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  1. July 1, 2004 Troy Tolley, Channel Michael Speaks Online – Open Floor [Note: Here is the transcript from Thursday’s Chat! It was great! I have asked Michael for some clarification on some of it, so there is editing involved. Enjoy! Troy] [M Entity] Hello to everyone. We are here with you. Tonight we will open the floor to any questions or topics of interest to each of you as best we can. Troy has restrictions against personal questions, but if you have a way to present a question that is beneficial for all, we will attempt to respond accordingly. [kittlekats41] This is based on a personal experience, but I am interested in an answer that everyone can relate to: when we moved down to Atlanta we stopped overnight at a hotel. Upon arrival here [to Atlanta] the energy felt off-centered and discordant, which it hadn’t been before. One of the cats was especially vocal and restless. We determined that we had picked up a ‘stray’ energy that attached itself to us at the hotel with a number of others; we were able to clean the space and remove the energy into a better environment for it – an old tree that is grounded. The question is: a) how common is it for this type of experience to occur? b) how can we deal with it when it does? and c) are animals a common barometer to identify when it happens? That is my question:-) [M Entity] We would first respond that we would not describe any energy as “stray” that might attach itself to you randomly. We have rarely seen a case of energetic resonance that was not in some way “invited” or allowed. However, what you refer to as “hotels” and “motels” are full of what might accurately be described as “echo energies”. In other words, the emotional and intellectual imprints from the many fragments passing through a small space (which is assumed by fragments to be a sanctuary in many ways) can become literally “coated” with these “echoes” of energy. In the same way that there are “ghosts” of the dead, there are “ghosts” of the living, as well. “Ghosts” are merely echoes of energy, whether from the living or the dead. With all of that being said, your being affected by an echo is based on a particular resonance you must have had with that “echo”. It appears to us that you were in a space of deeper concern, worry, anticipation, and possibly anxiety, than you were in the previous trip. [kittlekats41] true [M Entity] This would naturally align you with any other fragment's concerns, worries, anticipations, anxiety that had left an imprint in that hotel room or location. This alignment then would naturally amplify your own energy, yet again, and because it then becomes disproportional to your original concerns, etc., it can feel strangely disconcerting and distracting. [kittlekats41] would that echo remain as a presence for a number of weeks afterwards and be detected by the animals? [M Entity] We will respond to your questions as quickly and as orderly as possible. The way you can “deal with this” is to consciously “clear the space” in any environment that has acted as a sanctuary for so many other fragments. Doing so upon settling into your room can greatly increase your experience of peace and temporary ownership of that space. A simple visualization of a colorful light of your choice sweeping through the room and clearing it of all darker or heavier energies is enough. It is not necessary to create an elaborate ritual; just a simple, conscious shifting of the room’s energy to accommodate you is enough. We would suggest avoiding rituals focusing on “protection”, as this simply amplifies a contrast between you and your space and does not effect a peaceful, restful shift. Animals are more sensitive to these echoes than most humans, but they are even more sensitive to the effects of the echoes on their human companions. In other words, your animal companion was responding to your own agitations than to the separate “stray energy” you theorized. The “echo” remains only in the space in which is imprinted, but the effects of that echo upon you can last for weeks. It was Good Work that you created time to transform that effect upon you and to ground yourself again. [BradburySE] I just have a question about the number of inputs for the various roles. It seems to be well known that Artisans have five inputs and Sages three, but how about the other roles? I've never seen this written anywhere. [M Entity] The “solid roles” of King, Warrior, and Scholar have a single input, while the inspirational roles of Priest and Server have 2 inputs. [H2OSprtlvr] We were talking about the 9/11 movie by Michael Moore and it was mentioned that he is a Sage and he had a reincarnation from Josiah Royce. This seems confusing to me that he is a Sage, because all the studying and fact finding is so Scholar. I was wondering where the Scholar might be in his personality, since Sages only want to have fun and are not into fact finding or writing books. [M Entity] First we will say that we have never said, nor have we implied, that Sages “only want to have fun” and that they are not “into fact finding or writing books”. This conclusion is highly simplified and inaccurate of the Sage and of the Scholar. The very Essence of a Sage is to find the Truth and then to disseminate what they have come to believe is true. In that search for the Truth, they will use any means possible. The stereotype of the Sage comes from the fact that in most cases a Sage's method of “fact-finding” and “writing books” simply ends up looking like so much more “fun”. By contrast, the Scholars have been responsible for some of the most influential and “beautiful” music on your planet. This could look contrary to the stereotype of the Scholar, but in fact the Scholar finds the connection between music and math to be one of the most beautiful aspects of life on earth and if that can be translated into music, they will try. We explain this to you to help contribute to your broadening understanding of the Roles of Sage and Scholar. This is not to say that the fragment now known as Michael Moore does not have Scholar influences, because, in fact, he actually does. This Sage is Scholar-Cast, with a Server Essence Twin. [H2OSprtvr] I realize I was stereotyping and I'm grateful for further clarification on the roles. [M Entity] Comparing the lives of Beethoven and Royce/Moore can give you great insight into the differences between how a Sage-Cast Scholar (Beethoven) vs. a Scholar-Cast Sage (Michael Moore) may act within a lifetime. In most cases, a Sage-Cast individual will behave more like the “stereotypical” Sage than a Sage with different Casting. Furthermore, in most instances when a fragment is behaving like one of the Essence “stereotypes”, it is usually an indicator of that person's Casting than of their Role. [BingeBuddie] I know this may seem like a very basic question, but I have had a hard time validating my role in essence. With so many factors to consider such as casting, ET influence, overleaves, and entity position, etc. is there any definitive way to determine your role? I’ve went with channels in the past, but that causes confusion because its difficult to tell what one input is as opposed to many inputs, such as Scholar having one and Artisan having 5. One channel Roles (Scholar, King, and Warrior) can concentrate in the midst of chaos right? So that's kind of what I try to look at. Is that a good indicator? [M Entity] No, we would not suggest using your ability to concentrate as your determining factor. The symptom of concentration vs. distraction in terms of Input is another of the simplifications that can happen when first learning about a part of the teaching. While it is true that an Essence with a single input can usually focus more intently in the midst of chaos, the influence of Personality, Imprinting, and Situations can greatly affect that level of concentration. What we would suggest as part of your validation of your Role in Essence is this: First, study the Roles. It is important to truly comprehend each Role. This means moving beyond the stereotypes that are a part of the initial stage of learning. Next, it is important to understand the vital differences between Essence and Casting. Casting affects how you behave “naturally”, how you express yourself to the world on a DAILY BASIS. Your Essence Role is most obviously comprehended in moments where you feel you SHINE. For instance: A Scholar-Cast Sage: In the daily life of this individual he may appear unkempt, distracted, refined, studious, directed, serious, and maybe even a bit out of synch socially, but this fragment would “shine” as soon as he was able to publicly share what he has gained as experiences in a way that was entertaining to at least a small group. A Sage-Cast Scholar, on the other hand, may be dramatic, socially obnoxious, emotional, depressed, extreme, performing, and chaotic in his daily life, but this fragment would “shine” when he is able to wholly comprehend something that can be finalized as a bit of profound personal knowledge. We do not know of a more appropriate word than “shine”. When you are in Essence, you feel complete, “on”, and you usually feel cohesion between your mundane self and your higher self. When we say “shine”, we do not intend to mean that everyone will see this, but rather that the Personality and Essence open to each other and a sense of lightness and wholeness pervade. We explain all of this to you in the context of an Essence having a different Role than Casting, but of course, there ARE Sage-Cast Sages and Scholar-Cast Scholars, but those fragments usually have little confusion as to their Role. Having explained those basic differences between Casting and Role in Essence, you can then figure out your Role or Casting by first determining if you feel you are more exalted or more ordinal in either of those contexts. In other words, in your DAILY LIFE, are you more one-on-one, but when you “shine”, are you surrounded by people? One-on-One might indicate a more Ordinal position, while being inclined toward groups can be an indication of an Exalted position. Once you have determined how you may behave in either context, you can then determine if you feel you are more compelled to have an inspiring, expressive, or active effect on your environment. This will then give you an indication as to the final role description you might be in your Casting or your Essence. For example, you may notice you are naturally more one-on-one in your daily life, thus indicating that you may be Ordinal-Cast, but when you “shine”, you notice you love to be in a group of people in some way, indicating you may be an Exalted Essence Role. Then you would determine if you are more inclined to be expressive, inspiring, or active in your daily life. If you find you are more concerned with inspiring, you could then safely start trying out the idea that you may be SERVER-CAST. When you “shine”, you may find you are more inclined to be expressive, entertaining, and teaching-oriented, which may indicate a SAGE ESSENCE. This would then be a Server-Cast Sage. We realize this can still be very confusing and difficult to determine, but it is a start. Because the Scholar Role is neutral, it can be the most difficult to determine and we would not be able to convey in this format the depth of questioning that would need to be explored for true validation of the Essence or Casting. One of the most important things you can do while studying our teaching and seeking to validate your Role, Casting, Overleaves, Entity, and Essence Twins, etc. is be open to an evolution of your understanding. You may discover that what you believed was inaccurate channeling is actually profoundly accurate to who you realize you are becoming (as you come into your own identity). Or you may discover that your self-determined Overleaves were highly inaccurate in your initial understanding and you now see that you are someone completely different after all. Never feel as if you must conclude who you are. Our system is designed to help you understand who you are, not complicate your self-perception. If you are thoroughly confused, pick a Role, pick your Overleaves, and begin “living with them”. You will begin to see what does and does not hold validity. [BingeBuddie] But would you have to be past the 4th internal monad to judge completely accurately as to what role you are? (not to ask ANOTHER lengthy question) [M Entity] It does help to have completed the 4th Internal Monad in the Positive Pole for true self-awareness in terms of Essence, Casting, and True Personality. But then, that is the very crux of having a completion of the 4th Internal Monad in the Positive Pole, so it is not a matter of waiting for that rite to pass before seeking valid self-awareness. We are working with Troy in creating two new ways of determining your own basic profiles: a self-test, and a step-by-step process of elimination method. We believe this will help many of our students. We never sought to have any student dependent on our channels, so this is an important evolution to our sharing of the teachings. We believe we have given you at least some “food for thought” until then. [freyaisissuz] That's great, Troy, I will keep it short. I have sensed a connection with J Royce/M Moore. Is he a “reality shifter” or “dream maker” as in cadre 1/entity 3; if another, where? [M Entity] That is a valid observation. This is a fragment some of our channels would call a “wild card” within Cadre One, Entity Three, as well. This fragment is one of the youngest soul ages in that Entity. (3rd Level Mature) If there are no more questions, we will conclude for the evening. If there are more questions, we will take one more. [BradburySE]: A quick one [M Entity] Yes, Shannon, we will conclude with your question. [BradburySE] Who is this other “Dogma Dismantler” besides Michael Moore of whom you spoke in Troy’s energy report? Where will we find him, and is he or she now incarnated? [M Entity] Yes, he is incarnated: a Server Essence Twin of the Sage known as Michael Moore. The Server is a reincarnation of William James now focusing on the funneling of necessary requirements as a means to convey the Sage's “truth”. He may only be peripherally identified in the media. We believe he is one of the “producers” of Michael Moore's films, as well as several of his own projects which reflect some of the profound psychology explored in his previous life as William James. [BradburySE] Thank you, we can figure it out from here most likely! ? [M Entity] This relationship would appear to be more like a Task Companion relationship, but that is not the case. The relationship is taut with disagreements and power struggles, regardless of the powerful results. Good night to all of you. We will conclude here.
  2. April 18, 2002 Troy Tolley, Channel Inputs Part One Note from Janet: Although the transcript heading indicates this session is 'Part One', no additional session was found. [Note: I'm not too happy with how superficially we touched on Inputs in the chat, but we can only get so involved in such a short period of time. I hope we can continue this topic again. tt] [M_Entity] Welcome. We are here. We understand the requested Topic to be that of “Inputs.” Very little has been said in terms of Inputs because the topic is a bit more nonlinear in appearance than most of the aspects of our Teaching. It “makes no sense” to some of our channels and students; therefore the topic is dismissed or vaguely understood. In nearly all aspects of our Teaching there is an order and consistency that can be counted on, but some aspects of the universe, while still sustaining an awesome order, may not “fit in” with the patterns of every other thing you have come to understand. We assure you though; there is still an awesome order and compassionate intelligence behind even the most bewildering parts of the universe, known and unknown. First, we will define “INPUT” as a channel or frequency through which an Essence becomes aware, processes, and comprehends. 3 of the Roles in Essence have ONE INPUT; these are the Scholar, Warrior, and King Essences. 2 of the Roles in Essence have TWO INPUTS; these are the Priest and Server. 1 of the Roles in Essence has THREE INPUTS; this is the Sage. 1 of the Roles in Essence has FIVE INPUTS; this is the Artisan. The strange distribution of Inputs has to do with the Roles themselves acting as “sensory units,” so to speak, for Tao. Because the Physical Plane is of the most unique and densest of all Planes, three Roles in Essence are distributed with ONE INPUT so as to gain awareness, Process, and Comprehend FROM BEGINNING TO END in a linear fashion inherent to the Physical Plane. By default, Warriors and Kings are ACTION AXIS Roles and therefore inherently have ONE INPUT, as that is “natural” to Action. Being the most comfortable and compatible with the Physical Plane, Tao (or “the universe”) is able to gain profound experiences through the linear process of gaining awareness and comprehension. The Scholars (who are the memory cells of Tao in many ways) have ONE INPUT so as to maintain a direct link to the Akashic Records/Plane. Because Scholars are specifically designed as ambient, experiential “sponges”, this ONE INPUT allows them to act as excellent, direct, recording devices and conduits between the Physical Plane and the Akashic Plane. Although all fragments update their own records (usually having to be done between lives or through conscious awareness), Scholars do so for themselves, their Entity, and/or Cadre. Because Scholars, Warriors, and Kings are by nature inclined to focus on very specific themes for study, conquest, or mastery (respectively), having One Input allows them to excel in the Task at Hand (by standards of Essence.) With this understanding, it would not be amiss to say that ALL FRAGMENTS have at least One Input focused on NOW, or in other words, capable of being focused on the present, the task at hand, the moment, etc. The Inspiration Roles of Priest and Server have an additional Input as a means to maintain a connection to what INSPIRES them. In general, the Two Inputs for the Priest will have one focused on the Task At Hand, while the other maintains the Vision, or Higher Ideal. For the Server, one Input is focused on the Task At Hand, while the other is focused on the Common Good, or WHAT IS NEEDED. Inspirational Roles were the Tao’s idea of providing the universe with a means to provide for ALL FRAGMENTS an access to something “beyond the moment.” It could be said that the Priest then provides access to “what is beyond the Self”, while the Server provides access to “what is within the Self.” In general, the Expression Roles are the means for the Tao to continue reinventing or transforming itself throughout the Planes. As Kings and Warriors we can attest to the importance of the “pesky Sage” and the “kooky Artisans” as the single- or double-input Roles can tend to take to life a bit more “seriously”. Artisans and Sages can certainly be serious, which tends to be interpreted as “dramatic”, but they do bring a much-needed levity to the density of the Physical Plane. The Sage, in addition to the one Input focused on the Task At Hand, will have a second Input to sustain connection to whatever that fragment deems is “the Truth,” while a third Input is focused on the expression of that Truth. This can be translated rather simply as a Sage having an Input for gauging his Audience (task at hand), his Truth, and how to express that to the Audience. The Artisan, having the most Inputs, is the Tao’s means to constantly keep the universe “fresh,” revitalized, and “alive.” They are the guarantee in the Universe that ideas of the Tao can continue to come into existence. All Roles are expressions of Tao, of course, but Artisans are more a direct conduit for Tao than can sometimes be comprehended by the mundane levels of life. The Single-Input Roles are focused on directly experiencing the Planes, the Dual-Input Roles are focused on expanding beyond them, the Triple-Input Role is focused on keeping the truth entertaining, and the Quintet-Input Role is focused on creating new contexts for it all. The Artisan then has one Input on the Task At Hand, another on generating creativity, another on maintaining or generating the manifestation of a previous creation, another on maintaining or generating the medium of that manifestation, and a final Input that is literally tuned to All That Has Come To Be. Artisans are CHANGE manifested; therefore they are tuned to those five dimensions of Creativity. This is simply a basic introduction to the Inputs and why they are distributed in this manner among the Roles, but there is a great deal more information available about these aspects of Essence. We will take your questions now. [val2] If a sage has three inputs what happens when they have an Artisan for essence twins and task companions; are they adding to their inputs? [M_Entity] Though “bleedthrough” can tend to lend seemingly extra dimensional awareness to the default Inputs of a Role, they are NOT “added” to the Inputs. Because of the intimate nature between Essence Twins and between Task Companions, there is a level of communication and assessment that does allow a potential, alternative angle of Input, but this is no different from asking for a friend’s opinion, so to speak. The use of the “opinion” may or may not influence the ability for you to use of your own Inputs appropriately, but they do not literally get added in. [Suzanne] Michael, how does frequency tie into the one input for warrior? I have a rather high 65 for a warrior, being sage cast, and can multitask well. [M_Entity] In the younger soul ages the Inputs can tend to manifest in ways affected by the general design of the soul, but as the soul gains experience, so does it gain the ability to utilize the Input more appropriately. As the Essence evolves, so does its ability to seek out the experiences through which balance can be attained and maintained. This eventual balance applies to all extremes of design, from the highly-Focused or highly-Creative Energy Ratio to high or low Frequencies. To respond directly to your example, a simple interpretation of a Higher Frequency matched with One Input could be that the movement toward Awareness, through a Process, and to Comprehension (the triad of each Input), is “faster” than a Lower Frequency with One Input. “Multitasking” is not an indicator of the number of Inputs; it is a sign of adaptability within your current culture. A One-Input Role and a Five-Input Role can equally “multitask”, but the method and internal experience for each may be quite different. [ClaireN] Could you please explain how the last 4 Artisan inputs are experienced in a life? [M_Entity] This will be highly simplistic, but we think we may be able to describe a familiar scenario: For an Artisan, other than the Moment, or Task At Hand, there will always seem to be a need for something NEW, a search inside or out for the Muse or Inspiration. This could be said to be Channel 2. This could manifest as simply as an idea or as profoundly as a deep, spiritual inspirational move to creativity. In general then Channel 2 would be the channel that Searches, Desires, Knows, and NEEDS to create change. Channel 3 then will be focused on trying to “finish” that which has being created previously, ranging from a new job, new move, to a new art project. Channel 3 monitors your “children,” so to speak. Channel 4 then is focused on the HOW of a project or path of change. This can range from choosing your colors and clay for an art project, to designing or finding the path that is capable of actually being the conduit or medium for the creation or change. Channel 4 can be said to be your “mapping system.” Channel 5 is the broadest Channel, or Input, as it is simultaneously aware of all that has come to pass and all the probabilities of the future, and the entire dance that is possible among them. This can show up in an Artisan’s life as the part of them that is painfully aware of the past and its supposed mistakes, while desperately aware of an idealized utopia of a distant future of their making. However it shows up, it can be said to be the Channel that is constantly COMPARING. As we said, this is highly simplistic, but a bit more for you to consider as we share this information over time. [Kathryn41] How does casting influence input? Does a multi-input casting position add dimensionality to a single input role, and a single input casting position adds focus for a multi-input role? [M_Entity] Your Role in Essence is how Tao experiences the Lower Planes “through you,” while the Casting (being more permanent and pervasive) could be said to be how Tao experiences “through you” while transiting the Higher Planes. While Physical, your Casting (in terms of Input) is the most directly available “alternative” means of Input, but it is ONLY THAT, an alternative. Casting is a POSITION relative to a group, while your Role in Essence IS YOU. Casting as an alternative Input is accessed in that way VERY RARELY and usually when access to multidimensional awareness is sought. Some Channels, Healers, and legitimate Psychics tend to access Casting Input influences, if necessary. For most, it is your Role in Essence that defines your Inputs. [JNelson] It would seem every Fragment is capable of experiencing the world like the way an Artisan does through each Input. How does it manifest uniquely in an Artisan compared to everyone else? [M_Entity] We remind you that what we describe is the ESSENCE'S experience, not necessarily the Personality's. This is where some confusion comes in. The Personality of every single Fragment, regardless of its Essence, has the ability to design Overleaves that are more or less focused, inspirational, creative, or entertaining. Examining your Overleaves in relation to the Axis can reveal the way your Personality filters the world FOR Essence. This expands on the possibilities of all Fragments then. That is why a Warrior can be absolutely creative, and an Artisan can “kick ass.” This is not to say the design of Overleaves has an effect on how Essence INPUTS, but rather, it does help explain why varying Fragments feel they EXPERIENCE or BEHAVE in ways different than our Input descriptions define. The way the Five Inputs manifest MOST uniquely could be in the final examination of how an Artisan processes a life. Artisans do not process experiences directly or with focus, but rather have varying levels of commitment to varying themes in their lives. A Warrior may find a theme and find himself compelled to stick through it until everything that can possibly be “milked” from it is. An Artisan, on the other hand, may find she has many patterns in her life, all repeating and being highlighted and revisited in varying stages of her life. The most defining aspect of the Artisan, in terms of inputs, could be said to be in their deeply restless search for “something.” Although this trait can be attributed to any fragment, we are speaking in far more profound ways than a simple distraction for a Personality. The Artisan has a “knowing” that there is so much more than what is seen and yet is it is not touchable until she creates it. This “knowing” vs “creating” can either fuse the Personality and Essence into a powerful force of creativity, or the Personality begins to splinter and reject the Essence. Delusion and retreat then become more and more the emphasis of Channel Four [Anne751] The queues are finished for the night. [M_Entity] Then we are finished. Good Night. *** Note from Janet, 9/8/17: I found the following additional info that apparently was appended to the original transcript via comments. CHANNELED RESPONSES FROM MICHAEL [following chat] Question: Quote from Michael: "First, we will define "INPUT" as a channel or frequency through which an Essence becomes aware, processes, and comprehends." This is one of the largest problems I have understanding Inputs. How are they different from Centers? I'm used to thinking of Centers and their Parts are the "input" and "output" of a person. Here, Inputs seem to take the place of Centers. MICHAEL: CENTERS are a specific dimension of experience and/or expression, and while they are contexts with which the process of life occurs, they are not the actual processing, itself. As Centers do have an "input" and an "output" (which could be alternatively described as "Experience"/"Expression" of the Center), they are contexts shared by shared by most living beings and they are not unique to Sentience. ALL living things have an Instinctive Center, for instance, while Bees and other community Insects or schools of Fish are primarily, purely Moving Centered; Higher Mammals, especially those who live interactively with Humans are primarily, purely Emotionally Centered (even the Feline), while Higher Primates, such as Chimpanzees begin to become capable of being Intellectually Centered. However, without an individualized Consciousness that is Sentient, there will be no Inputs to differentiate how each Being would create and process a life. Centers are functions and tools of the Bodies of the Physical Plane. "Outside" of the Physical Plane, they are seen more accurately as the varying contexts of interaction with Tao. Inputs, however, are part of the unique design of Sentience and the varying Essence Roles. The number of Inputs you have simply describes how you would use ANY of the tools available to you, whether this be your Attitude or your Centering. It would lend you greater understanding if you were to differentiate between the fact of Essence's manner of processing vs the tools available as a means to support that processing. Inputs, whether having One, Two, Three, or Five, is simply the number of themes ESSENCE is capable of: Stage 1. Gaining Awareness within Stage 2. Processes that Awareness Stage 3. Comprehends what has been Processed Applying that Triad to each Input, and that Input's main focus, can help you understand how your Essence processes the life. In general, Kings, Warriors, and Scholars, can "only" process one theme at a time, whether the Personality is submerged in several experiential themes or not. If needed, the focus of the Input can change for some lengths of time, but these Roles will not find the comfort and adaptability to be submerged in several themes at once. We are not speaking of their being capable of watching TV while sewing. We are speaking of actual life themes as they apply to Essence's digestion of them. Scholars, Warriors, and Kings move steadily and enduringly through their experiences until comprehension is attained. We say "comprehension" as it applies to ESSENCE, not necessarily Personality. Until the Older Soul Ages, Personality is not so concerned with comprehension simultaneously to Essence's comprehension. Question: I'm curious about the Michael Math behind the number of Inputs given to specific Roles. I suspect there is more to be told. MICHAEL: Though meaning could be found in the numerical values and distribution, it would an arbitrary assignment of meaning and symbolism. Inputs are similar to the function of varying digestive systems; some have one stomach, some have four, etc. The meaning behind the number of Inputs has more to do with the particular "species" of Essence and its inclination toward certain experiential "diets" than anything else. Question: This is a generic Michael question beyond just Inputs, but I'm wondering how Scholars keep "records" differently from other Roles. MICHAEL: Scholars not only manage their own Records, but as each Essence updates its own records within the Entity and Cadre, the Scholars update the Akashic Records. In other words, each Essence has its own "personal library", but the Scholar extends on that to make that information "universal". Keeping that information as up-to-date, so to speak, as possible allows many versions of consciousness and sentience to draw from it. This is the stuff of new universes. Scholars have One Input as having One Input increases the durability to indulge in specific experiences, rather than touching briefly on a theme, and then moving to new ones, then returning later with new awareness. Scholars complete their themes so as to have a "purer" experience. Question: Quoting Michael: "Channel 4, then is focused on the HOW of a project or path of change. This can range from choosing your colors and clay for an art project, to designing or finding the path that is capable of being the conduit or medium for the creation or change." Again, can't everyone focus on choosing colors and clay for an art project? Does this mean that the Artisan Essence is constantly focused on such selections? MICHAEL: A Warrior may choose its material for a creative project, but that will be within the confines of its One Input, or one theme. In other words, that creative project ALTOGETHER will have a Stage 2, which may BE the choosing of materials. For an Artisan, though, the choosing of a medium will have its OWN Stage 2.
  3. Troy

    The Inputs

    [This material is a reproduction of Michael Speaks: Inputs, which was delivered on April 18, 2002.] [M_Entity] Welcome. We are here. We understand the requested Topic to be that of “Inputs.” Very little has been said in terms of Inputs because the topic is a bit more nonlinear in appearance than most of the aspects of our Teaching. It “makes no sense” to some of our channels and students; therefore the topic is dismissed or vaguely understood. In nearly all aspects of our Teaching there is an order and consistency that can be counted on, but some aspects of the universe, while still sustaining an awesome order, may not “fit in” with the patterns of every other thing you have come to understand. We assure you though; there is still an awesome order and compassionate intelligence behind even the most bewildering parts of the universe, known and unknown. First, we will define “INPUT” as a channel or frequency through which an Essence becomes aware, processes, and comprehends. 3 of the Roles in Essence have ONE INPUT; these are the Scholar, Warrior, and King Essences. 2 of the Roles in Essence have TWO INPUTS; these are the Priest and Server. 1 of the Roles in Essence has THREE INPUTS; this is the Sage. 1 of the Roles in Essence has FIVE INPUTS; this is the Artisan. The strange distribution of Inputs has to do with the Roles themselves acting as “sensory units,” so to speak, for Tao. Because the Physical Plane is of the most unique and densest of all Planes, 3 Roles in Essence are distributed with ONE INPUT so as to gain awareness, Process, and Comprehend FROM BEGINNING TO END in a linear fashion inherent to the Physical Plane. By default, Warriors and Kings are ACTION AXIS Roles and therefore inherently have ONE INPUT, as that is “natural” to Action. Being the most comfortable and compatible with the Physical Plane, Tao (or “the universe) is able to gain profound experiences through the linear process of gaining awareness and comprehension. The Scholars (who are the memory cells of Tao in many ways) have ONE INPUT so as to maintain a direct link to the Akashic Records/Plane. Because Scholars are specifically designed as ambient, experiential “sponges”, this ONE INPUT allows them to act as excellent, direct, recording devices and conduits between the Physical Plane and the Akashic Plane. Although all fragments update their own records (usually having to be done between lives or through conscious awareness), Scholars do so for themselves, their Entity, and/or Cadre. Because Scholars, Warriors, and Kings are by nature inclined to focus on very specific themes for study, conquest, or mastery (respectively), having One Input allows them to excel in the Task at Hand (by standards of Essence.) With this understanding, it would not be amiss to say that ALL FRAGMENTS have at least One Input focused on NOW, or in other words, capable of being focused on the present, the task at hand, the moment, etc. The Inspiration Roles of Priest and Server have an Additional Input as a means to maintain a connection to what INSPIRES them. In general, the Two Inputs for the Priest will have one focused on the Task At Hand, while the other maintains the Vision, or Higher Ideal. For the Server, one Input is focused on the Task At Hand, while the other is focused on the Common Good, or WHAT IS NEEDED. Inspirational Roles were the Tao’s idea of providing the universe with a means to provide for ALL FRAGMENTS an access to something “beyond the moment.” It could be said that the Priest then provides access to “what is beyond the Self”, while the Server provides access to “what is within the Self.” In general, the Expression Roles are the means for the Tao to continue reinventing or transforming itself throughout the Planes. As Kings and Warriors we can attest to the importance of the “pesky Sage” and the “kooky Artisans” as the single- or double-input Roles can tend to take to life a bit more “seriously”. Artisans and Sages can certainly be serious, which tends to be interpreted as “dramatic”, but they do bring a much-needed levity to the density of the Physical Plane. The Sage, in addition to the one Input focused on the Task At Hand, will have a second Input to sustain connection to whatever that fragment deems is “the Truth,” while a third Input is focused on the expression of that Truth. This can be translated rather simply as a Sage having an Input for gauging his Audience (task at hand), his Truth, and how to express that to the Audience. The Artisan, having the most Inputs, is the Tao’s means to constantly keep the universe “fresh,” revitalized, and “alive.” They are the guarantee in the Universe that ideas of the Tao can continue to come into existence. All Roles are expressions of Tao, of course, but Artisans are more a direct conduit for Tao than can sometimes be comprehended by the mundane levels of life. The Single-Input Roles are focused on directly experiencing the Planes, the Dual-Input Roles are focused on expanding beyond them, the Triple-Input Role is focused on keeping the truth entertaining, and the Quintet-Input Role is focused on creating new contexts for it all. The Artisan then has one Input on the Task At Hand, another on generating creativity, another on maintaining or generating the manifestation of a previous creation, another on maintaining or generating the medium of that manifestation, and a final Input that is literally tuned to All That Has Come To Be. Artisans are CHANGE manifested; therefore they are tuned to those 5 dimensions of Creativity. This is simply a basic introduction to the Inputs and why they are distributed in this manner among the Roles, but there is a great deal more information available about these aspects of Essence. We will take your Questions now. [val2] If a sage has three inputs what happens when they have an Artisan for essence twins and task companions, are they adding to their inputs? [M_Entity] Though “bleedthrough” can tend to lend seemingly extra dimensional awareness to the default Inputs of a Role, they are NOT “added” to the Inputs. Because of the intimate nature between Essence Twins and between Task Companions, there is a level of communication and assessment that does allow a potential, alternative angle of Input, but this is no different from asking for a friend’s opinion, so to speak. The use of the “opinion” may or may not influence the ability for you to use of your own Inputs appropriately, but they do not literally get added in. [Suzanne] Michael, how does frequency tie into the one input for warrior? I have a rather high 65 for a warrior, being sage cast, and can multitask well. [M_Entity] In the younger soul ages the Inputs can tend to manifest in ways affected by the general design of the soul, but as the soul gains experience, so does it gain the ability to utilize the Input more appropriately. As the Essence evolves, so does its ability to seek out the experiences through which balance can be attained and maintained. This eventual balance applies to all extremes of design, from the highly-Focused or highly-Creative Energy Ratio to high or low Frequencies. To respond directly to your example, a simple interpretation of a Higher Frequency matched with One Input could be that the movement toward Awareness, through a Process, and to Comprehension (the triad of each Input), is “faster” than a Lower Frequency with One Input. “Multitasking” is not an indicator of the number of Inputs; it is a sign of adaptability within your current culture. A One-Input Role and a Five-Input Role can equally “multitask”, but the method and internal experience for each may be quite different. [ClaireN] Could you please explain how the last 4 Artisan inputs are experienced in a life? [M_Entity] This will be highly simplistic, but we think we may be able to describe a familiar scenario: For an Artisan, other than the Moment, or Task At Hand, there will always seem to be a need for something NEW, a search inside or out for the Muse or Inspiration. This could be said to be Channel 2. This could manifest as simply as an idea or as profoundly as a deep, spiritual inspirational move to creativity. In general then Channel 2 would be the channel that Searches, Desires, Knows, and NEEDS to create change. Channel 3 then will be focused on trying to “finish” that which has being created previously, ranging from a new job, new move, to a new art project. Channel 3 monitors your “children,” so to speak. Channel 4 then is focused on the HOW of a project or path of change. This can range from choosing your colors and clay for an art project, to designing or finding the path that is capable of actually being the conduit or medium for the creation or change. Channel 4 can be said to be your “mapping system.” Channel 5 is the broadest Channel, or Input, as it is simultaneously aware of all that has come to pass and all the probabilities of the future, and the entire dance that is possible among them. This can show up in an Artisan’s life as the part of them that is painfully aware of the past and its supposed mistakes, while desperately aware of an idealized utopia of a distant future of their making. However it shows up, it can be said to be the Channel that is constantly COMPARING. As we said, this is highly simplistic, but a bit more for you to consider as we share this information over time. [Kathryn41] How does casting influence input? Does a multi-input casting position add dimensionality to a single input role, and a single input casting position adds focus for a multi-input role? [M_Entity] Your Role in Essence is how Tao experiences the Lower Planes “through you,” while the Casting (being more permanent and pervasive) could be said to be how Tao experiences “through you” while transiting the Higher Planes. While Physical, your Casting (in terms of Input) is the most directly available “alternative” means of Input, but it is ONLY THAT, an alternative. Casting is a POSITION relative to a group, while your Role in Essence IS YOU. Casting as an alternative Input is accessed in that way VERY RARELY and usually when access to multidimensional awareness is sought. Some Channels, Healers, and legitimate Psychics tend to access Casting Input influences, if necessary. For most, it is your Role in Essence that defines your Inputs. [JNelson] It would seem every Fragment is capable of experiencing the world like the way an Artisan does through each Input. How does it manifest uniquely in an Artisan compared to everyone else? [M_Entity] We remind you that what we describe is the ESSENCE’S experience, not necessarily the Personality’s. This is where some confusion comes in. The Personality of every single Fragment, regardless of its Essence, has the ability to design Overleaves that are more or less focused, inspirational, creative, or entertaining. Examining your Overleaves in relation to the Axis can reveal the way your Personality filters the world FOR Essence. This expands on the possibilities of all Fragments then. That is why a Warrior can be absolutely creative, and an Artisan can “kick ass.” This is not to say the design of Overleaves has an effect on how Essence INPUTS, but rather, it does help explain why varying Fragments feel they EXPERIENCE or BEHAVE in ways different than our Input descriptions define. The way the Five Inputs manifest MOST uniquely could be in the final examination of how an Artisan processes a life. Artisans do not process experiences directly or with focus, but rather have varying levels of commitment to varying themes in their lives. A Warrior may find a theme and find himself compelled to stick through it until everything that can possibly be “milked” from it is. An Artisan, on the other hand, may find she has many patterns in her life, all repeating and being highlighted and revisited in varying stages of her life. The most defining aspect of the Artisan, in terms of inputs, could be said to be in their deeply restless search for “something.” Although this trait can be attributed to any fragment, we are speaking in far more profound ways than a simple distraction for a Personality. The Artisan has a “knowing” that there is so much more than what is seen and yet is it is not touchable until she creates it. This “knowing” vs “creating” can either fuse the Personality and Essence into a powerful force of creativity, or the Personality begins to splinter and reject the Essence. Delusion and retreat then become more and more the emphasis of Channel Four.
  4. Michael Speaks Open Floor May 23, 2015 Channel: Troy Tolley Luciana: how a person can let go when it became very attached to someone? MEntity: One of the most effective ways for one to "let go" of anything or anyone is "to let it BE." Often what one means when one seeks to "let go" is to alter the investment in a person or thing to be what one expected it to be, not what it IS. To "let go," one must "let BE," which means that you do not have to sever attachments or connections, but learn how to embrace and allow someone or something to be what it is, or what he or she wishes to be on his or her own terms. Your attachments are often not related to the individual at all, but to the ideas projected or infused into that person. If you are grieving the loss of a person to death or to the change or ending of a relationship, then you must allow the grieving process, which is not the same thing as attachment. The grieving process is one's process of accepting a difficult or unwanted truth. One does not have to detach from a person as a means to allow grief. But one does have to LET THE TRUTH BE as a means of "letting go." So when you seek to "let go," instead of focusing on how to detach, ask yourself what the truth is, and do the work of embracing or allowing that truth. Then you will know what to do from there. Of course, this topic is not one that can be so easily summed up in a quick response, but this response can be a place to start. Shazam: I understand that to the essence, all incarnations happen simultaneously. Now does this mean, if I were to make contact with any of my future or past lives, that the personality to whom I am contacting would be the same age as I am at the moment of contact? To say if I were to effect my past life when I am twenty, I would be effecting a 20 year old past life? MEntity: It is a misnomer to say that all incarnations happen simultaneously, because they actually do not. They are not as linear in progression as one would expect, but they are also not happening "all at once." Think of the "all at once" in this way: If you are baking cookies, you still go through the process of mixing the batter, forming the dough, organizing the dough, baking the dough, pulling out the dough, cooling the end product, etc. It could easily be described that you "made all of those cookies 'at once," but there was a progression involved within that "at once." This is similar to how lifetimes work for Essence (and how original Casting works). So while it could be said that many lifetimes are "happening at once," there is still an awesome order to the progression that is not much different from how one may bake a batch of cookies and consider those to be done "all at once." For Essence, the "at once" comes because time is very different on that scale, but each lifetime is its own form and shape within a moment of time that is organized as distinct from every other lifetime. For you, as Personality, baking your batch of cookies from your greater perspective, it is easy for you to say that you baked all of those cookies at once, but only because that is how you experience that frame of time. The reality will still be true that each cookie was formed from a set of steps that were distinct and organized in time. When you speak of your "future" or "past" lives, it may be the equivalent of an oven rack of cookies, then, if you will. The "future" and "past" are only relative to the individual cookie, not to the cookie maker. With that being said, we can respond to your question: Your efforts to communicate or sense or draw in from another life will not be relative to your physical age. You as a 20 year old can contact "you" in another life as a 50 year old. Physical age is not a linking factor. In fact, one of the only and one of the strongest factors of connection across lives is only in terms of related experiences. If you are struggling with an illness at 50 in one life and struggling with an illness at 20 in another life, then that struggle can be a linking factor. Age will be irrelevant. Maureen: Michael, I asked this question in 2011. “How do you see any of our senses, as Roles in Essence, being expanded on in the future - whether through evolution, intervention, etc. – that might surprise us?” Maureen: As part of your answer you said: “In terms of the evolved senses as they relate to Roles, the descriptions would remain the same, but they may manifest as the following ways: …Priests/Orientation, as evolved to allow for easy location of "portals" that include time and space anomalies; and Kings/Relationality, or the capacity for harnessing, stabilizing, and using the time/space anomalies.” Maureen: Would you elaborate on how Priests and Kings would/might work with their senses, Orientation and Relationality, on time and space anomalies in the future? Maureen: If there is not enough time please provide an answer for the Priest Role, only, and I’ll ask about the King Role at another session MEntity: Within 25 to 100 years, the stabilization of access to, and creation of, "wormholes" is highly likely. As that likelihood is realized, so will the necessity for certain senses to evolve. This is because the nature of access and use of increasing control over time and space will require those senses for the phenomena to be used effectively and as a tool. The concept of quantum tunneling, wormholes, "folding" of space/time are not science fiction, but anticipation for valid use of natural occurrences. When a Role evolves its inherent senses, that sense becomes accessible to all other Roles through the Overleaves. So when the King and Priest evolve toward the senses as we describe them, they are "unlocked" for every other Role to access through variations on the Overleaves as they correspond to the Roles/Axes. We point this out because it will not just be Kings and Priests in science working with this leap in understanding and stabilization, but any Role interested in a lifetime working with those senses. Those senses, then, would become tools for mapping out a new layer of reality that is already in place, but not fully understood or known or utilized. Those senses are not necessarily limited to the Roles or the Roles who choose overleaves to access those senses, but can extend into tools that represent those same senses so that "anyone" can access that sense. Our point being that once the senses are unlocked, they can be, eventually, be used by everyone in some way. And the focus of these particular senses are looking at how to make use of the malleable fabric of time/space. If you think your Internet access is amazing, you may be quite shocked at what all of this implies. ViP: "Input" has been defined by you, through Troy, as: "a channel or frequency through which an Essence becomes aware, processes, and comprehends." ViP: From this, I assume that perceptions from the five senses of the body (assuming there are only 5, though of course there are probably more) reach Essence via an input. ViP: Can you give a brief idea of how Senses and Inputs and Chakras/Centers are related to one another and work together in order to convey sense impressions to a person's Essence? ViP: (I am quite sure this will require a topic-level response in itself, so if you could give a brief beginning of a response to point further directions for questions, that would be great.) ViP: (Also, I was referring to the basic 5 senses, ie, touch, smell, hearing, etc, not the ones that Maureen just referred to - but please cover anything you consider relevant.) MEntity: To accommodate this format for our exchange, our response will be in terms of shortcut analogies to help convey as much as possible: First, consider how you process your own day. Your 5 senses are alive and active at all times. However, unless you reach for something and seek to TOUCH/FEEL it, you probably do not notice your clothing on your skin, the temperature of the air, the shoes on your feet, etc. For Touch to be meaningful, it tends to require intention or attention. You are touching all day, but unless that touch grabs your attention or is directed by intention, the touch is passively processed and unnoticed. Your brain is registering ALL of it, and knows that your butt is on a chair, but "you" do not particularly notice that your butt is on a chair, unless the butt starts hurting or it is a particularly comfortable seat. So in terms of INPUT, the senses are fed into that input based on ATTENTION or INTENTION. When the sensory input is ignited by attention or intention, then you are AWARE. And this is the same way it works for Essence in terms of Input. Everything is being funneled into your Inputs at all times and "dumped" into a reservoir for reference and processing and review, but when something in funneled through that was based on ATTENTION or INTENTION, then it activates the Awareness. The 5 senses described here are not specific to an Input, but are a net that is cast for any possible moment of ATTENTION or INTENTION, and then the experience is funneled into the appropriate input where Awareness, Processing, and Comprehension is activated for Essence. The more one has experiences that draw one's Attention, or where one is guided by active Intention, the greater the use of the Inputs and the greater the clarity of access to the life the Essence has. Chakras would work in a similar way. In the context of this question, at least, they can be understood as a net that is cast for all dimensions of the self to monitor for Attention or Intention. As you know, we can always say more on a subject, but we think this may be helpful for now. Janet: There is a set of books called 'The Ra Material', purported to be authored by 'Ra, an humble messenger of the Law of One'. The books contain quite a bit of material that correlates with the Michael material. Both the Ra books and some of the material purported to be from the entity known as Germane speak of spiritual paths referred to as service to others and service to self. Who or what is Ra, and is there any validity to the idea of a spiritual path known as service to self? MEntity: Ra refers to the 8th Manifestation of Infinite Soul approximately 8000 years ago. The material that is shared now is from some fragments who were directly impressed and moved by that Manifestation. However, it is an interpretation and is based on access to the Essence of the individual/s relaying the information, and not on direct access to what was known as Ra. One can see the same from those who claim to carry forth further teachings of Jesus, for instance. It is not the teaching of the Infinite Soul, but an interpretation based on what the original teaching meant or means to the individual. The same has happened even more recently by those touched by Seth and Jane Roberts who now falsely claim to speak on their behalf. So it is not that the teachings are untrue, but that the teachings are their own. Maureen: The Course In Miracles was apparently channeling "Jesus". MEntity: However, in the case of Ra, the base idea is valid in that he taught of the value of the Higher Moving Center and its function, and as the fragment was a King, he was able to teach the ramifications of serving the self vs serving of others. Servers learn the truth of accelerated evolution quite early due to their inclination toward the serving of others. It is the "fastest" path of evolution. However, Servers get hung up near the end because then they must learn how to receive service and how to gain power through themselves, not through others. Kings, on the other hand, are often quite slow to grasp the appeal of serving others, since they can so easily prompt others to serve them. This makes for long arcs of evolution across and within lifetimes. But in much the same way that a revelation eventually comes to a Server that "to serve others" requires a circuit that allows the self to be served, the King eventually realizes that the self is benefited in much healthier ways through their leadership being a service to others. Janet: That makes a lot of sense. Thank you Michael. MEntity: So this fragment was an important pick for the Infinite Soul at the time. Both Service to Self and Service to Other are valid paths, and both must be understood and implemented at some point in every fragment's evolution before cycling off. They are not contradictory terms. We must conclude here for today. We know we did not tend to the entire queue, but we trust we will continue our exchanges with you again soon. Good day to each of you. Goodbye, for now.
  5. Janet

    Artisanness

    This info was originally posted as a private session transcript on August 18, 2013. Janet: Michael, you told me that I have been Artisan-cast in every Grand Cycle thus far but this is the first Grand Cycle where I also have the role of Artisan. One of the validating features of Artisan for me is the 5 inputs; I’m sure having this many inputs has a large influence on my life. Who knows if I will choose the role of Artisan again, so I’d like to try to maximize my Artisan experience while I’m awake enough to make the attempt. Do you have tips and techniques for fully implementing ‘Artisanness’? Are there ways to enhance or expand use of all 5 inputs? Does my high frequency provide any benefits toward potentially enhancing my experience as an Artisan? MEntity: Understanding the nature of having 5 Inputs is probably the best way to maximize one's use of them in a way that can fully implement one's "Artisan-ness." What that means to "fully implement" and "Artisan-ness" must be determined by your own standards. Some Artisans would find this implementation to mean full-blown creative chaos and living utterly by impulse, and others may find it to mean strength in structure, order, and constructive directions that have collaborative intentions. We will leave the defining factors of "Artisan-ness" to you, then, as you cannot NOT be an Artisan, you can only be an Artisan who rejects being an Artisan, or one who embraces being an Artisan, and then creating from those stances. Janet: I do embrace it, so let's go from there. MEntity: The point of the 5 Inputs for Artisans is that Artisans are the ports through which the NEW, the ALIVE, and the REVITALIZED are constantly brought into existence in some way. If there is anything that can help determine if one is fully implementing one's Artisan-ness, it would be in the assessment of whether one is actively bringing in Aliveness, Newness, Revitalization in some way. This can show up in any number of ways, such as through ideas, encouragement, spontaneity, impulse, artistic media, etc. The key question being if it manages to bring something or someone TO LIFE. Yes, the core of the Artisan is Creation, but this often translates into "bringing to life," or infusing life into various elements of the life, such as the workplace, a relationship, a community, etc. When the Artisan is not able to, or refuses to, or is blocked in the process of infusing life, or bringing to life, that is when Delusion can set in, and the Artisan resorts to fantasy, an internal world of creation that is more alive and vibrant than the experiences of the outer world. Janet: Oh I have experienced that. MEntity: The Artisan's medium for infusing life, or bringing to life, is CHANGE. To the extent that the Artisan resists, dismisses, or is afraid of CHANGE is the extent to which the Artisan is asleep, or in Delusion. This resistance to Change is not the same thing as having structure and order and routine. Those qualities are often quite vital to the Artisan, but are not defenses against Change. Those qualities actually help in adapting to Change. The Artisan's Inputs are focused on the Task at Hand; generating Creativity; maintenance or nurturing of previous Creations; monitoring of media options; and The Past. Janet: What is meant by 'monitoring of media options'? The other inputs seem self-explanatory. MEntity: This Input on The Past is quite encompassing, and is why it is very difficult for an Artisan who has been wounded to move beyond the wounding. Monitoring of media options could be described as "how can I make this happen?" or "how, where, through what can I create that?" It might be better understood as the Input of Strategy. This is why Artisans and Warriors tend to work so well together, because the Artisan is quite strategic. Or, more accurately, CAN be. Janet: You have thoroughly described my life. I found a session where you said that some Artisans may block inputs in order to "fit in". Are there symptoms of blocking a specific input? MEntity: Yes, there are symptoms relative to the blocking of each. Though we do not prioritize or number the Inputs, for simplicity we will do so here: 1 - inability to focus for any length of time; scattered; 2 - delusions, defensiveness, escapism; 3 - lying, dishonesty, revisionism; 4 - manipulation, anger, frustration; and 5 - inability to heal, terminal illness, psychological damage. This list is not comprehensive, but it is fair.
  6. Our Geraldine [memorial profile]

    When Sages Can't Talk ... Oh no!

    The material in this topic came from a POF on June 11, 2012. GeraldineB: Since most of this Grand Cycle was spent without speech; how was being a Sage expressed? MEntity: In response to your first question: we would not say "most of this grand cycle" was without speech, and we would also point out that organized and formulated speech in the modern context is not necessary for Expression. Before speech became formal or organized, there was Cording, which was a means of communication that was depended upon greatly by the species. Cording allows for entire concepts and feelings and images to be transferred between bodies. Cording is a kind of "elastic" thread of energy that attaches between bodies that interact. These are not magical, and can (eventually) be measured and quantified, but exist as literal frequencies that lock onto one another for various reasons. GeraldineB: I've read the discussions and questions on Cording, but I'd never thought of it in terms of communication MEntity: Because Sages tend toward more organized and formal communication, Sages tended to become ports for many to connect through. Sages could receive a muddled concept or idea or feeling, give it a clearer, cleaner form, and then transmit that to the receiver. GeraldineB: Is this part of the purpose of 3 inputs -- especially early in the development of a sentient species? MEntity: Sages were often the only reason a group survived when out gathering foods, as they could convey across a plain or hillside that danger was on the way. Yes, Geraldine, that would be valid. Artisans are more about giving personal form to expression, while Sages are more about translating expression into a form that can be received. So they became quite important "hubs" of communication for Cording. Yes, Cording is precisely for communication. Of course, being out of a body was not much different in terms of how this works as a form of communication, so acting as a Guide was just as meaningful. GeraldineB: So, Guides can form a physical type of connection, similar to cording? MEntity: We would call it a frequency, to keep from being too locked into an idea of "physical" as it is understood. It would be much like communicating to someone underwater, using a walkie talkie, if you will. There are many frequencies that can transcend the form taken by matter.
  7. March 1, 2001 Troy Tolley, Channel Open Floor [Michael_Entity] We are here. One moment. We will be working with you in Open Floor format tonight, so begin your queue. We will comment first on the question of ADD, Attention Deficit Disorder, and its variations: ADD is valid, but only in nearly 30% of the cases wherein a diagnosis is reached. In most cases, those who are diagnosed inaccurately are either Artisans, Artisan Cast, Artisan ETs, or with an emphasis of Overleaves on the Expression Axis (especially Artisan-related Overleaves). Another false diagnosis is a result of perceiving the challenge within a fragment as they work to reconcile the difference between the “normal” input levels and the expansion to experience more than what is “natural” for that Role. With that consideration, a Scholar, Warrior or King, for instance, can be diagnosed with ADD if there is an interest in Artisan experiences, Priest Experiences, Server Experiences, or Sage Experiences of processing the life or period of events. This can also be the case if there is heavy imprinting on those Roles with One Input Level from those with more than One Input Level. When a Role determines to expand in the processing of their perceptions, the process for the life changes drastically and this is sometimes deemed unacceptable by the culture/society at the time. For Artisans, 5 inputs is “natural”, but there is a tendency to “cut off” at least two inputs, so as to “fit in”. When this is not done, or the inputs are accessed freely in contrast against accommodation, ADD is then seen in these fragments as well. The 30% or so of valid ADD cases are exclusively Chief Feature-related. ANY fragment who is preoccupied with gauging their life situations to remain “one step ahead” of their Chief Features can be diagnosed accurately as having ADD. The battle to remain in this position is not based on progress, but avoidance. Issues that could ultimately free the fragment from the torment of Chief Feature are avoided through constant distraction of some sort from the moment. In addition, many who have valid attention disorders were thrust into adulthood far before there was a comprehension of the previous Internal Monads. Those who remain within the 3rd and 2nd Internal Monads suffer the most, while the incompletion of the 4th Internal Monad can bring on Adult versions of the same disorder. The Chief Features most vulnerable to this are Self-deprecation and Arrogance. Impatience and Martyrdom is second, while Greed and Self-destruction are last. Stubbornness rarely deals with this. Self-deprecation and Arrogance can be a complete distraction over self-esteem issues having the fragment constantly preoccupied with what others expect, seem to want to see, or might be seeing in the fragment, so the individual remains in constant “hyper-self-consciousness”. This is a clear enough response to this topic for now. We will take your queue now. [Kathie89] Do birthmarks or scars or moles indicate a part of the body that was injured in a past life? What work could the individual do to reduce the effects of harm in past life experiences for the current life? [Michael_Entity] It is valid that many fragments use a birthmark, scar, or mole as a “reminder” of past life injuries, but this is not a constant. Many times they are simply part of the dynamic of the current body. Detail is rarely considered to the extent to prevent “flaws.” There is nothing that is required of a fragment within a current life to prevent harm from a previous life. There may be trauma or Karma carried over, but this is not imposed. ALL interactions from past or future lives are invited in some way. If a fragment were to live its life without any recognition of another life, it is in the astral interval that the past lives would be considered. If conscious recognition of past lives is being brought into the current life, then the consideration would be in how to manage that memory and apply it practically. By that we mean seeking dialogue in dreams, working with an instructor, or simply “riding it out” to see its implications. [nemo999] Are humans now living on other planets? [Michael_Entity] Not that we know of; at least in terms of that sentience that is of Earth. There certainly are other “humans” native to other planets that you would identify with, yes. [MichelePriest] Three different entities have been suggested for me: 1, 3, and 7. While I would love to be a member of all three I understand I only get one. Any consensus which? [Michael_Entity] Through this channel we are not responding to personal information in the group chats, though we will include this response in the transcript. [Response: When a fragment is presented with obviously conflicting information through our channels, we tend to consider this an opportunity for you to discern the ‘truth’ for yourself. We can suggest these insights as a means for you to determine your placement: [Entity One is themed highly with a sense of PURPOSE, in that most from that Entity generate acceptable paths and initiatives for others or at least maintain a path that is apparently wrought with intent and meaning. Those from Entity One rarely question what they are DOING, but just DO IT, even if they are concerned that they might need to be doing something else, otherwise or in the future. They continue to DO what they are doing until they determine otherwise. They have a strong momentum. They create workable paths to accommodate the greatest amount of fragments to move through within a given period of time or to be left for other “generations” as well. [Entity Three is heavily themed with ENTERPRISING, in that most from that Entity are geared toward taking on anything skewed from from the acceptable “norm” and generating something NEW. These fragments, in general, are preoccupied with presenting to others a way of viewing life that is slanted and sometimes, veritably “kaleidoscoped”. Those from Entity Three are usually concerned with the “outcasts” and “eccentrics” of life, creating sanctuaries for small groups to find refuge, maintaining themselves as self-declared outcasts, or standing as an icon for “outcast” behaviour. We do not merely mean those who “feel” like outcasts, but we refer to literal outcasts that usually have very little ability to manage themselves in the current society. Though many old souls may feel they relate to this, it is those from Entity Three that tend to make variations of this work on an obvious level. [Entity Seven is heavily themed with INCULCATION, meaning that those from Entity Seven tend to be repetitive and instructional in their behaviour to a distraction, even to themselves. Highly self-conscious, most from this Entity are preoccupied with the feelings of others and their ability to feel comfortable and capable in the current life. They are usually preoccupied with what is most healing to those they interact with and what will bring the strongest lessons out of the current contexts. Not all from this Entity are particularly in positions where they feel they are “teaching”, but they tend to be looked at as healers and teachers even when they don't “want” to be in that position. People are generally irresistibly drawn to those of Entity Seven, even when the fragment from that Entity is in the negative poles. [Again, many from other Entities can claim they may feel similarly to these themes, but we are speaking from the angle of how you relate to the world, in general and consistently. There may be other factors in the Overleaves that allow you resonate to these descriptions, but this is where your trust in intuition and perception comes in.] [Anne49] I would like to ask, in how many lifetimes has MaryBV known me? [Michael_Entity] One. Mary BV will exist only within this time frame. The fragment who is now Mary has known the fragment who is now Anne 113 lives. [MoonSinger] Hello Michael, I've been wondering about how you do your teaching work. Do you have one “spokesMichael” fragment who speaks through all your channels? Or different fragments “assigned” to each channel? Does that fragment answer all questions, or does another take over if the question is more in line with that one's “specialty?” Or does the whole entity speak “as one” somewhat like the Borg consciousness on StarTrek? [Michael_Entity] We do assign fragments of this entity to different channels. This channel works with a cadence of Warriors and 3 Kings. The immediate assignment is based on camaraderie and past lives shared; a resonance, if you will. From there, a “circle” of Warriors and Kings spanning the Entity are then the “relay source” in accessing the Akashic Records, if needed. Further “within” the entity we have another large “circle” that acts “as one” and is the culmination of all that our Entity “knows” at any given time. Ultimately, we do speak “as one”, but there is still a great deal of awareness and recognition of our individuality, if you will, though nowhere near the depth that you know your own individuality while Physical. Channeling, then, in terms of our Entity, is a three-stage process, not including the factor of the Essence and Personality of that fragment “speaking” for us. [MaryBV] Please expand a bit on the other humans in the galaxy. Are any of these currently monitoring the Earth with intentions to contact us? Any information on these other humans would be of interest. Thank you. [Michael_Entity] Other humans native to their own planes are in the same degree of awareness and exploration as your own. There is only one group of humans that are not planet-bound, but the exploration is of a tourist-like event and highly limited. There is actually film footage that can be found on your planet of this event as they view your planet regularly. The humans that are not planet-bound have not learned how to communicate cross-species or to adapt to varying atmospheres yet, therefore they have always been confined to their tours for now. [MaryBV] As in a Club Med Earth? [Michael_Entity] In terms of a Club Med Earth, no, this would not be valid, though the joke is not lost on us. [Leela] Where are these other humans located? I mean on what planets? [Michael_Entity] We do not have an accurate term for the planetary system in which you might have a reference. Your astronomy is highly limited at this time and what can be “seen” is actually “not there” anymore. We can say these fragments reside near what has been called the “Horsehead Nebula” area. We will complete the session then. Good night.
  8. This material was obtained in a private session on December 21, 2015. Janet: For xxxx — I am surprised that he is a Scholar. I had considered Artisan, but he has trouble with multitasking. He is often in trouble for lack of attention to detail. I find that strange for a Scholar. MEntity: First, he is Sage-Cast, so there may tend to be an "all or nothing" element of focus. Sages can multi-task quite well, but Sage-Cast can often show up as the "SQUIRREL!" or "ohh, shiny object" syndrome. Scholars are not inherently multi-taskers or focused. They have one Input. Mixing one Input with a Casting that has 3 can mean a Personality that shows up as fully present or fully distracted. Janet: Just to clarify — the casting does not add inputs does it? MEntity: Casting does not add Input, but it does affect Input. Janet: That is interesting. Can you expand on that a bit? I have not heard this. MEntity: Imagine the Input of Role as being how far one can turn one's head, and the Input of Casting is how many chairs one has for changing direction. So, a Scholar with One Input can only ever "look" straight ahead, but can change seats to see in different directions. An Artisan-Cast Artisan can not only turn her head in 5 directions, but she then has 5 different directions in which to seat herself. Janet: You beat me to the question. So I can see everywhere! lol MEntity: Being able to "see everywhere" can have its challenges and strengths, as well as the single seat and single input. No combination is a limitation over any other. They are merely different. Each will have their pros and cons and challenges and strengths.
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