role. This means moving beyond the stereotypes that are a part of the initial stage of learning.
       
      Next, it is important to understand the vital differences between Essence and Casting. Casting affects how you behave “naturally”, how you express yourself to the world on a DAILY BASIS. Your Essence Role is most obviously comprehended in moments where you feel you SHINE.
       
      For instance:
       
      A Scholar-Cast Sage: In the daily life of this individual he may appear unkempt, distracted, refined, studious, directed, serious, and maybe even a bit out of synch socially, but this fragment would “shine” as soon as he was able to publicly share what he has gained as experiences in a way that was entertaining to at least a small group.
       
      A Sage-Cast Scholar, on the other hand, may be dramatic, socially obnoxious, emotional, depressed, extreme, performing, and chaotic in his daily life, but this fragment would “shine” when he is able to wholly comprehend something that can be finalized as a bit of profound personal knowledge.
       
      We do not know of a more appropriate word than “shine”. When you are in Essence, you feel complete, “on”, and you usually feel cohesion between your mundane self and your higher self. When we say “shine”, we do not intend to mean that everyone will see this, but rather that the Personality and Essence open to each other and a sense of lightness and wholeness pervade.
       
      We explain all of this to you in the context of an Essence having a different Role than Casting, but of course, there ARE Sage-Cast Sages and Scholar-Cast Scholars, but those fragments usually have little confusion as to their Role.
       
      Having explained those basic differences between Casting and Role in Essence, you can then figure out your Role or Casting by first determining if you feel you are more exalted or more ordinal in either of those contexts. In other words, in your DAILY LIFE, are you more one-on-one, but when you “shine”, are you surrounded by people? One-on-One might indicate a more Ordinal position, while being inclined toward groups can be an indication of an Exalted position.
       
      Once you have determined how you may behave in either context, you can then determine if you feel you are more compelled to have an inspiring, expressive, or active effect on your environment. This will then give you an indication as to the final role description you might be in your Casting or your Essence.
       
      For example, you may notice you are naturally more one-on-one in your daily life, thus indicating that you may be Ordinal-Cast, but when you “shine”, you notice you love to be in a group of people in some way, indicating you may be an Exalted Essence Role. Then you would determine if you are more inclined to be expressive, inspiring, or active in your daily life. If you find you are more concerned with inspiring, you could then safely start trying out the idea that you may be SERVER-CAST.
       
      When you “shine”, you may find you are more inclined to be expressive, entertaining, and teaching-oriented, which may indicate a SAGE ESSENCE. This would then be a Server-Cast Sage.
       
      We realize this can still be very confusing and difficult to determine, but it is a start. Because the Scholar Role is neutral, it can be the most difficult to determine and we would not be able to convey in this format the depth of questioning that would need to be explored for true validation of the Essence or Casting.
       
      One of the most important things you can do while studying our teaching and seeking to validate your Role, Casting, Overleaves, Entity, and Essence Twins, etc. is be open to an evolution of your understanding. You may discover that what you believed was inaccurate channeling is actually profoundly accurate to who you realize you are becoming (as you come into your own identity). Or you may discover that your self-determined Overleaves were highly inaccurate in your initial understanding and you now see that you are someone completely different after all.
       
      Never feel as if you must conclude who you are. Our system is designed to help you understand who you are, not complicate your self-perception.
       
      If you are thoroughly confused, pick a Role, pick your Overleaves, and begin “living with them”. You will begin to see what does and does not hold validity.
       
      [BingeBuddie] But would you have to be past the 4th internal monad to judge completely accurately as to what role you are? (not to ask ANOTHER lengthy question)
       
      [M Entity]
      It does help to have completed the 4th Internal Monad in the Positive Pole for true self-awareness in terms of Essence, Casting, and True Personality. But then, that is the very crux of having a completion of the 4th Internal Monad in the Positive Pole, so it is not a matter of waiting for that rite to pass before seeking valid self-awareness.
       
      We are working with Troy in creating two new ways of determining your own basic profiles: a self-test, and a step-by-step process of elimination method. We believe this will help many of our students.
       
      We never sought to have any student dependent on our channels, so this is an important evolution to our sharing of the teachings.
       
      We believe we have given you at least some “food for thought” until then.
       
      [freyaisissuz] That's great, Troy, I will keep it short. I have sensed a connection with J Royce/M Moore. Is he a “reality shifter” or “dream maker” as in cadre 1/entity 3; if another, where?
       
      [M Entity]
      That is a valid observation. This is a fragment some of our channels would call a “wild card” within Cadre One, Entity Three, as well. This fragment is one of the youngest soul ages in that Entity. (3rd Level Mature)
       
      If there are no more questions, we will conclude for the evening. If there are more questions, we will take one more.
       
      [BradburySE]: A quick one
       
      [M Entity] Yes, Shannon, we will conclude with your question.
       
      [BradburySE] Who is this other “Dogma Dismantler” besides Michael Moore of whom you spoke in Troy’s energy report? Where will we find him, and is he or she now incarnated?
       
      [M Entity] Yes, he is incarnated: a Server Essence Twin of the Sage known as Michael Moore. The Server is a reincarnation of William James now focusing on the funneling of necessary requirements as a means to convey the Sage's “truth”. He may only be peripherally identified in the media. We believe he is one of the “producers” of Michael Moore's films, as well as several of his own projects which reflect some of the profound psychology explored in his previous life as William James.
       
      [BradburySE] Thank you, we can figure it out from here most likely! ?
       
      [M Entity]
      This relationship would appear to be more like a Task Companion relationship, but that is not the case. The relationship is taut with disagreements and power struggles, regardless of the powerful results.
       
      Good night to all of you. We will conclude here.
    • NicholasV
      By NicholasV
      I find the following chart helpful and I wanted to share it with you all on this site.
       
      Note: This precise source of this material is unclear and is possibily not from Michael. The source page is http://www.michaelteachings.com/broom.html 
       
       I find it an interesting reference when trying to understand interactions between the roles. Hopefully someone else can benefit from it as well!
       
      A SERVER experiences/learns NOURISHMENT from another SERVER.
      A SERVER's exalted task is SERVICE for the SERVER Layer.
      A SERVER experiences/learns COMFORT from an ARTISAN.
      A SERVER's exalted task is BALANCE for the ARTISAN Layer.
      A SERVER experiences/learns SUPPORT from a WARRIOR.
      A SERVER's exalted task is CULTIVATION for the WARRIOR Layer.
      A SERVER experiences/learns THOUGHTFULNESS from a SCHOLAR.
      A SERVER's exalted task is ARCHIVIST for the SCHOLAR Layer.
      A SERVER experiences/learns ENCOURAGEMENT from a SAGE.
      A SERVER's exalted task is CELEBRATION for the SAGE Layer.
      A SERVER experiences/learns KINDNESS from a PRIEST.
      A SERVER's exalted task is DISABILITY for the PRIEST Layer.
      A SERVER experiences/learns ACKNOWLEDGMENT from a KING.
      A SERVER's exalted task is PATRONAGE for the KING Layer.
       
      An ARTISAN experiences/learns PATIENCE & TOLERANCE from a SERVER.
      An ARTISAN's exalted task is HEALTH for the SERVER Layer.
      An ARTISAN experiences/learns ACCELERATION from another ARTISAN.
      An ARTISAN's exalted task is COMPOSITION/IMAGINATION for the ARTISAN Layer.
      An ARTISAN experiences/learns AGILITY & GRACE from a WARRIOR.
      An ARTISAN's exalted task is HUSBANDRY for the WARRIOR Layer.
      An ARTISAN experiences/learns ADAPTABILITY from a SCHOLAR.
      An ARTISAN's exalted task is ANALYSIS for the SCHOLAR Layer.
      An ARTISAN experiences/learns CONTRAST from a SAGE.
      An ARTISAN's exalted task is CIRCULATION for the SAGE Layer.
      An ARTISAN experiences/learns ASPIRATION from a PRIEST.
      An ARTISAN's exalted task is PROPHECY for the PRIEST Layer.
      An ARTISAN experiences/learns RELEASE from a KING.
      An ARTISAN's exalted task is MANIFESTATION for the KING Layer.
       
      A WARRIOR experiences/learns STABILITY from a SERVER.
      A WARRIOR's exalted task is DOMESTICATION for the SERVER Layer.
      A WARRIOR experiences/learns FERTILITY from an ARTISAN.
      A WARRIOR's exalted task is LOCATION for the ARTISAN Layer.
      A WARRIOR experiences/learns ENDURANCE from another WARRIOR.
      A WARRIOR's exalted task is PROTECTION for the WARRIOR Layer.
      A WARRIOR experiences/learns COMPETENCE from a SCHOLAR.
      A WARRIOR's exalted task is PRESERVATION for the SCHOLAR Layer.
      A WARRIOR experiences/learns STRENGTH & EMPOWERMENT from a SAGE.
      A WARRIOR's exalted task is COOPERATION for the SAGE Layer.
      A WARRIOR experiences/learns COURAGE from a PRIEST.
      A WARRIOR's exalted task is SACRIFICE for the PRIEST Layer.
      A WARRIOR experiences/learns RESOLVE from a KING.
      A WARRIOR's exalted task is SURVIVAL for the KING Layer.
       
      A SCHOLAR experiences/learns RECOGNITION from a SERVER.
      A SCHOLAR's exalted task is GUIDANCE/MENTOR for the SERVER Layer.
      A SCHOLAR experiences/learns EXPERIMENTATION from an ARTISAN.
      A SCHOLAR's exalted task is DISCOVERY for the ARTISAN Layer.
      A SCHOLAR experiences/learns REVIEW from a WARRIOR.
      A SCHOLAR's exalted task is ORGANIZATION for the WARRIOR Layer.
      A SCHOLAR experiences/learns ABSORPTION from another SCHOLAR.
      A SCHOLAR's exalted task is RETENTION for the SCHOLAR Layer.
      A SCHOLAR experiences/learns STUDY from a SAGE.
      A SCHOLAR's exalted task is MEDIATION for the SAGE Layer.
      A SCHOLAR experiences/learns REFLECTION from a PRIEST.
      A SCHOLAR's exalted task is SIMPLIFICATION for the PRIEST Layer.
      A SCHOLAR experiences/learns OVERVIEW from a KING.
      A SCHOLAR's exalted task is INTEGRATION for the KING Layer.
       
      A SAGE experiences/learns SHARING from a SERVER.
      A SAGE's exalted task is PARTNERSHIP for the SERVER Layer.
      A SAGE experiences/learns GENEROSITY from an ARTISAN.
      A SAGE's exalted task is PRECIPITATION/INITIATION for the ARTISAN Layer.
      A SAGE experiences/learns ACCEPTABILITY from a WARRIOR.
      A SAGE's exalted task is ECONOMY/PRACTICALITY for the WARRIOR Layer.
      A SAGE experiences/learns CONCENTRATION from a SCHOLAR.
      A SAGE's exalted task is EDUCATION/TEACHING for the SCHOLAR Layer.
      A SAGE experiences/learns SOCIALIZATION from another SAGE.
      A SAGE's exalted task is HUMOR for the SAGE Layer.
      A SAGE experiences/learns INTERPRETATION from a PRIEST.
      A SAGE's exalted task is ADDICTION for the PRIEST Layer.
      A SAGE experiences/learns AUTHENTICITY from a KING.
      A SAGE's exalted task is UNION for the KING Layer.
       
      A PRIEST experiences/learns FORGIVENESS from a SERVER.
      A PRIEST's exalted task is WELCOME for the SERVER Layer.
      A PRIEST experiences/learns INNOCENCE from an ARTISAN.
      A PRIEST's exalted task is TRANSITION/TRANSFORMATION for the ARTISAN Layer.
      A PRIEST experiences/learns PRUDENCE from a WARRIOR.
      A PRIEST's exalted task is USEFULNESS for the WARRIOR Layer.
      A PRIEST experiences/learns EQUALITY from a SCHOLAR.
      A PRIEST's exalted task is PHILOSOPHY for the SCHOLAR Layer.
      A PRIEST experiences/learns GRATITUDE from a SAGE.
      A PRIEST's exalted task is INTERCOURSE/DIALOG for the SAGE Layer.
      A PRIEST experiences/learns TRUST & FAITH from another PRIEST.
      A PRIEST's exalted task is SALVAGE for the PRIEST Layer.
      A PRIEST experiences/learns EXPANSION from a KING.
      A PRIEST's exalted task is VISION for the KING Layer.
       
      A KING experiences/learns SELF-RELIANCE from a SERVER.
      A KING's exalted task is CONSERVATION for the SERVER Layer.
      A KING experiences/learns ELIMINATION from an ARTISAN.
      A KING's exalted task is CHOICE for the ARTISAN Layer.
      A KING experiences/learns CONSEQUENCE from a WARRIOR.
      A KING's exalted task is STRATEGY for the WARRIOR Layer.
      A KING experiences/learns IMPARTIALITY from a SCHOLAR.
      A KING's exalted task is REVELATION for the SCHOLAR Layer.
      A KING experiences/learns WISDOM from a SAGE.
      A KING's exalted task is DIPLOMACY for the SAGE Layer.
      A KING experiences/learns LIBERATION from a PRIEST.
      A KING's exalted task is PRINCIPLES/ETHICS for the PRIEST Layer.
      A KING experiences/learns PROSPERITY from another KING.
      A KING's exalted task is COMPLETION for the KING Layer.
    • DanielaS
      By DanielaS
      November 6, 2005
      Troy Tolley, Channel
      Michael Chat – Open Floor
       
      [Michael_Entity] Hello to all of you. We are here. You may begin your questions and as we understand it, Lori is first.
       
      [upstaate] I am asking for a Mini Energy Report for this month.
       
      [Michael_Entity]
      November marks the middle of the cycle emphasizing the processing of this year’s Chief Features of Self-deprecation and Arrogance on a collective level. This means that you have entered the psychological season, so to speak, which will allow the processing of the fears that are collectively generated in response to “inadequacies” and “vulnerabilities.” In most cases, this season of processing the collective fears is not done intimately, but played out in politics or larger-scale events.
       
      In this season, the emphasis on inadequacies and vulnerabilities has been glaringly evident in American politics.
       
      Even the concept of “Democracy” is being scrutinized to the point of revealing the absurdity of its lack of true implementation and weak points. There is a “quiet storm” brewing in the American (north) politics and November appears to be a pivotal month in defining how that will play out publicly. We are not speaking ominously, but simply stating the obvious: revelations are on the horizon and they will occur with grace or they will occur with tragedy, but probabilities show that they WILL occur; more specifically, a “domino-effect” of infrastructure collapse in what you call your current government (in the United States). When we state that that this “will” happen, we realize this word implies solid prediction, but we say that word in response to a 97% probability. In other words, the momentum is in place, regardless of how drastic a change might be made at this point, and is headed toward a “wall.” It is highly likely this momentum will hit that wall. At this time, we simply do not see your current President of the United States completing his term. We can also state this with some amount of unusual certainty because of the anticipation of those in the Astral; “all eyes” are focused for “the show.”
       
      To summarize the “mini-report,” then, in terms of world events: it appears most of you will find some kind of impact at some point as a result of the inadequacies and vulnerabilities being revealed within the current government of the United States. The pivotal period of time appears to be during this month, November, but the public results may not be obvious until later.
       
      On a more personal note, you may find yourselves walking through a period of time now wherein the flaws of OTHERS seem to be taking their toll on you. Distractions with the failures of OTHERS may be used to your advantage as a means to avoid your own flaws and vulnerabilities. This year's passage through the season of Chief Features appears to have a stronger emphasis than usual. A great many things have happened in the world over your year that have left the public angry and in want of finding someone to blame. Some years move through the Chief Feature season with ease and other years are buried in its emphasis. This year's months of October, November, and December may find each of you with at least one major challenge involving how to maneuver through the effects on you because of another person's choices or actions. It is a powerful opportunity to explore your own Overleaves, how you respond to the flaws and choices of others as they impact you, and doing this from the angle of the positive poles and make a shift in the dynamic that would normally leave you trapped. Regardless of your own Chief Features, there will still be an emphasis around you in relation to the year's chief features of Self-deprecation and Arrogance.
       
      The end of your year is always a passage through the evaluation of what you accomplished in the time that has passed since beginning of the “new year.” Therefore, November usually marks the painful passage of time wherein COMPARISONS begin to be your means of assessing your days. We suggest keeping check on your own Chief Features as you begin to find yourselves comparing. Comparing is a valid process of evaluation, but many of you use it against yourselves or against others. Reminding yourselves that it is a TOOL for use, not for abuse, will help in the month ahead.
       
      [Annsge] Deciding whether to follow up Lori's question….What are the probabilities of a complete change in government? What will this change expose?
       
      [Annsge] In US gov't?
       
      [Michael_Entity] The probabilities of a complete change are nearly inevitable, though most likely not fully implemented before another approximate 50 years. However, the current administration is precariously built in a way that as one member is: pulled into scrutiny, the entanglement from that person reveals other flaws, creating a near-cascade effect in revelation. The long-term change will be based on the exposure of a corrupt government whose impact upon the public is far more insidious and oppressive than ever considered possible. This is not sinister, but merely a result of withholding and hoarding of resources that have always been available. Much of what are concerns in the American culture and society are concerns that are utterly reversible within a single year, if resources were freed. The short-term change for which we see November as being pivotal is simply the revelation about the incompetence, manipulation, and deceit that permeates the current administration. We have always seen this presidency as the pivotal presidency that has the potential to end an outdated system of government, voting process, and public assistance.
       
      [Tmk1802] Back to basics. Is Male/Female ratio constant or does it change from life to life?
       
      [Michael_Entity]
      It is a constant. What changes is the ways in which this is expressed and the ways in which it is eventually balanced. The higher ratio is a good indication of how your incarnational process began, as Male bodies are 100% Male Energy and Female bodies are 100% Female Energy; therefore, if your ratio is higher Female, it is fairly safe to say that you began your incarnations in the bodies most comfortable. As the Essence evolves, so does the want for balance, so choosing bodies to counter your higher ratio begins at some point.
       
      Eventually, bodies are no longer the only means to bring balance and expression, but Events, Relationships, and Experiences are utilized.
       
      [Tibtyk] Greetings, Michael. “Essence” is, to be honest, mainly a word for me. Possibly a feeling, too, but vaguely so, at least not on a conscious level. How can I prove its existence to myself?
       
      [Tibtyk] And how to make the contact between Essence and Personality stronger, more reliable and more intimate? And, of course, more conscious.
       
      [Michael_Entity]
      The most powerful “proof” you have of your Essence is in any mirror you pass. It is only a matter of perception as to where you see the line drawn between “you” and “essence.”
       
      In the same way that one could ask for proof of Love, only symptoms can be highlighted or emphasized, giving an indication that something valid, yet amorphous, is involved.
       
      The line between “you” and “essence” is an illusion, so to simply see yourself as alive, animated, choosing… this is the most tangible proof.
       
      However, there are experiments to which you can invite your essence to partake.
       
      Essence delights in the opportunity to exist alongside the Personalities it creates. We cannot emphasize that enough.
       
      Much like an awkward parent standing on the sidelines from a teen who thinks he is “all that,” when Personality turns to Essence and asks if it wants to join, it is immediately available and with tremendous amounts of energy, truth, and love.
       
      Adjust your inner and outer vision to a decisive stance that you are gently and enthusiastically open to Essence.
       
      Then determine what you would like to have as “proof.”
       
      It could be as simple as a synchronicity or as complicated as a change in your life.
       
      Ask Essence to bring itself to your awareness at 7:07 every day. And watch this happen.
       
      Ask Essence to bring itself to your awareness by helping infuse you with the energy and empowerment to alter your life to a point of absolute abundance on your terms. And watch what happens.
       
      In all cases of experimentation YOU will be key.
       
      You will not see the 7:07 unless you LOOK.
       
      You will not experience the abundance you seek unless you DO.
       
      And in the end, you will then find the greatest proof of Essence, is you.
       
      [llawryf121] I've posted more detail over on the forum, but basically — what does it mean to “awaken the lightbody”?
       
      [Michael_Entity]
      That would be a phrase that is not one we would use, with the definition being relative to those who would use it. We suggest seeking definition with that context.
       
      In many cases of its use, we see that it is a more glamourous phrase to describe a process of owning the energy that is yours and using it in a way that we would describe as Good Work.
       
      In our system, then, it could be likened to the True Personality.
       
      Or Manifesting Essence.
       
      The fusion of Personality and Essence into a cocreative process.
       
      We believe that may help find a bridge between the original context for that phrase and how it might be translated into our system.
       
      They are the language of glamour
       
      [kittlekats41] For those scholars among us, I would appreciate any advice on how to release physical energy and injuries ‘held’ in the body or to process them more effectively
       
      [Michael_Entity] Laughing is the most powerful agent of healing for a Scholar. Laughing is result of the reconciliation of paradoxes, and paradoxes are part of the pain of a Scholar.
       
      [Carrot Wax 1] k, now my question has changed to extend this question to Sages and other roles :-)
       
      [Michael_Entity]
      The Scholar, more than any other Role, is more likely than any other Role to remain Emotionally isolated, generating the most elaborate of walls around his or her Personality.
       
      This Emotional isolation becomes an art and the ends to which the walls are justified by a Scholar are incredible.
       
      In many cases, the Scholar is literally clueless to the extent his walls isolate him.
       
      The effect this tends to have is a stagnancy of energy, for lack of a better phrase; the Emotional body grows “stale,” “moldy.”
       
      Laughter, then, is an immediate rush of fresh energy into the system of a Scholar, infusing for a moment the Emotional cells, so to speak.
       
      The walls that isolate the Scholar are in place because the Scholar cannot reconcile some things that require an Emotional element; therefore it becomes a paradox to the Scholar and he must isolate until it is “figured out.”
       
      Until he realizes that not all things can be “figured out,” but that they can sometimes require absurd hilarity as a means to bring resolution, he is locked in a cycle of theories.
       
      For the Scholar to identify several constant, reliable sources of laughter can literally save his or her life, or at the very least, alter the flow of energy to the point of bringing peace and resolution and health to a number of areas.
       
      How absurd for us to suggest for those Scholars battling cancer to “laugh it off,” but that is precisely our point. It is not a magickal solution, but it is one through which a Scholar can then find the means to more effective solutions, if needed.
       
      We have already addressed this issue in a lengthy session in the past, offering insights for all Roles. We will include that in the transcript for this session.
       
      In that case, we believe we have addressed Matthew's question for elaboration, and will respond to Suz's question as the final question.
       
      [Note: In lieu of adding the transcript mentioned, here is the link: Michael Speaks: Conscious Connection to Essence (3 of 3)]
       
      [freyaisissuz] We would like comment from Michael about exactly what is a secondary conscious channel with an agreement with Michael. Thanks
       
      [Michael_Entity] We are unclear as to what your question is.
       
      [freyaisissuz] What does Michael say is a ‘secondary conscious channel’ so students will better understand the concept?
       
      [Carrot Wax 1] is there a context this term was used in?
       
      [Michael_Entity] We do not recognize the phrase as being a part of our teaching, though one of our channels may have chosen it as a means to convey a concept.
       
      [freyaisissuz] It is information given to Al by a Michael channel.
       
      [kittlekats41] can you rephrase it Al?
       
      [llawryf121] probably should follow up with the original channel
       
      [upstaate] it was channeled that Al had an agreement with the Michaels, using the phrase, “as a secondary channel” A fragment will have an agreement to be a primary channel. What is a secondary? secondary conscious channel, that is
       
      [kittlekats41] would ‘conscious channel’ mean as opposed to a trance channel perhaps?
       
      [freyaisissuz] That's how Al understood it, Kate.
       
      [Michael_Entity] We would suggest asking that channel, as this phrasing did not originate with us. We suspect this is a phrasing used by our channels to describe a fragment with whom we have agreements to channel through, but not on a largely, public scale. It is not uncommon for certain phrasing to be generated by the channel as a means to convey a concept we have not created phrases for, ourselves.
       
      [freyaisissuz] That makes more sense, he doesn't care to go back to the previous channel.
       
      [kittlekats41] Would you have time perhaps to elucidate on the type of channeling agreements you have with students, Michael?
       
      freyaisissuz: Excellent, much better phrasing, Kathryn – Al
       
      [Michael_Entity] We do not have time, but that is simply the nature of our plane.
       
      [kittlekats41] hehehe of course, silly me:-)
       
      [Michael_Entity] We will conclude here, but include a response to that final question for the transcript.
       
      [ADDITIONAL INFORMATION IN RESPONSE TO FINAL QUESTION]
      (Disclaimer from Troy: I am asking this question as best I understood it, but I am uncertain if I conveyed it to Michael in the way the questioner meant it.)
       
      Please elucidate on the type of channeling agreements you have with students, Michael?
       
      [Michael_Entity]
      We have three tiers of Agreements with fragments who work with us in the form of “Channeling.”
       
      “Primary Students” are those fragments with whom we share Agreements that extend across many lifetimes and, of course, from before birth for this current lifetime. Our teaching is used by these students as one of their primary philosophies, if not their only primary philosophy.
       
      “Primary Channels” are those fragments with whom we share Agreements that extend across lifetimes and, of course, from before birth for this lifetime to use our teaching as a primary philosophy, and to help impart our teaching as a primary philosophy by giving us a medium of expression into the physical plane to our Primary Students.
       
      “Secondary Students” are those fragments with whom we share no original Agreement, but we develop an Agreement to accommodate their experimental exposure to our teaching. These fragments will most likely take only parts of our teaching as needed and not use it at a primary philosophy.
       
      “Secondary Channels” are those fragments with whom we share no original Agreement to act as our channel, but we develop an Agreement to accommodate these fragments who feel a strong drive to build their own teaching upon our philosophy.
       
      “Tertiary Students” are those fragments with whom we share no original Agreement and the student may never find valid contact with a channel, but we develop an Agreement to help guide in the use of our teaching as they might choose to use it as a guide for a period of time.
       
      “Tertiary Channels” are those fragments with whom we share no original Agreement, and these fragments do not have valid channeling skills, but we develop an Agreement to help build those skills, even as he or she may grossly misrepresent himself or herself. In other words, anyone claiming to channel us will automatically find a connection to us, though their ability to hear or convey us may be severely limited, despite their eagerness and sense of connection to us.
       
      “Regulators” are those fragments with whom we have Agreements (which may or may not have been generated before birth) to not only gather tangible records of all works offered by our Primary and Secondary Channels, but to help question, authenticate, and validate (and invalidate) this material.
       
      In some cases, there is overlapping Agreements, such as an Agreement to be a Regulator while also being a Primary Channel or Student.
       
      Ultimately, we come to all who ask. Our teaching is accessible to anyone.
    • Troy
      By Troy
      [This material is a reproduction of Michael Speaks: Inputs, which was delivered on April 18, 2002.]
       
      [M_Entity]
      Welcome. We are here. We understand the requested Topic to be that of “Inputs.”
       
      Very little has been said in terms of Inputs because the topic is a bit more nonlinear in appearance than most of the aspects of our Teaching. It “makes no sense” to some of our channels and students; therefore the topic is dismissed or vaguely understood. In nearly all aspects of our Teaching there is an order and consistency that can be counted on, but some aspects of the universe, while still sustaining an awesome order, may not “fit in” with the patterns of every other thing you have come to understand. We assure you though; there is still an awesome order and compassionate intelligence behind even the most bewildering parts of the universe, known and unknown.
       
      First, we will define “INPUT” as a channel or frequency through which an Essence becomes aware, processes, and comprehends.
       
      3 of the Roles in Essence have ONE INPUT; these are the Scholar, Warrior, and King Essences.
      2 of the Roles in Essence have TWO INPUTS; these are the Priest and Server.
      1 of the Roles in Essence has THREE INPUTS; this is the Sage.
      1 of the Roles in Essence has FIVE INPUTS; this is the Artisan.
       
      The strange distribution of Inputs has to do with the Roles themselves acting as “sensory units,” so to speak, for Tao. Because the Physical Plane is of the most unique and densest of all Planes, 3 Roles in Essence are distributed with ONE INPUT so as to gain awareness, Process, and Comprehend FROM BEGINNING TO END in a linear fashion inherent to the Physical Plane. By default, Warriors and Kings are ACTION AXIS Roles and therefore inherently have ONE INPUT, as that is “natural” to Action. Being the most comfortable and compatible with the Physical Plane, Tao (or “the universe) is able to gain profound experiences through the linear process of gaining awareness and comprehension.
       
      The Scholars (who are the memory cells of Tao in many ways) have ONE INPUT so as to maintain a direct link to the Akashic Records/Plane. Because Scholars are specifically designed as ambient, experiential “sponges”, this ONE INPUT allows them to act as excellent, direct, recording devices and conduits between the Physical Plane and the Akashic Plane. Although all fragments update their own records (usually having to be done between lives or through conscious awareness), Scholars do so for themselves, their Entity, and/or Cadre.
       
      Because Scholars, Warriors, and Kings are by nature inclined to focus on very specific themes for study, conquest, or mastery (respectively), having One Input allows them to excel in the Task at Hand (by standards of Essence.)
       
      With this understanding, it would not be amiss to say that ALL FRAGMENTS have at least One Input focused on NOW, or in other words, capable of being focused on the present, the task at hand, the moment, etc.
       
      The Inspiration Roles of Priest and Server have an Additional Input as a means to maintain a connection to what INSPIRES them. In general, the Two Inputs for the Priest will have one focused on the Task At Hand, while the other maintains the Vision, or Higher Ideal. For the Server, one Input is focused on the Task At Hand, while the other is focused on the Common Good, or WHAT IS NEEDED.
       
      Inspirational Roles were the Tao’s idea of providing the universe with a means to provide for ALL FRAGMENTS an access to something “beyond the moment.” It could be said that the Priest then provides access to “what is beyond the Self”, while the Server provides access to “what is within the Self.”
      In general, the Expression Roles are the means for the Tao to continue reinventing or transforming itself throughout the Planes.
       
      As Kings and Warriors we can attest to the importance of the “pesky Sage” and the “kooky Artisans” as the single- or double-input Roles can tend to take to life a bit more “seriously”. Artisans and Sages can certainly be serious, which tends to be interpreted as “dramatic”, but they do bring a much-needed levity to the density of the Physical Plane.
       
      The Sage, in addition to the one Input focused on the Task At Hand, will have a second Input to sustain connection to whatever that fragment deems is “the Truth,” while a third Input is focused on the expression of that Truth. This can be translated rather simply as a Sage having an Input for gauging his Audience (task at hand), his Truth, and how to express that to the Audience.
       
      The Artisan, having the most Inputs, is the Tao’s means to constantly keep the universe “fresh,” revitalized, and “alive.” They are the guarantee in the Universe that ideas of the Tao can continue to come into existence. All Roles are expressions of Tao, of course, but Artisans are more a direct conduit for Tao than can sometimes be comprehended by the mundane levels of life.
       
      The Single-Input Roles are focused on directly experiencing the Planes, the Dual-Input Roles are focused on expanding beyond them, the Triple-Input Role is focused on keeping the truth entertaining, and the Quintet-Input Role is focused on creating new contexts for it all.
       
      The Artisan then has one Input on the Task At Hand, another on generating creativity, another on maintaining or generating the manifestation of a previous creation, another on maintaining or generating the medium of that manifestation, and a final Input that is literally tuned to All That Has Come To Be. Artisans are CHANGE manifested; therefore they are tuned to those 5 dimensions of Creativity.
       
      This is simply a basic introduction to the Inputs and why they are distributed in this manner among the Roles, but there is a great deal more information available about these aspects of Essence. We will take your Questions now.
       
      [val2] If a sage has three inputs what happens when they have an Artisan for essence twins and task companions, are they adding to their inputs?
       
      [M_Entity] Though “bleedthrough” can tend to lend seemingly extra dimensional awareness to the default Inputs of a Role, they are NOT “added” to the Inputs. Because of the intimate nature between Essence Twins and between Task Companions, there is a level of communication and assessment that does allow a potential, alternative angle of Input, but this is no different from asking for a friend’s opinion, so to speak. The use of the “opinion” may or may not influence the ability for you to use of your own Inputs appropriately, but they do not literally get added in.
       
      [Suzanne] Michael, how does frequency tie into the one input for warrior? I have a rather high 65 for a warrior, being sage cast, and can multitask well.
       
      [M_Entity]
      In the younger soul ages the Inputs can tend to manifest in ways affected by the general design of the soul, but as the soul gains experience, so does it gain the ability to utilize the Input more appropriately. As the Essence evolves, so does its ability to seek out the experiences through which balance can be attained and maintained. This eventual balance applies to all extremes of design, from the highly-Focused or highly-Creative Energy Ratio to high or low Frequencies.
       
      To respond directly to your example, a simple interpretation of a Higher Frequency matched with One Input could be that the movement toward Awareness, through a Process, and to Comprehension (the triad of each Input), is “faster” than a Lower Frequency with One Input.
       
      “Multitasking” is not an indicator of the number of Inputs; it is a sign of adaptability within your current culture. A One-Input Role and a Five-Input Role can equally “multitask”, but the method and internal experience for each may be quite different.
       
      [ClaireN] Could you please explain how the last 4 Artisan inputs are experienced in a life?
       
      [M_Entity]
      This will be highly simplistic, but we think we may be able to describe a familiar scenario:
       
      For an Artisan, other than the Moment, or Task At Hand, there will always seem to be a need for something NEW, a search inside or out for the Muse or Inspiration. This could be said to be Channel 2. This could manifest as simply as an idea or as profoundly as a deep, spiritual inspirational move to creativity. In general then Channel 2 would be the channel that Searches, Desires, Knows, and NEEDS to create change.
       
      Channel 3 then will be focused on trying to “finish” that which has being created previously, ranging from a new job, new move, to a new art project. Channel 3 monitors your “children,” so to speak.
       
      Channel 4 then is focused on the HOW of a project or path of change. This can range from choosing your colors and clay for an art project, to designing or finding the path that is capable of actually being the conduit or medium for the creation or change. Channel 4 can be said to be your “mapping system.”
       
      Channel 5 is the broadest Channel, or Input, as it is simultaneously aware of all that has come to pass and all the probabilities of the future, and the entire dance that is possible among them. This can show up in an Artisan’s life as the part of them that is painfully aware of the past and its supposed mistakes, while desperately aware of an idealized utopia of a distant future of their making. However it shows up, it can be said to be the Channel that is constantly COMPARING. As we said, this is highly simplistic, but a bit more for you to consider as we share this information over time.
       
      [Kathryn41] How does casting influence input? Does a multi-input casting position add dimensionality to a single input role, and a single input casting position adds focus for a multi-input role?
       
      [M_Entity]
      Your Role in Essence is how Tao experiences the Lower Planes “through you,” while the Casting (being more permanent and pervasive) could be said to be how Tao experiences “through you” while transiting the Higher Planes.
       
      While Physical, your Casting (in terms of Input) is the most directly available “alternative” means of Input, but it is ONLY THAT, an alternative. Casting is a POSITION relative to a group, while your Role in Essence IS YOU. Casting as an alternative Input is accessed in that way VERY RARELY and usually when access to multidimensional awareness is sought. Some Channels, Healers, and legitimate Psychics tend to access Casting Input influences, if necessary. For most, it is your Role in Essence that defines your Inputs.
       
      [JNelson] It would seem every Fragment is capable of experiencing the world like the way an Artisan does through each Input. How does it manifest uniquely in an Artisan compared to everyone else?
       
      [M_Entity]
      We remind you that what we describe is the ESSENCE’S experience, not necessarily the Personality’s. This is where some confusion comes in.
       
      The Personality of every single Fragment, regardless of its Essence, has the ability to design Overleaves that are more or less focused, inspirational, creative, or entertaining. Examining your Overleaves in relation to the Axis can reveal the way your Personality filters the world FOR Essence. This expands on the possibilities of all Fragments then. That is why a Warrior can be absolutely creative, and an Artisan can “kick ass.” This is not to say the design of Overleaves has an effect on how Essence INPUTS, but rather, it does help explain why varying Fragments feel they EXPERIENCE or BEHAVE in ways different than our Input descriptions define.
       
      The way the Five Inputs manifest MOST uniquely could be in the final examination of how an Artisan processes a life. Artisans do not process experiences directly or with focus, but rather have varying levels of commitment to varying themes in their lives. A Warrior may find a theme and find himself compelled to stick through it until everything that can possibly be “milked” from it is. An Artisan, on the other hand, may find she has many patterns in her life, all repeating and being highlighted and revisited in varying stages of her life.
       
      The most defining aspect of the Artisan, in terms of inputs, could be said to be in their deeply restless search for “something.” Although this trait can be attributed to any fragment, we are speaking in far more profound ways than a simple distraction for a Personality. The Artisan has a “knowing” that there is so much more than what is seen and yet is it is not touchable until she creates it. This “knowing” vs “creating” can either fuse the Personality and Essence into a powerful force of creativity, or the Personality begins to splinter and reject the Essence. Delusion and retreat then become more and more the emphasis of Channel Four.
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