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Here is something incredibly beautiful that came across my transom yesterday: a performance of the opening lines of the Epic Of Gilgamesh, on a Sumerian lute, sung in ancient Sumerian by a man with an unbelievably lovely voice. I can't stop watching it. I've never read this ancient story, and the lines excerpted are just beautiful. I think you'll all find this captivating.

Michael Speaks Live OPEN FLOOR QUESTIONS November 24, 2013 Channel: Troy Tolley [MEntity] Hello to each of you. We are here, now. We can begin our exchanges with you. We understand this exchange to be focused on the questions and considerations of those students "new" to our teachings. What we will do to launch this discussion is to share with you how best to go about your approach to learning and studying our teachings, and where best to apply what it is that you learn. The best way to go about your approach to learning and studying our teachings is: YOUR WAY. The best places to apply the teachings as you learn them is: WHEREVER AND HOWEVER YOU WISH TO DO SO. We know of no "best way" for either of these things Your questions are yours. Your path is yours. Your pace is yours. We have not presented our teaching in a linear or delineated way for a reason. It is a spherical teaching. It can be approached from all "sides" and each side is interlaced with every other side. You cannot go wrong. [dave] hello michael. is there anything in particular that would identify the influence as you when i am making choices? is there a way to hear each of our guides individually? i feel love for them and am incredibly grateful. [MEntity] First, we will say that we, nor your guides, have much influence through even the most willing of fragments. "Influence" from guides can only come in three forms: insight, perspective, or support. We know this can be considered influence, but we wish to clarify that we cannot do more than what is asked of us. [dave] i get it. those 3 are what i mean. [MEntity] Next, we would say, yes, there are ways to differentiate between "you" and your guides/us. However, this takes time and awareness. Most fragments are quite content with the more practical "inner voice" that one tends to know as one's own voice. Because we do not have a voice, nor do your guides, the indicators for those voices tend to need to be defined by the listener, and then listened for. For example, if you have a guide who is sought for help with career choices, you might assign a more distinct authoritative voice to this guide. That guide will not override this, and all guides would rather use any voice you can hear than to not be heard when you most wish to hear them. [dave] yeah. i think i maybe shouldn't care too much about it. just that i make wise choices. [MEntity] If a guide or teacher does not have a distinct "voice" assigned to them, we can say that voices of guides with INSIGHT tend to come with more unaffected, flat deliveries, while voices of PERSPECTIVE tend to come with more "personality" and even symbolism, and voices of SUPPORT tend to come as quite comforting and quiet. All of these would tend to come as "bursts" or spontaneously, and it is in those moments that you can begin to build your awareness of what each "voice" tends to, and how it is slightly different from your own. We are speaking of those who live with guides and teachers, not of those who pursue a career in channeling where the differentiation is far more important to distinguish. [Connor] Hello Michael. This is a question I've run into a couple times which has not been clarified to date, as far as I know. Can Transcendental Souls create karma? An example of Muhummad comes to mind, whose teachings didn't quite 'get across'. [MEntity] Any fragment who is incarnated can create Karma. It is always a gamble. However, by the time one has come to be Transcendental, the requirements necessary for the formation of a Ribbon or Ribbons would be highly unlikely. Karma can be generated without Ribbons. It is the Ribbons that are evaded, not the Karma. [Connor] Ah. Still learning to differentiate the two. [MEntity] Karma is imbalance generated by intensity of interference of choice. This almost always generates a Ribbon. A Ribbon is the unattended necessity for balance that is caused by the imbalance. Older Souls and beyond in Soul Age tend not to generate Ribbons because they can process any imbalance quite rapidly, and it is rarely relative to any Physical Plane requirements for balance. [Connor] So then the fragment who killed Gandhi, for example, would not have generated a ribbon, despite the act of murder? (if time allows) [MEntity] For example, a Transcendental Soul may still find himself distracted with the pleasures of the Physical Plane, as was Mahatma Gandhi, and generate some Karma because of some irresponsible choices that create imbalances between himself and others. There was no interference of choice in terms of the Physical Plane, but there was neglect and indulgences that created imbalances in the Emotional and Intellectual realms. These were then balanced in those realms, such as through dreams or after the life. [Connor] Cool. [MEntity] Dying is wholly understood and known to be built into the life of a Transcendental Soul. It is expected. The death is often orchestrated through Agreements in a way that would bring about the changes that the life may not have been able to generate. Karma *could* be generated through the murder of a Transcendental Soul, but it has yet to be done. This is because there is simply no sense of intensity or violation to generate the imbalance necessary. [Kurtle] Hey Michael, I'm getting to know the overleaves better. For today could you elaborate on the Caution and Power modes and how they appear in older souls(mature and old)? The definitions we have here typically apply to the younger souls so clarification would be useful in how they “manifest”. [MEntity] The Mode is how one RELATES. This is how one relates to the Goal, to the life, to others, and how one goes about securing Intimacy in the life. At the core of Caution and Power are EXPRESSION, so these will be all about the FORM. Regardless of Soul Age, Caution will relate DELIBERATELY (with intention) as a way to give form to a relationship, to a goal, to intimacy. When the forms of relationship, goals, and intimacy are not felt to be representative of Caution, it can fall into PHOBIA, or an extreme aversion to most everything that is in relationship to the fragment. [Kurtle] ah that makes sense. Well the definition of phobia I mean. [MEntity] In the older souls, DELIBERATION can come in the form of having quite specific standards and parameters for what is of interest for relating to the fragment. Think of Caution as DISCRIMINATION in the context of relating. Deliberation aims for Sophistication. So Caution Mode is about refining relationships. When Caution is in Phobia, it is like Discrimination in Rejection. [Kurtle] It sounds like a friend of mine. [MEntity] It is a refusal to take responsibility for the forms that have been created or allowed. Caution could be said to be an emphasis on how the other half of the equation of Relating takes form, whereas POWER is about how YOU take form in the equation of Relating. Power is about how PRESENT one is in a relationship. The more Present one is, the more Authority one has over the self. [Kurtle] So it's like Caution is adapting itself to the situation and Power is adapting the situation to itself? [MEntity] When POWER feels its Presence is not taking form, it can compensate by falling into OPPRESSION. [Kurtle] Kind of like Enforcing their presence on others. Ah I see. [MEntity] In the older souls, Power is all about being awake in a relationship. When the old soul falls into Oppression, he has fallen asleep. If Power is like ACCEPTANCE, the Oppression is like Ingratiation. It is about losing one's form as a way to conform so that one has some sense of power, in the same way that Ingratiation is about doing what one thinks is necessary in order to be loved. Of course, Ingratiation is not Love, and Oppression is not Power. Kurt, in the younger Soul Ages, Oppression does come as more of an enforcement of presence upon others, but in the older souls, this turns around so that one begins to shrink in the shadow of anything deemed more powerful. For all of the Overleaves, try this for understanding the differences between how they manifest in younger Soul Ages versus older Soul Ages: Add SELF- to the Positive or Negative Pole of the term. [Kurtle] ohhh that make s a lot of sense. [MEntity] For instance, in Discrimination, the Negative Pole of Rejection is more often SELF-Rejection for the Old Soul. The Goal of Acceptance is more about SELF-Acceptance. CAUTION Mode can fall into SELF-Phobia, or the Stoic into SELF-Resignation. And so on. This is not always a clear differentiation, but it can help. [Kurtle] Ah, would that be the same for the Mature Soul? Self- I mean. [GeraldineB] That's for another time, Kurt [GeraldineB] Time to move along [MEntity] By "older" we always mean mid-Mature through Old. [ViP1] Sex education for children is something that seems particularly important in order for children to know how to manage their impulses with respect for themselves as they become older, and yet it is approached in wildly varying, ad hoc ways that typically depend heavily on cultural background. Such approaches range from no intentional attempt at sex education at all, rather avoiding the topic completely, to complete openness that might strike other people as awkward and inappropriate. The education itself might come from parents, or from teachers, or from friends, or from the media, or all of those. In addition, there is usually some degree of awkwardness in parents around even raising the topic with their children to begin with. Do you have any insights on how to approach sex education for children, irrespective of their cultural background, in a manner that is inclusive of their own makeup, that is appropriate to and respectful of their needs and level of mental/emotional development, the best age for children at which to introduce it, and who such education might best be provided by? [MEntity] The greatest approach to sex education is through the removal of shame from the equation. The rest is fairly moot. Shame is easily learned, and this informs one more so than any other guiding factor for health. We say that the rest is fairly moot because most education for children regarding a topic that cannot be fathomed is difficult to instill in any meaningful way, and for those in the throes of it simply cannot hear. "Education" would be most effective in removing shame, and inviting choice. By inviting choice we mean that children would do well to know that they have a choice for being safe, asking for more information, accessing protection, etc. For some, the details are helpful, for others the details are meaningless, but for the entire spectrum of ages and cultures, CHOICE is what is often missing from the equation of education. "You do not have to understand what you are doing, just that you have a choice in how you are doing it." Once the power of choice is in a child's hand from any culture, and the weight of shame is removed, the eagerness for "better choices" comes naturally. In short: reduce shame, increase choice. This can be implemented in any number of ways. [HunterG] Hello Michael, I know you have said listening to music can be a direct link to essence. My question is "What is the interaction with essence in the context of CREATING music?" Because not much has been said in that regard. [MEntity] The process of creating music is often the process of manifesting Essence. It is a bringing of the language of the Astral Plane into form. All music is an extension of the Astral Plane. This could be said of any Matter, actually, but music is one of the more fluid and concise extensions. Different kinds of music extend from different levels of the Astral Plane, but all of it is an extension of this Plane. This includes the "music" of non-sentient species, as well. [HunterG] Would there be a way to differentiate the different kinds of music? [MEntity] Yes. Think of the Astral Plane as something like an Emotional Center with all of its Parts. The Moving Part would be that which encourages movement/action. The Higher Moving would be that which encourages resonance/Beauty. The Intellectual Part would be that which brings Expression, such as song, lyrics, etc., while the Higher Intellectual would be along the lines of choral, or philosophical/Truth explorations in word, and the Emotional Part would be that which soothes and calms, while the Higher Emotional Part might bring healing/Loving. Music is not one or the other of these, but often a mix of at least 2 or 3. [HunterG] yes MEntity: If there is a question to which we can respond in brief, we will take that to close out our session. If there are no more questions, we will conclude here for tonight. Good evening to each of you. Goodbye

Y'all, I have ADHD. When I got diagnosed, I was given stimulant medication and nothing else. Perhaps it was because I was diagnosed as an adult, or because of the kind of medical care available to me at the time, or because the world sucks generally at guiding people through momentous mental health revelations. Either way, there was so much more that I needed to know and practise in addition to taking my meds. Michael has given some very nice advice about it that I shall include in another post. These past couple of years, I have made it a mission to learn as much as I can about ADHD. I've learned the ins and outs of how my brain functions and how my medication helps me. I have also learned some amazing techniques, such as bullet journalling and obsessive list-making, to train my noggin into doing what it needs to do at that specific moment. I was never one of those people who could listen to songs as I worked, because my brain would always try to finish the lyrics instead of focusing on the work at hand. There were very few artists I could listen to while working - Vivaldi and Chopin, for instance. A few days ago, I had a session with Michael where I asked about my past life as Jenny Lind, the celebrated Swedish soprano. I was interested in her relationship with her husband, Otto Goldschmidt. I was interested in Otto because Jenny chose him over all her other suitors, which included big names like Frederic Chopin, Hans Christian Andersen, and Felix Mendelssohn. Jenny and Otto spent most of their married life in England, where Otto took a position as a professor at the Royal Academy of Music. ___ From a Private Session 25 June, 2021 Sharvari: Is the Essence who was Otto Goldschmidt, Jenny Lind's husband, incarnated as any of the people I know in this lifetime? What is my history with this person and why did Jenny choose him over her other suitors? MEntity: In response to TWO: We found "Otto" incarnated as the composer Steven Halpern. ___ Due to time constraints, Michael could only tell me who Otto is now. I searched the name online. Lo and behold, I found that Steven Halpern had created an album specially for ADHD brains. . More than anything else, this was what made his name and work resonate with me. I found that Steven has a doctorate in music studies, is held as the inventor of New Age music, and has done meticulous research to advance music therapy. He has even created new terms for psychological phenomenon related to music perception. Halpern's approach to music is beyond anything I have ever imagined. I am no musical genius (not in this life), but even I know that what I am listening to is something extraordinary. I don't know what he put in that ADHD soundtrack, but it works! I've never found it easier to slip into hyperfocus. I think it's amazing that Otto took his academic interest in music forward into the next life. Even if he isn't someone I know personally this time, he has touched my life in a significant way. I suspect that he is an Entity Mate (C1E2) or at least a Cadre Mate. For those of you who think his music would sound great over a fat blunt (@Connor), here's an album you might enjoy.

MICHAEL SPEAKS Online 110407 [Michael Entity] : Hello to all of you. We are here. We will call on Glenn for the first question. [Glenn] : I have a question about the implicate structure of the universe. I've studied Indra's Net, Michael Math, the Golden Mean, Sacred Geometry, Quantum Physics, and music. I've had dreams and vision quests which have shown me numerous complex matrices and structures. I don't know how to bring them into physical reality. I guess my question in brief is why have I come across this information and how can I best utilize and/or transmit it? [Michael Entity] : The collective consciousness of your particular Cadre specializes in this particular area of the universe and so it is not surprising to find your interest blooming within your lifetime, especially given your particular Entity's position within your Cadre. We have regular contact with what might appear to you as being your "future" selves in terms of your collective cadre consciousness as it exist within the Causal Plane. A common reference to this collective has been "Mentax." This response helps bring insight into the why of your interest and strong attraction to this angle of study of the universe. In terms of how to best utilize and transmit this information, we can only suggest that it is a process of study at this point; an exploration of patterns and potentials, but not one of conclusions that need be "transmitted" within this lifetime. The closest we can come to describing how you may already be expressing this geometric spirituality is through the construction of musical notes and your exploration of the impact of melodies, notes, and the spaces between those very notes on space and senses. It appears to us that there might begin to be an emphasis of movement and composition away from a linear exploration and into a more circular exploration, leading to a more spherical experience at some point; if this makes sense to you. [Glenn] : Spherical and spiral. It makes total sense to me. [Michael Entity] : As music and math are "two sides of the same coin," it makes sense to us that your explorations are between these intimate sciences. [Geraldine] : What is Cadre 2 known to specialize in? [Michael Entity] : Cadre Two seems to have a theme of emphasis of specialty in Color and Light. We refer to this collective consciousness as "Polymous." We remind all here that the "names" we share here are translations from a less-verbal means by which we actually refer to your Cadres. We also remind you that the themes we describe are broad and are taking into account a grand collection of experience that can be reduced to a very thin theme, and those themes are full of sub-themes, and not all lifetimes and personalities will recognize these grander themes. [christian] : My question was prompted by one of the Mblogs. How would I help my sister to stop blaming so that she could release the pain? It seems the pain has in part come to define her. I see that as restrictive. Please advise. [Michael Entity] : We must remind you that we do not "advise," as we do not have an investment in your choices. We can, however, respond with our observations and suggestions: In terms of helping your sister to stop blaming, we would suggest, first, that you examine why you would wish for her to be rescued from her personal experience and process. We use the word "rescue" as this is what we would describe the act of interrupting an experience for the sake of what might be defined as a state that is "better" for a person. Quite often what one believes is "better" is not for the sake of the person being rescued, but for the sake of the rescuer. In other words, it pains you to observe her struggles, so to remove her from her struggles may bring relief to you. We do not state this as incriminating, but as a first step in understanding your motivation to help her. Honesty with yourself is the bridge of effectiveness between your efforts that benefit you and benefit the other fragment. We also suggest this examination of motivation because what might "help" her the most is not an ending of her process, but walking through it with her at her pace and with the restrictions and pain she may feel is necessary along the way. When we say "feel is necessary," we do not mean that she wishes for this pain, but that the pain is a product of her processing of truth, and it is accepted as such on a level within herself that trusts her own navigation of her life. In short, the pain that you perceive as having come to define her is just one side of the process that will allow gaining a more comprehensive awareness of her truths. It is only one side. It is not her conclusion. If you wish to help her, we see one of your choices that would bring about your desired results would be in simply walking with her through her process, but consciously embodying a trust in her process, yourself, so that she may also draw from that example of trust and regain a conscious remembering of her own trust in her process. This trust exists already within her, but not consciously. Let her blame. Let her restrict herself. Let her identify with the pain. In many ways, "the only way out, is through." Once the personality has fed enough on the lies that surround the experience, then the dessert of truth can be enjoyed. [christian] : yum!! [Michael Entity] : We do not mean to speak so poetically, but these words have meaning in more ways than poetic. [hairguique] : Hi Michaels and Troy, As students of Michael we are all developing our understandings. How does one develop their communication with Michaels? Like Channeling, auto writing? Being a Healer is very important. [Michael Entity] : Communicating with us is quite simple in most cases, but there are certain strengths inherent in your Overleaves that bring about ease in one area or another of the process. There are three major parts to the process of communicating with us or any other non-physical consciousness or energy, with a fourth part that is the sum of the three: Connection, Translation, and Transmission, with Comprehension as the sum of all parts. Some of you are quite naturally in contact with us because your Overleaves fall predominantly in the Inspiration Axis, while some of you are quite accurate in your Translation of the energy because your Overleaves fall predominantly on the Expression axis, and still others of you are quite comfortable with your Transmission of this energy into physicality because of your Overleaves falling predominantly on the Action axis. For effective channeling to occur in a way that most think of "channeling," then an emphasis on the "weak" areas of your Overleaves is needed for building strength and balance. In other words, in examining your profile, the axis with the least amount of overleaves may be an area in which your emphasis may need to be, while noting where your overleaves predominate can bring some confidence to that aspect of your communication. To explore this question fully is an entire course in itself, but we can say these quick considerations for now: depending on your strength of emphasis in your Overleaves, ease of contact with us might come in these ways: Inspiration Axis/Dreams Expression Axis/Conversation Action Axis/Affection. For those with an emphasis on the Assimilation Axis, your Comprehension may be a strength, but usually through experiences of contact with another person's strength of emphasis; for example, comprehension may come from the experience of Affection, Conversation, and Dreams. In areas lacking emphasis, we can say these quick considerations for building strength and finding tools: Inspiration/Listening and Dream Journaling Expression/Telling the Truth and Tarot (or other symbolic forms of oracle) Action/Asking for Help and Psychometry. Though we have much more to say about this subject, we will move on now to the next question. [AnnH] : According to Abraham, it's difficult for us to go from depression to joy in one step. It's said that moving up the emotional scale is more beneficial. Can Michael add to this? [freyaisis] : (the emotional guidance system) [AnnH] : More beneficial as in truthful, helpful, fewer expectations. Yes, thanks suz [freyaisis] : your welcome, good question ann [Michael Entity] : We would agree with what has come through the source known as "Abraham." We have rarely seen evolution occur in "one step," but have seen all forms of growth or healing as being in steps as part of a process. What we can do to add to what you have already found as beneficial is to describe our observation of the process for movement from the state of depression to the state of joy, but we would caution that it is not a linear process with a conclusive state, but the progress from depression to joy is a natural cycle of experience while having a body and reaching joy does not mean one is then exempt from the troubles of depression. It is not necessary to avoid or "heal" depression, nor is it necessary to seek only a state of Joy. What will tend to bring a wholeness to the life is the awareness of who "you" are even as you experience those fluctuating feelings. Depression is merely an attachment to one state of feeling and identifying entirely with it, rather than differentiating oneself from the experience of that state. This would be true of joy, too. Joy is a PART of life, not the goal of life. Depression is a PART of life, not a condemnation. In light of that, our process would be one that describes a process of detachment and a broadening of consciousness, rather than that of a healing or escape from a state of feeling. We will describe this in the final transcript, but the time allotted now does not allow for that. (NOTE FROM TROY: this will come soon, but I have to work on it. It should be done soon!) Good day to each of you. Goodbye.

Michael Speaks Live Psychic Hygiene October 8, 2011 [MEntity] Hello to each of you. We are here now. We can begin with discussion about the topic suggested: "Psychic Hygiene" For most fragments, the physical plane is met with some amount of awareness brought to the importance of Physical and, eventually, Spiritual Hygiene, or maintenance, if you will. Depending on the culture, sometimes one is emphasized over another, or both are emphasized, but these two "bodies" are often considered as priorities, either together or separately. Physical hygiene is fairly clearly understood as a necessity in modern culture and civilizations, and while the methods and motivations may differ across those, the effects are still beneficial. Spiritual Hygiene begins to be considered as a result of survival or prosperity. Rituals and practices come into play as a plea in times of struggle, or as a means to explore in times of prosperity. While the variations in Physical methods and motivations for hygiene tend to have the same effects and benefits, the rituals and practices for Spiritual Hygiene do not. Spiritual Rituals and practices tend to be geared toward the beliefs of the individual, religion, or culture of the time, and so do not act as a means of actual Hygiene, but more as a means of manipulation. Manipulation is not a "bad thing" in itself, but there are many who feel that their Spiritual practices and rituals are quite noble and beneficial, when actually they are often entirely geared toward the manipulation of favors, alleviation of fears, or the fulfillment of duties. The reason the Physical Hygiene can be rather consistent in its benefit, while Spiritual Hygiene can be rather inconsistent in effect is because one has immediate impact, and the other does not. Furthermore, the entire concept of "spirituality" is misunderstood as a body in and of itself, or a realm, or a dimension, etc, when it is not. Therefore, the practices and rituals put in place to directly benefit one's "Spirituality" is often lost as if thrown into a black hole of relevance. "Spirituality," or the Spiritual Body, is a whole that is greater than the sum of its parts, and those parts are the Physical, Emotional, and Intellectual Bodies. The Spiritual Body does not exist without those inclusions. So if one dismisses the Physical, Emotional, and Intellectual Bodies for the sake of aiming for some sort of "Spiritual" ascension, acceptance, acceleration, advancement, etc, one is completely missing the point, and has not come to understand the nature of Spirituality. Spirituality is a concept much like that of Nature. Nature is something that cannot exist without all of the forms that make up what is understood as "Nature." To separate out the concept of Nature from its very nature would be absurd. And so it is that one's Spiritual practices and rituals are useless if they do not include or understand the necessity of inclusion of the hygiene for the Physical, Emotional, and Intellectual Bodies. Naturally, then, the aim for Physical, Emotional, and Intellectual Hygiene automatically benefits "Spirit," or "Spirituality." This is what we mean by "Psychic" Hygiene: the inclusion of the less-tangible aspects that make up your more intimate bodies; those of the Physical, Emotional, and Intellectual. Our use of "psychic" may differ a bit from the general definition of the word, but we mean it in the sense of the inclusion of your psyche, or your consciousness, in relation to these Bodies. For instance: most of you know how to bathe your own bodies. This is a task that most of you do weekly, if not daily, in some form, with some of you doing so more thoroughly than others, but doing so, nonetheless. However, often or well you clean your body, we can say with some amount of confidence that most of you do not do so with a kind, thoughtful, loving hand in the process. A routine hand, yes. A thorough hand, yes. A skilled hand, yes. A dutiful hand, yes. And this cleans your Physical Body, but it does nothing for the psychic levels of that Body. By "psychic levels," we mean that there is little consciousness present or involved. All of our suggestions today will be rather simple. They should be rather easy to implement into your daily lives. They are not intended to be a distraction, but a support to your days. Our first suggestion, then, for the Physical Body is to BATHE YOURSELVES AS IF YOU CARE. It is that simple. This is not necessary every time you bathe yourself, but once out of every 4 times you may bathe yourself, include your capacity to CARE in the process. Bring some loving to your body; some appreciation, gratitude, affection. Be there for you on more than a dutiful or routine level. Truly be present in that body you are taking time to clean. However close you may be to somebody else, you will never be as close to any other body than your own. Ever. Bringing that simple shift in awareness to your bathing process is more meaningful to "spirit" and to you than any spiritual practice or ritual could ever be. The Emotional Body is the next-most tangible of all of you Bodies. This is not the case for every person, but for most. If you feel that your Intellectual Body is far more tangible than your Emotional Body, it is not a matter of fact, but a matter of emphasis that you think this is so. Technically, the Emotional Body is denser than the Intellectual Body, and then the Emotional springs from that. Because the Physical Body is so immediately tangible, and the "Spiritual" is of such an aspiration to so many, the Emotional and Intellectual Bodies are the most neglected and abused bodies on the planet. The hygiene of your Emotional Bodies can most often be helped through the use of SOUND. In particular, Tones, or music. Emotional hygiene could do well to take place at least once a month, but as often as you would like. There is a difference between escaping into music or sound, and harnessing it for hygiene. Much like there is a difference between going swimming, and taking a bath or shower. Exploring the tones associated with Chakras, either as vocal expressions or instrumental expressions, is helpful in putting into practice Emotional Hygiene. There is validity to the practice of vocalizing the "all-inclusive sound" of Om. When we say that the Emotional Body can benefit from SOUND, we mean all forms and media of sound, including speaking kind and comforting words to yourself, affirmations, singing spontaneously. The Emotional Body is where the experience of Time is processed, and music/sound is a processing of Time that helps to clean, heal, support, and care for the Emotional Body. For those who are Emotionally-Centered, it may be a regular event to submerge oneself into music or sound, because when one is using that Center as a means for navigating the entire life, it requires far more maintenance and healing, which is why Emotionally-Centered Personalities do tend to develop a far more intimate relationship to music than other Centerings. This is not to say that Moving or Intellectual Centering does not develop relationships to music and sound, but that it is a different relationship, and not one that is born of such necessity as those who are Emotionally Centered. We can explore those relationships in another session. So for the Emotional Bodies, a regular form of hygiene to bring to your every month, or more, is to listen to Chakra-based Toning, speaking kindly to yourself, singing to yourself, vocalizing tones that feel good, etc. And all with an awareness present. For the Intellectual Body, hygiene could do well to be in place as often as one bathes, if not more. The Hygiene of your Intellectual Body can most often be helped through the use of VISUALIZATIONS. There are two important levels of hygiene to consider in this case: One is that every fragment would do well to gift himself with a break from thinking, every day. This is not the same thing as being stupid. Every day, or at least for a few moments as one bathes or showers, the practice of visualizing "nothing" can truly bring some relief to the Intellect. By "nothing," we mean that the focus is on as much space as possible, an openness, such as floating, or flying, being in the sky, among clouds, etc. [Question] Doesn't that require intellectual processes to generate the visualization though? [MEntity] Of course it does. You cannot bathe your Physical Body without using your hands, either. The point is not to escape these Bodies, but to give them gifts, benefits, pleasure, freedom, support. The more one uses these bodies to benefit themselves, instead of being entirely weighted by the processes of living a life, the more those processes of living the life are met with brilliant energy, clarity, enthusiasm, and joy. In other words, your Bodies are not slaves to the lifetime. They are curious, sensitive, fragile, wondrous dimensions of you that are here to explore, not just to endure. The other level of hygiene for this body would come in the form of decording. This is something that can be practiced monthly, or even yearly. This is the practice of using your imagination and visualization to "see" your own back where energetic cords have attached themselves between you and those with whom you are not consciously or relevantly attached. Cording is the process of linking one's Chakras to another for the sake of bonding or binding. When bonding happens, it is usually a mutual experience and these cords are connected to the front of your body, chakras. When binding happens, it is not usually mutual, though allowed, and these cords are connected to the back of the body. All of these terms are not so literal, but they are accurate enough to the reality of those connections that we can use them here. Decording, then, is the use of the imagination to pull or wipe those cords off of your back. Of course, this is all symbolic, but it works when the visualization is applied. We will have to use another chat to elaborate upon the dynamics of Cording, but to begin this practice can often bring sudden freeing of energy and well-being, not only to the Intellect, but to the denser bodies, as well. It may also bring a surprise visit or contact from those who are binded to you in the back, because when those drop, the person who originated the bind senses this drop between you and may suddenly want to contact you, if he or she can. Another daily practice for Intellectual Hygiene would be to put at least one beautiful thing in your most inhabited space so that you can see it, and allow it to remind you to slow the mind, to take in the view, to allow room for your thoughts to come and go, rather than build up. As the Emotional Body processes Time, the Intellectual Body processes Space. As Music/sound is a means of processing Time, so is Visualization a means of processing Space. We must conclude here for today, but can continue this discussion in future exchanges, or in the forum thread where this transcript may be posted. We think that what we have shared today may be of help for bringing some personal sense of management over one's energy and health of his or her bodies, and to help bring a bit more "spirit" to one's Spiritual Body. Good evening to each of you. Goodbye.

Always liked this one. It speaks of remembering our past and how we have been here for a long time.

Helllooooooooo TLE!! Just had this wild idea and it would be cool to see if it goes somewhere. Music is beautiful, awesome, and emotional. It connects people in such outstanding and harmonic ways. I've been increasingly curious to get to know more of you as I become more active here, so how about... A TLE PLAYLIST!!!! Comment your favorite song, or songs, or list of songs you can't pick the best of! Share one, share two, or share as many as you want. Rock, metal, folk, instrumental, you literally name it. Inspirational, emotional, groovy.... And don't even hesitate to post a direct link if you feel so inclined. From there I'll make an accessible playlist (via the internet) and then share it back here, maybe a week or two from now. I consistently use Spotify, so I might make it through that platform or via youtube. My hope is that this can help strengthen our community and connection, and we can have something for all of us here, now, for what we're feeling in this community at a time like today.

This song from Frozen 2 is a perfect description of depression and grief and how you keep moving.

Michael Speaks - Soul Ages and Levels (01/09/11) Troy Tolley, Channel [MEntity] Hello to each of you. We are here now. We will begin with the discussion on the topic of Soul Ages and Levels. We realize we have shared a great deal of information and insight into this concept, but every aspect of our teaching has dimensions that may resonate at different points in the life, and to different students and different times, so our returning to "basics" does not have to be a review, or rehash, but a new spiral or layer of that concept. One of the reasons we think it is helpful to return to the basics at various points is because our initial sharing of this teaching in the form that you currently understand it was shared in a highly generalized and simplified way, and through the perspective of the average Soul Age of Young at the time. Our teaching does not change, but the understanding of it changes depending on the perspective that is interpreting it. For instance, there is a very basic way to understand the Role of Sage, in general, and then there are the differentiation of layers or evolution that bring dimension to that Role. For example, understanding the Sage as a goofy, obnoxious, self-indulgent, talkative, attention-seeking Role is highly generalized and, though accurate as a single dimension of that Role, only describes the Sage as the average Young Soul might manifest the Role. The description, or dimension, of the Role of Sage as an Old Soul will include this Young Soul version, but age affects how a Role is played or manifested, and the Old Soul Sage is often nothing like the general description, or the Young version. Whereas the the Young dimension of the Sage can be a clown and an attention-seeker, the Old version is the wise child whose emphasis is more on the integrity of communication and meaningful exchange, than on the attention that it would bring. And so it goes that the Soul Ages carry within them dimensions that might be filtered or highlighted by your own Soul Age. So, for instance, the Young Soul to an Old Soul looks and feels and is experienced quite differently from how a Young Soul would experience another Young Soul. What we will do today is discuss with you the Soul Ages as they may be experienced by our Students, who are more often Mature and Old, and this may help build upon the generalized concept. Your questions will help us to shape the information more relevantly. First, we will mention the underlying pillars for Soul Age that are relevant regardless of perception: Soul Age is an Essence's self-measurement for EXPERIENCE. Nothing more. Soul Age is an Essence's self-measurement of Experience based upon that individual Essence's agenda only. There is no one, or no thing, monitoring this beyond that single Essence. To elaborate: one fragment's movement through a Soul Age may include completely different experiences than another fragment's experiences through that same Soul Age. That is because Soul Age is a measurement of evolution/maturity of the Essence, and any experience can be used to propel that evolution/maturity. Soul Age is ONE INTERPRETATION of the evolution of experiences of Sentience, but is not a singular map that all find relevant or meaningful. It is a map for older souls, and is useless to most before that level of maturity. There are other maps used by younger soul ages. In other words, sharing this map "with the world" would not solve the problems of the world, nor would it encourage awareness beyond the capacity that is already present in younger Soul Ages. Presuming that this concept is as profound a map for the young or baby soul as it is for the mature or old soul is like presuming that a map of Disney Land is as useful and meaningful for the toddler or teen as it is for the adults. We can go further to say that even many adults, or older souls, may not find the map useful or meaningful. Continuing - Soul Age is not a map that is imposed upon Sentience, any more than the aging body is imposed upon a Personality. It is simply part of the nature of evolution and maturity. In other words, there are no requirements for that maturity and evolution, only markers. Soul Age is a map that we generated from learning about how our Essences learn and evolve, though that evolution was already long in place before the map was generated. The map of Soul Ages is cyclical, and not linear, despite the apparent progression. Regardless of Soul Age, EVERY Personality is born "reset" to an Infant Soul status of consciousness, and must, if the Personality chooses to do so, find its way back into whatever Age and Level of consciousness and maturity the Essence has reached previously. To some extent, the same could be said for the Essence at every new LEVEL within a Soul Age, and especially at every new Soul Age. For the Personality, this may make sense, since the vehicle is completely new; a new brain and body that must adjust to and share the life with Essence, if it chooses to do so. However, for every new Level, Essence also "resets" and cycles back through what it has learned to that point, and must then build upon that, much like the Personality must regain consciousness over the lifetime to a point that can then draw upon Essence's history. Before we elaborate further, we will take up to 3 questions relevant to what we have shared so far. ***QUEUE OPEN FOR 3 QUESTIONS*** [Question] "Cyclical, not linear" - I visualize the "levels" as being in line with each other, e.g. all 6s "above" each other - a spiral MEntity: That is "exactly" how it is. We qualify the word "exactly" because we mean it only in terms of a visual interpretation. That is a fair and accurate visual. When one is in the 6th Level of any Soul Age, all other 6th Levels are activated and explored. That "activation and exploration" are on an Essence level for the most part, but would also be relevant to which lifetimes tend to be resonant to that lifetime. We think some insight might be gained from the recursive sequence of what has come to be called the "Fibonacci Spiral." [Question] I would like to ask for an elaboration of Essence resetting when a new level is achieved within the same lifetime, i.e., as XXX did. Is this why she is recycling through earlier levels as Essence resets? MEntity: That "resetting" is relevant to what we have come to describe as the Internal Monads. There are Internal Monads that the Physical Body and Personality build through, and Internal Monads that Essence builds through. Every Level of Soul Age is a pass through 7 Internal Monads. Every Personality's progress through its own Internal Monads contributes to the progression of Essence through its own Internal Monads. Every Personality starts over with the First Internal Monad in every lifetime, no matter how far a previous Personality has progressed in a previous life. Every Essence starts over with a First Internal Monad in every new Level, because each Level is a completion, or cycle through, 7 Internal Monads. To help clarify: Every Personality goes through a progress of "waking up" within a lifetime because it is a completely new lifetime. Every Essence goes through a progress of "waking up" within a new Level, because it is a completely new Level. A simple metaphor might be that Essence entering a new Level from a previous Level is like an evolving Personality might enter a new relationship after having been in a previous relationship, or moving to a new city after having lived in a different city before. It is not that all is lost, so much as that all that has been learned must now be applied in a fresh context. [Question] How does one explain the soul that remembers a prior life under 5 years of age? Did these essences choose to remember their soul age? MEntity: It can take UP TO 7 years for a new Personality to embrace and bring through, so to speak, Essence, but for the older souls, that time is often much shorter. The greater the level of maturity or consciousness that Essence brings to a new life, the greater the resource that the new Personality can access, if it chooses to do so. Depending upon the culture and imprinting that is the environment for the new Personality, the child may not only bring Essence in more quickly, but that child's filters may also allow for those "memories" to flow freely. In some societies, such as some within India, reproductive imagination is encouraged in children and they are "allowed" to voice memories that defy reason. In other societies, such as in the United States, those memories are not encouraged, and creative imagination is encouraged over reproductive imagination. Every lifetime, regardless of the fact that it is new, with a new body, and new Personality, will always be built upon the Instinctive Center of the "previous" lifetime, carried forth like a disc from one body to the next by Essence. That Instinctive Disc, if you will, is the mini-Akashic Records of that particular Essence, and depending upon the level of consciousness accessible to the new Personality, can be read and accessed by that new Personality. [Question] Follow up: how do we create a stage for the child to bring in essence and allow memories to flow freely? MEntity: There is no real way to create that stage in a way that prompts the memories, but there are ways that one can encourage the exploration of those memories when the child begins to speak of them, if he or she does so. A child will either speak of them, or not, depending upon that Personality's personal process of regaining consciousness. If the environment is open to that, and the Personality speaks of these memories, then the validation can occur. However, to prompt a child to speak of past life memories, rather than simply allow for that child to speak of them if he or she does so, can often lead to false memories, confusion, and delusions. In short, simply paying attention and being open is enough. Responding to "Dracula": The impact and extraction of knowledge from experiences is subjective, but the markers are static. [Question] Static, not "objective"? MEntity: This might be understood through the metaphor of passing through a city that has specific streets that will crossed on the way through, but different speeds and vehicles may be used to pass. In addition to that, some may rest, some may crash, some may backtrack, some may sight-see, but all of those variations will not change the terrain. We chose the word "static" because, though the markers may remain in place, even the interpretation of them will be subjective. Much like the fact that a city may have a definitive terrain, but many maps to highlight various ways through it, depending upon the interest of the one choosing the map. We will continue with the topic and return to questions in a moment. We have already mentioned this in response to questions, but we will elaborate here on the Soul Age process: One Internal Monad is a level of maturity, awareness, consciousness gained by a Personality or multiple Personalties over lifetimes; 7 Internal Monads = 1 Level of a Soul Age; there are 7 Levels within a Soul Age; there are 7 Soul Ages for Essence. An Internal Monad is a process of resolving a division; a kind of return to wholeness that is greater than the sum of its parts. For instance, the 1st Internal Monad is the resolution between Physical and Essence that is "life." By the way, just "being born" is not necessarily a completed 1st Internal Monad, but we will elaborate upon the Internal Monads in another discussion. Understanding that Soul Ages are built from these processes of resolution can help one to see the vast beauty and magnitude of what it means to evolve, growing from fragmentation, through resolution, and returning to wholeness. Every Level then is one layer, or one dimension, of fragmentation "healed" for Essence, or more accurately put, "regained." When your Essence chooses a Role, it carries forth its own kind of "disc" into that new Grand Cycle of lives as that new Role and new sentient species, but in every other sense, it fragments itself and loses all "memory" of anything "before." Therefore, it could be said that every fragment is in a process of collecting itself back from the universe in which it is exploring. In the same way that we exist as fragments of Tao that eventually return, so are each of you fragmented "out" into your Grand Cycle "ahead of you," and then the compulsion toward wholeness propels the cycle. In a very simplistic and crude description, every Essence "hides" fragments of itself throughout the universe, and the process of evolution is the recovery of those fragments. That process of recovery is different for every Soul Age. For the Infant Soul, this process comes from tangible contact with the world, a kind of feeling around in the dark, and relies greatly upon TOUCH as the navigating tool. For the Baby Soul, this process of recovery comes from extremes of experiences, a kind of tight-rope walking that can find most of itself in every fall from the rope, relying greatly upon BALANCE as the navigating tool. For the Young Soul, this process of recovery comes from opportunities and investments, or indulgences, toward its greatest idea of itself; a kind of constant following of a frequency or tone, making HEARING one of its primary tools for navigation. For the Mature Soul, this process of recovery comes from recognition and empathy, finding and recovering extensions of the self that reside in others, making SIGHT a primary navigational tool. For the Old Soul, this process of recovery comes from pleasure, reunion, happiness, and play, because it can now recover the parts of self that never stopped to enjoy so many things along the way, making SMELL/TASTE a primary navigational tool. When we associate these senses with the Soul Ages as navigational tools, they are not always so direct and literal, but often they are. For instance, in a Young Soul society, music tends to blossom and evolve as a primary medium because "hearing" is so pronounced. Other Soul Ages enjoy music, of course, but for other reasons. For instance, in the United States, the "music industry" is heavily populated by Young Souls, and Young Souls are attracted to that medium of recovery in droves. The phrase "marching to the beat of a different drummer" is a Young Soul phrase because Identity is so important to the Young Soul. This is NOT to say that music is synonymous with Young Souls, but that Young Souls tend toward SOUND, both literally and figuratively, as a means of recovering fragments of Essence, or finding themselves, so to speak. Young Souls are often the loudest among you. A Mature Soul may use music to explore himself, express, or heal himself, but not necessarily as a way to recover or find himself. As your world moved into Mature Soul consciousness, you can see the shift from Radio to TV, for instance, or from music to videos. Even the phone is on its way to being replaced by video conferencing because the Mature Soul uses SIGHT as a means of navigating for recovery of itself. The Old Soul recovers itself through remembering how to enjoy living and being in a body, so two very primitive senses are called upon: smell and taste, which are fairly dependent upon each other, and help the body and Personality toward that which feels good. Smell and Taste affect the entire system that is the Body and the Personality, bringing a synthesis when allowed. In other words, the more an Old Soul allows itself to enjoy, love, accept, and live through its body, the more it recovers its fragments of self and returns to a wholeness. Briefly, the Transcendental Soul uses Orientation and the Infinite Soul uses Relationality as navigational tools for the recovery of fragments. Of course, on the scale of the Infinite Soul, those fragments are all Essences relative to that species of Sentience. Another way to understand the Soul Ages from a student's perspective, and not necessarily as a generalized perspective, would be by seeing the polarities of the Soul Ages and how those may manifest through a Personality. To accommodate the limitation of time for this chat, we will quickly share those: The Infant Soul manifests Positively as INNOCENCE, and Negatively as DISSONANCE. The Baby Soul manifests Positively as REFLECTION, and Negatively as REJECTION. The Young Soul manifests Positively as ACCOMPLISHED, and Negatively as ENTITLED. The Mature Soul manifests Positively as PERCEPTIVE, and Negatively as PROJECTIVE. The Old Soul manifests Positively as INCLUSIVE, and Negatively as EXCLUSIVE. Though we can elaborate upon all of these, we will quickly say that the Mature Soul, when manifesting Positively, is capable of seeing beyond the obvious, the logical, the superficial, and does not require "reasons" for what is known. It simply Perceives. It can truly SEE. The Mature Soul manifesting Negatively loses its capacity to Perceive and simply Projects, turning everyone into props and players for his or her own drama, never truly seeing others because of the preoccupation with seeing (finding) the self. The Old Soul manifesting Positively is Inclusive because everything and everyone is experienced as a part of the greater whole, including all of the previous Soul Ages within itself. This leads to an adaptability that allows for finding parts of the self in places and people it never would have thought of on its own, if you will. This Old Soul can draw upon its previous tools for navigation at will because it has accepted those tools, and will use them appropriately to navigate or understand those in younger Soul Ages. Everything is experienced and interpreted as "food for the soul," so to speak. The Old Soul manifesting Negatively become Exclusionary, aligning itself only with the "like-minded," seeking refuge and intimacy only those who feel "safe," and even then keeping a wall of isolation around the self as part of the interaction. This dependence upon the condition of safety never allows the Personality and Body to enjoy the life to the fullest, often resorting to the forming of secrets, imaginary relationships, and the equivalent of soul masturbation. Keep in mind that the Negative Poles we describe are a part of the spectrum and process for any term we are describing, and do not indicate what not to do or be. They simply describe the more limited end of that spectrum, as well as the end through which all will enter in that context. For instance, ALL Old Souls will go through an Exclusionary phase before it will move into an Inclusionary phase. That is natural. [Question] You mean within a single lifetime? MEntity: ALL Mature Souls will move through a Projective phase before it can Perceive. That would depend upon the individual, but for the most part, yes. Every Old Soul within each of its Old Soul lifetimes will still have to regain the consciousness of that Old Soul awareness, and that means the Personality would go back through a phase of Exclusion before Inclusion. As every Old Soul in this "room" can attest, if there is an honest assessment, the Exclusionary phase is all too familiar. We will open the floor for questions, but will end our responses in 15 minutes to accommodate our channel's and students' time limitations. ***QUEUE IS NOW OPEN*** [Question] You said in an earlier chat that Religion was the playground of the baby soul and Politics was the playground of the Young soul. What are the equivalent structures for the other ages (especially Mature Soul)? My guess is "Community" MEntity: We could say that RELATIONSHIPS are the playground of the Mature Soul, and IMAGINATION is the playground for the Old Soul, and THE UNKNOWN is the playground of the Infant Soul. By extension, "Community" would be included in Relationships. [Question] Hello Michael Could you elaborate, or give pointers as to (learn) how to access our mini-Akashic disc you mentioned? MEntity: The greatest direct access each of you have to your Instinctive Centers/Akashic Records is IMPULSES. Impulses are prompts that stem from the Instinctive Center in a way that each fragment eventually learns to read/interpret, and trust. Impulses are not the same as Compulses, as Impulses always include Choice, whereas Compulsions feel as if one has no choice. Impulses will always lead the Personality along paths that are a part of the higher pattern of its existence, and of Essence. Those Impulses are directly from one's Instinctive Center and directly relevant to the current lifetime in some way. Impulses are not indications of a "right" way to do something, or a "right" thing to do, direction to go, choice to make, etc., but simply indicative of possibilities relevant to what is active in those personal records. [Question] Would that be what feels like that "little voice inside" - same as intuition? MEntity: Yes, that is often how Personalities interpret the Impulses, however, there is a difference between Intuition and Impulse. Intuition is a synthesis of information gathered from various senses and sources that then must be interpreted, whereas an Impulse is a kind of immediate Knowing. For instance, one might use Intuition to help decide which city or part of city to move to, or which home "feels" right, but an Impulse would be the Knowing that it is time to move. It could be said that Intuition can be a navigational tool for fulfilling an Impulse. [Question] I am 7th Level Old and my husband is 7th Level Mature -- I have been thinking for some time that this is not a coincidence -- from the perspective of our soul levels discussion today and in a way that would be relative to everyone -- please comment. MEntity: That would be valid, Maureen. Fragments will often find themselves in association with, relationship with, attracted to, repulsed by, those who share the same LEVEL, but different Soul Age. This is part of the process for a fragment to cycle (back) through a Level. Though an Essence may be a 5th Level Old Soul, clearly having moved beyond the 5th Levels of the previous Soul Ages, it does not mean the value of revisiting or exploring those levels within is meaningless, concluded, or lost. This is part of the spiral we described earlier. For those who did not get a question in for us, we can suggest posting your question to the forum where this transcript will eventually be posted, and then it will be there for Troy to offer to us as he can for our response to be added. We must conclude here. Good evening to each of you. Goodbye.

Has anyone asked Michael about this? http://www.collective-evolution.com/2016/07/11/this-is-why-you-should-consider-changing-the-frequency-of-your-music-when-listening-to-it/

This is David Sylvian's most poignant lyric about domestic abuse. The first section is very direct narrative, and the second section is an observation about how religion and society view such abuse as normal. She rises early from bed Runs to the mirror The bruises inflicted in moments of fury He kneels beside her once more Whispers a promise "Next time I'll break every bone in your body" And the well-wishers let the devil in And if the river ran dry they'd deny it happening As the card players deal their hands From the bottom of te deck Row upon row of feudal houses blown away Medicine for the popular complaint When the poets dreamed of angels What did they see? History lined up in a flash at their backs When the poets dreamed of angels What did they see? The bishops and knights well placed to attack

This song may be a bit gloomier than the average emotional barometer on this website but I find it a perfect match for my mood currently. Its a great fit for the changing seasons, unknown looming challenges ahead, and all around heaviness right now. I feel it has a great sense of transcendence of all of that as well. From the album Mercury Falling: The Hounds of Winter by Sting

I don't often post music here because my favorite tracks are all from video games, and often have no lyrics. But I was listening to a track and the tension and tone of the song seemed to reflect in my mind, how August and 2017 can feel like on a larger level when we "opt in". --- The rhythm and layers of notes in this seem imposing, culminating, dark and mysterious but also very smooth, calm and steady. It really feels like we're facing a serious threat here but are trying our best to stay collected and composed, likely for the sake and sanity of others. In-game, this plays when the protagonists at Resurgam First Care, an american emergency hospital, are faced with the threat of a new epidemic of viral hemorrhagic fever they call "Rosalia". This particularly plays alongside a diagnostician who's forced to diagnose an army man who quickly dies of the disease despite his best efforts to figure out what he's suffering from and get him back to his family safely.

German singer Ute Lemper delivered this Nick Cave song with such ache and anguish. It is hard not to to be moved by this song, and yet if you read the lyrics it is so contrasting for such a beautiful song with a dark theme. Another brilliant song from Nick Cave - not bad from someone who grew up in Wangaratta. Little Water Song Under here you just take my breath away. Under here the water flows over my head. I can feel the little fishes. Under here whispering your most terrible name. Under here they’ve given star fish for eyes and your head is a big, red balloon. Under here your huge hand is heavy on my chest and under here, Sir, your lovely voice retreats. And yes, you take my breath away... Look at my hair as it waves and waves. Sir, under here I have such pretty hair. Silver it is and filled with silver bubbles. Under here my blood will be a cloud and under here my dreams are made of water. And Sir, you just take my breath away... For under here my pretty breasts piled high with stones and I cannot breathe. And tiny little fishes enter me. Under here, I’m made ready and under here, I am washed clean. And I glow with the greatness of my hate for you.

I am not sure if I am Mature 5th or 6th, This suggests 5th. What do I love? - Annie can sing really well. Contralto range. - Annie can wear wigs - Annie can act like any gender and any person, it seems. - She doesn't take herself seriously, satirizes old tyme glamour, and makes a sexy monster - I have synaesthesia and see aura. This song is magenta- my color. the song "looks" perfect. Aerobic loops look round and "feel" Very good to me, like a massage. Lots of nice shapes, for lack of better description. - This video was banned in the US because of its gender bending. I also love Cher's Turn Back Time, could you guess? I think the first time I saw that I cried. I cry a lot at really "odd" things. I don't get why but I like cher. Beatlemania! Maybe this is all so Tired to people who lived the 80s, But I am an old fashioned person, maybe. I was born in the 90s, so all this is new to me. I never lived the 80s in this incarnation-- It looked so scary and beautiful. I love many of the Gay icons that came out of NYC and helped launch American drag and gay culture. A new "Nixon-Reagan era" is here, and I feel OK as long as all sorts of people are pissed, we can dance together, and be ridiculous! I suspect Annie Lennox is King King King all the way. I am staring to notice that as a woman, I am a magnet for envy and love female Kings. Katherine Hepburn was always a biggie.

Definitely the 'Bedroom Sitter' genre. A sad song clothes with magnificent melody, orchestration, grandeur, & drama. Singer-songwriter David McComb biographical account of his friend (that is what I'd heard anyway). Every time I hear the song, it is a mixture of conflicting emotions (beauty & sadness at the same time - totally weird). The closing phrase 'So, where were you?' is so relevant as the song was written when depression was not as well as recognised as today. The Seabirds No foreign pair of dark sunglasses will ever shield you from the light that pierces your eyelids, the screaming of the gulls / Feeding off the bodies of the fish, thrashing up the bay till it was red, turning the sky a cold dark colour as they circled overhead. He swam out to the edge of the reef, there were cuts across his skin, saltwater on his eyes and arms, but he could not feel the sting / There was no one left to hold him back, no one to call out his name, dress him feed him drive him home, say 'Little boy it doesn't have to end this way!' He announced their trial separation, and spent the night in a Park Beach Motel bed, a total stranger lying next to him, rain hitting the root hard over his head / She said 'What's the matter now lover boy, has the cat run off with your tongue? Are you drinking to get maudlin, or drinking to get numb?' He called out to the seabirds 'Take me now, I'm no longer afraid to die', but they pretended not to hear him, and just watched him with their hard and bright black eyes / They could pick the eye from any dying thing that lay within their reach, but they would not touch the solitary figure lying tossed up on the beach. So, where were you?

I listen to a lot of music but I always on the look out for originality either in music structure, performance or lyrics. This is the latter. Tarantula is written from the perspective of a tarantula but also about the human condition. it is clever and brilliant. I had heard the original version of this song and it was forgettable. It takes a genius like Ivo-Watts Russel (4AD label founder) to see something and improve upon it. Lyrics I'm living but I'm feeling numb. Can see it in my stare. I wear a mask so falsely numb and I don't know who I am. Despite the worlds inside of me thwarting me away. I've noticed in other eyes, time's closing in. But when the thunder breaks it breaks for you and me. Tarantula, tarantula, tarantula, tarantula. The future's looking rather grim. Strange black tide. Decisions lie with stupid men. Alone with my life. That choking and the hype in me expecting me to fall. But only if I'm threatened will the tables turn. But when the thunder breaks it breaks for you and me. Tarantula, tarantula, tarantula, tarantula My world's under a sentence of death, I was born underground. But when the pressure gets too much for me, I bite. Written by Martin Young, Ian Robbins • Copyright © Universal Music Publishing Group

Hello Michael, I just watched a documentary about the artist named Amy Winehouse, who died in 2011. Although I was not too much into her music at the time she was alive, as a musician myself I'm always interested in all kinds of music and musicians. So I found out that she was a real prodigy. Her singing style and musicianship were very mature for someone that age. Also, I'm seeing lots of musicians like her nowadays. An example would be 11 year-old jazz pianist Joey Alexander. I can understand a child playing a classical tune which all you need is (lots of) ability, but that's more mechanical, after all you're reproducing something. But jazz is a completely different thing, most people dedicate their entire life to develop their style and technique, and these two examples are from already developed musicians at a very young age. So my question is: was Amy Winehouse a reincarnation of some great jazz singer? I can see the connection not just because of her high developed musicianship and music taste (she said she was always more interested in great musicians from the past and didn't see anything valuable in today's radio music), but also because of her troubled life and drug relation (reminded me of a few great jazz singers from the past). As a musician myself, I'm very interested if I'm gonna forget everything I'm learning in this life on my next lives! Another question is: during my life I was always involved in musical projects that were just a little tiny step of "getting to the next level", as they say. But on uncountable times a little small detail made everything go to the dumpster. Is there a karmic issue preventing me from achieving my artistic goals? Thank you and sorry about my English, I'm not an English native speaker...