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  • 04 - SELF-LOVE
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  1. ? The Wants and Needs of the Roles - A Turtle Overview (moved from Ning) [From a live NYC session 2013-01-25] For those who have either missed the NYC Live session or would like an overview of the Wants and Needs. Wants = conscious form of navigation through life -- actively pursued Needs = subconscious form of navigation through life -- inactive fulfillment by self and/or others SERVER Wants: to be helpful/effective, to matter, to make a difference Needs: to be helped, be effected(?), someone to make a difference for them PRIEST Wants: to guide, steer, orient others Needs: detachment, step back, not take things too personal ARTISAN Wants: order, structure Needs: recognition SAGE Wants: communication (to be seen/heard, to see/hear) Needs: affection WARRIOR Wants: mutual commitment (to/from a person, cause, responsibilities) Needs: humility KING Wants: independence Needs: intimacy/trust SCHOLAR Wants: projects Needs: rest/surrender (to feel inspired again/to recognize forces that you don't control)
  2. Oscar


    Essence Role Influence FROM OSCAR: What is the ratio of the role influence on Essence? FROM MICHAEL: We would say that the Role and Casting are equally dominant in all cycles involving the Physical Plane through the Astral Plane and into the Mid-Causal Plane. In terms of percentages, then, we would assign Role and Casting at 30% each, with Entity Number at 20%, and Row/Block at 10% each. ROLE = 30% CASTING = 30% ENTITY NUMBER = 20% BLOCK = 10% ROW = 10% After the Mid-Casual Plane, the Casting rises in dominance as well as Block/Row, at least in terms of processes and interactions. The Role will always be at the “heart” of all of this, but in the same way that Personality matters greatly in processes and interactions while Physical, so do the factors of Casting, Block, Row take on those similar responsibilities in the high planes. ? I've made a simple tool to calculate and show the influences: ERIC. The Personality version: PRIC. EDIT: FROM OSCAR: Are those percentages the same for Wild Cards? FROM MICHAEL: Yes, they are the same. The variable Positions held by the Wild Cards are flexible in how they may show up in a lifetime or in terms of contributions to the Entity, but the core of the fragment would remain its own.
  3. EIGHTH GRAND CYCLE: SCHOLAR [Oscar] Hello Michael =) I'd like to continue with my Grand Cycles, and like to know about my eighth Grand Cycle (as an Scholar). Could you please describe the species, life cycle, planet, details on its evolution as a sentient species, notable traits, things learned as its role, etc. I'd like to use the time for both questions for this. [MEntity] At this point in the recounting of Grand Cycles, it may begin to show overlap with other students' who may share in the exploration, as many of you shared the last 2 or 3 Grand Cycles in some way. [MEntity] In this case, it was one of the "first' lab-created species that we know of, created off-planet by a species who had rendered its own planet uninhabitable, reducing its numbers tremendously, and working hard to create a way for the species to continue. [MEntity] These bodies were similar to what you would recognize as humanoid now, but it took a long time for the bones to develop in a way that would not shatter easily. [MEntity] This species drew in an immediate Sentience, as the creator species was well-versed in tweaking the dna and genetics in a way that established a functioning intellect that could house self-awareness and choice. [MEntity] By "immediate" we do not mean the first bodies, as they were not Sentient, but within the first three rounds of successes, Sentience moved in. [MEntity] The "ship" was a fully-functioning alternative to a planet, and it coasted freely and slowly without direction, since there was no eagerness to inhabit a new planet without having any way to save the species that was dying out. [Oscar] What did the creator species look like? [MEntity] We think you may describe them as bipedal humanoid-insectoid, as they did appear to be human, but with facial structure and features, and bodily movements similar to a praying mantis. [MEntity] The creator species did eventually die out (in the middle of its own Grand Cycle as that species) leaving the new Sentient species to figure out how to run the ship. [MEntity] This ship was eventually "rescued" and brought into what many now know as "the pleiades." [MEntity] This was long after the creator species had died out, and the new Sentient Species had mastered the use of the tools and talents of the previous species and its ship. [MEntity] As a part of the transition to on-planet living, the ship orbited one of the planets in the system that would become their eventual home. [Oscar] How big was that ship, and what did it look like? [MEntity] With this possibility of on-planet living, and the deep, loving gratitude for the creator species, and the sharp knowledge of their dying out, a plan that had been formulated by the creator species, and held sacred by the new Sentience, was finally able to be implemented. [MEntity] This ship would have been similar to your own moon in shape and size. [MEntity] The Sentient species lived between the planet and the ship, long enough to gather the materials and energy necessary for re-creating their creator species. [MEntity] This, eventually, allowed for the completion of their Grand Cycle as a Design. [MEntity] After ensuring the quality and stability of the ship, the new Sentience that had then helped to establish its creator sentient new home, left the orbit of the planet to continue out its Grand Cycle aboard that ship. [MEntity] To our knowledge, that ship remains afloat at this time. [MEntity] Life aboard the ship was not much different from one on a planet, but because of the context of the creation, the body types, and living circumstances, the species was quite philosophical, peaceful, and unaffected. [MEntity] Their curiosity was less about what could be discovered, and more about what could be created, so there were waves and waves of experiments that emphasized various themes over time within the species. [MEntity] If our records here are clear, one of the final creations was that of a synthetic intelligence that is capable of sentience, yet currently remains dormant to this day aboard that ship. [MEntity] This was an emphasis of creation because it had suddenly occurred to many that they would never see another species again, let alone a sentient species. [MEntity] Their history had been so filled with the aim for getting the creator species back into bodies, that once this was accomplished, the inclination was simply to move on. Their fragility was one that prompted them to happily remove themselves from the complicated world of interaction with more robust species, and to remain in an environment that was wholly capable of being controlled. [MEntity] This Grand Cycle's experiences are part of what led many who chose to move into the current Human Sentience to choose such a robust, moving, and excitable species now.
  4. FOURTH GRAND CYCLE: SCHOLAR [Oscar] Hello Michael =) I'd like to continue with my Grand Cycles, and like to know about my fourth Grand Cycle (as a Scholar). Could you please describe the species, life cycle, planet, details on its evolution as a sentient species, notable traits, things learned as its role, etc. I'd like to use the time for both questions for this. [MEntity] Your fourth Grand Cycle species could be described as yet another electromagnetic-based species that might be understood as a kind of globular plasma. The life-cycle would appear to have been measured in hues, instead of years. Hues moved toward a darker spectrum as the life unfolded, and eventually faded into darkness, so to speak. The planet was more like an "ocean" of electromagnetic fields in which the species "swims." The movements were not confined by speeds, but by frequencies. (We are describing this as best we can.) The species did eventually master off-planet travel, and does continue to exist now as a non-specific planetary species that has evolved far beyond where "you" were in that fourth Grand Cycle. At this point, they often work with "new" planets in helping to stabilize the non-sentient life forms that are evolving, and are often mixed in with the "faery lore" of that planet, if there is interaction. That is, interaction with the sentient life forms. That species is now in its 5th Design. During "your" Cycle, however, no off-planet travel had begun, but the species cycle evolved to a point where individuals could "leap" outside of the "ocean" of the fields, much like dolphins in your current oceans of water, which prompted the attraction of the next Design to carry that further. In terms equivalent to Human experience, this might be experienced as Remote Viewing, or "shimmering" out of your current space and into another entirely different universe from what you know. Or maybe more that you could move beyond your atmosphere without any protection or propulsion. Family lines in this species were defined by colors, as well, with far more defined lines in the beginning than at the end. In the same way that your current species will eventually move into a bell curve that returns your species back to "brown" over such defined skin color groups, so did this species move back into a more rainbow-like glistening of colors that broke down the social and familial barriers. Though we cannot synopsize all that your Essence learned during that cycle, we can say that a major theme involved was one of contributing to the use of vibration for generating "music." "Music," then became part of the equation that allowed for the freeing of the species from the confines of its fields. We do not imply that your Essence was solely responsible for this, of course, but that it contributed to the pieces that were put together by others who then moved it into other fields of application, so to speak. Mating was done in a way that can only be described as a resonance of frequency that then moved in a dance between particles and waves shared between the fragments mating. "Parents" were often in groups, not pairs. Being "born" was a matter of generating this matrix of particles and waves that then allowed for a new light to form, much like a spark that stabilized. That is what we have to share about this Grand Cycle. We have no more to share. [Oscar] What did you mean by "non-specific planetary species"? [MEntity] The species now moves among the known universe in a way that travels in electromagnetic fields, and if a planet has them, which most do, then that species can go there. It now moves in clusters throughout the universe, settling on newer planets with evolving lifeforms that can use their help in stabilizing. When they move in groups, they are more obvious, but when they disperse, they are usually only "seen" as glimpses of light, balls of light, or electrically sensed by most. They participated in the repairing of our planet, Earth, after the 5th Intervention. Which gave rise to some of the "faery lore." [GeraldineB] Do later Designs for a species evolve more quickly through their Soul Ages? [MEntity] These are not the same thing as "devas," but they work well with Devic energies. [MEntity] Geraldine, no, not necessarily. It is relative to the Design: one can be very "slow," while others catapult the species. =================================================================================================== [GeraldineB] I'd like to continue with my Grand Cycles, and like to know about my fourth Grand Cycle (as a Warrior). Could you please describe the species, life cycle, planet, details on its evolution as a sentient species, notable traits, things learned as its role, etc. I'd like to use the time for both questions for this. [MEntity] To Geraldine - your fourth was shared with the same fragment known as Oscar. The description would be the same. However, a theme developed during that Cycle might be in the contribution to the capacity for manipulating energy to take shape into forms that could be used as tools. The species had no appendages or form, but the Warriors worked to extend the capacity of the species. Species often morph by the lead of Artisans, Warriors, and Scholars. [Oscar] ooo [GeraldineB] oooh [GeraldineB] Was it the same Design as Oscar's? [MEntity] Yes. [GeraldineB] So, we "knew" each other? [MEntity] Your Essence (along with many others, of course) "wondered" how mating could occur, but no real manipulation beyond that, and moving about. This launched the imagination into frequencies that could be more easily manipulated. This might be understood as the equivalent of a Human living his life wandering about in an environment already defined for him, with his mind rich with creativity, and suddenly realizing that his thoughts are not enough for implementing that creativity, so he reaches for a physical tool. In terms of a Physical Plane, Warriors were first to "reach for that tool." [GeraldineB] Have you picked up any understanding how this species evolved through the Soul Ages -- did their Internal Monads, etc? [MEntity] This launched an entire revolution that not only led to the building of what might be the equivalent of cities, but led to the capacity for making music. They evolved in Soul Age much in the same way as any species: through experience; and evolved in Monads in the same way: through relationships, within and without. The Monads are universal. [GeraldineB] I just can't quite see them sitting around a campfire buck naked and eating grubs :) [Oscar] lol [MEntity] That is because they did not. "Sitting around a campfire, naked, and eating grubs" is far from necessary to evolving in Soul Age or fulfilling a Monad. In any species. [Bobby] lol [GeraldineB] No, but my imagination is limited by our own history as a species [Oscar] Yeah we can be dressed i suppose ;) [GeraldineB] I can't visualize an electromagnetic spectrum as "physical". [MEntity] But they went through the same processes of developing societies, schools, laws, and exploring Chief Negative Features, exchanges, etc. [MEntity] Yes, Geraldine, we understand, which is why our means of conveying more is limited. We have to resort to analogies, at best. In some ways, their world was much like the Astral Plane, if that helps. In fact, they merged a great deal. Your Physical Plane merges with the Astral, as well, but is far more definitive. [GeraldineB] Also, my 3rd GC was a "wave lengths". [MEntity] Yes, this was a natural progression, as far as we can see. Sometimes there is what would seem a natural progression, while other times there is a grand departure into unexpected species. The earlier Grand Cycles are far more experimental, and as the Grand Cycle numbers are higher, the more dense and familiar the species will be. [GeraldineB] So, it's like the Tao itself is evolving into density. [MEntity] It is more that it is become more confident in its structures of imagination. Having more fluid life forms allows for less scathing, but as Sentience evolves, scathing is more tolerable. Which is why those with greater Grand Cycles tend to fall into positions for hosting the Infinite Soul. At approximately the 7th Grand Cycle, most of our students would be sharing the same descriptions. "We" have been together a long time, if you will. The Warrior fragment known now as Steven Lisberger did his best to recreate this 4th Grand Cycle creatively in the Tron franchise. It was nowhere near accurate, but it was metaphorically accurate, particularly to the Young Age of the species during that cycle. Or rather, the end of the Young Age cycle. It also helps metaphorically play out the current shift on the planet, as well. [GeraldineB] Approximately, how many other TLE Students of Troys are part of this 4th GC? (Even if it were not their 4th, per se) [MEntity] Nearly all of the fragments with whom you associate regularly, though their numbering may differ. [Oscar] Oh so Bobby was a plasma blob too at some point...cool :) [MEntity] Not Bobby, but his Essence experienced that species, yes. [Oscar] Yeah that's what i meant :) [GeraldineB] It's almost as though we're going to have to name these Species/and Designs to catalog them. [Oscar] Can't we get a printout from the Akashic Records? [MEntity] If you choose to do so. You may then see a pattern that is vast in scope, and helpful for understanding evolving Sentience, or evolving Tao. However, one fragment's question from within one range of Grand Cycles, even alongside several other fragments from the same Design, only gives a blink of a glimpse into this vastness.
  5. SEVENTH GRAND CYCLE: SAGE [Oscar] Hello Michael =) I'd like to continue with my Grand Cycles, and like to know about my seventh Grand Cycle (as an Sage). Could you please describe the species, life cycle, planet, details on its evolution as a sentient species, notable traits, things learned as its role, etc. I'd like to use the time for both questions for this. [MEntity] Yes, this would have been as the Sage Role, and the Seventh Grand Cycle for your Essence. This Cycle appears to have been within a bird-like species who sang as a means of communication. We say "bird-like," but that is a bit misleading. [MEntity] These creatures were bipedal and wingless and featherless, but "bird-like," nonetheless. The bones of these creatures were hollow, and the musculature growth around them caused by the high gravity led to an evolving species that had great strength. [MEntity] A shift in the gravitational field of the planet over time left the species with a great capacity for leaping and jumping for great distances. [MEntity] However, that shift also released the resistance that helped to build such musculature in the body. This led to technological developments that fitted each body with its own mechanical armor, if you will, and helped maintain the capacity for the species to leap great distances. [MEntity] This may seem a silly priority, but imagine if your species were to suddenly begin being born with no legs, or a lack of muscular strength in the legs, immobilizing populations over time. There are many ways that this can be remedied, either through adaptation to that sedentary life, or through the replacement of the familiar mobility functions. [MEntity] The use of wheels would be a fair solution, but wheels have limitations on terrain, so it would become a priority to develop all-terrain "legs" again. [MEntity] And so it was that the capacity to leap was a priority. [MEntity] So, to some extent, the species could "fly." Once the armor began including the capacity for gliding, and a brilliant platform system for travel, the distances that could be covered were even greater. The "singing" was similar to what you might recognize as "bird-like," as well. [MEntity] Off-planet travel was limited, because the gravitational pull of most planets was simply too much for this species, so it became a planet for retreat and vacation and pleasure for other traveling species. [MEntity] Much of the culture, then, was aimed toward art, performance, decadence, and entertainment, along with great services, treatments, and comforts. [MEntity] As a species, this was a particularly exciting one for Sages and Servers, and any fragments with inclinations for Expression and Inspiration, but the Action Roles were quite comfortable, as well, since so much construction, planning, organizing, and functioning architecture was involved. [MEntity] Plants were an important part of this species life as well, as it shared the planet with no other mobile species. [MEntity] Plants were respected and honored in much the same way that animal companions are respected and honored among some in your current species. They were named, relationships developed, and roles played by them in society. [MEntity] As this species were frugivores, no exploitation of plants was ever necessary, and the life cycle of any resource was profoundly honored. [MEntity] What was learned from that Grand Cycle is too much to summarize, of course, but a theme that developed for that Role, and for most who incarnated as that species, was a deep undercurrent of sensitivity and awareness of the consciousness and vitality of non-sentient life. [MEntity] There tends to come at least one species over the course of Grand Cycles that lives with harmony as the priority, and an awareness and embrace and agape that extends far beyond its own species. [MEntity] This was that species for your Essence. [MEntity] It is a kind of full circle, in those Grand Cycles such as this one, that help the Essence remember its own path of exploration as non-sentient, and as part of a hive soul. [MEntity] That is a fair synopsis for now.
  6. SIXTH GRAND CYCLE: ARTISAN OSCAR: Hello Michael =) I'd like to continue with my Grand Cycles, and like to know about my sixth Grand Cycle (as an Artisan). Could you please describe the species, life cycle, planet, details on its evolution as a sentient species, notable traits, things learned as its role, etc. I'd like to use the time for both questions for this. FROM MICHAEL: The Grand Cycle in question appears to have been through a bipedal species that would resemble giant toads, living in what might seem to be a tropical, humid, and wet planet with very little variation in weather because of its rotation, orbit, and proximity to its sun. The years lived by this species ran a kind of "bell-curve" over its Cycle, starting out with fairly short lifetimes that would be the equivalent of 20 to 30 years, peaking at 150 to 200 years, and then down to 40 to 50 years. This is different from your current species, whose lifetimes during this Cycle have several high peaks and sharp drops in the numbers of years in a body. This species was rather "warrior-like" and aggressive, leading to nearly the entire Cycle being lived out with the species divided across its planet based on variations in the body types that sealed ones alignment with parts of the planet. Some species spend their entire Grand Cycle with a kind of Infant Soul theme, even in the other Soul Ages, or a Young Soul theme, even in every other Soul Age, etc, and this species had a pronounced lock on the Young Soul ideals across the entire Grand Cycle, though Mature and Old Soul values came to be used as a means to work within that Young Soul theme. For example, because of the default state of warring and division that was sustained throughout the Cycle, this was played out in the obvious ways on larger scales, but also became the provocation for how to implement the Mature and Older Soul concepts of peace and context. Technological and Spiritual progress was all within the paradigm of war, and how to create, prevent, resolve, or escape it. Your Essence took from that Cycle a great appreciation for conflict, but also a kind of mocking for when there is a lack of necessity for it, which is most of the time.
  7. FIFTH GRAND CYCLE: SERVER [Oscar] Hello Michael =) I'd like to continue with my Grand Cycles, and like to know about my fifth Grand Cycle (as a Server). Could you please describe the species, life cycle, planet, details on its evolution as a sentient species, notable traits, things learned as its role, etc. I'd like to use the time for both questions for this. [MEntity] From what we can see, this Grand Cycle was experienced as a species that would be similar to that of what you might recognize as a rabbit or kangaroo on your current planet, though much larger in size. [Oscar] lol [MEntity] This was a species that lived in a similar way to what Earth's Cetaceans live like, with an emphasis on philosophy, intellect, and play. [MEntity] Earth's sentient Cetaceans, that is. [MEntity] Similar to rabbits, this species procreated beyond any necessity for so many bodies, which led to two rare scenarios for a species: bodies from within a sentient race that did not have "souls," if you will, and many bodies dying very early in their lives. [MEntity] This is what helped move the species into a long arc of exploration of metaphysics, philosophy, spirituality, and so on. [MEntity] This also generated an early recognition of responsibility and maturity within the species for its impact on its environment, leading to some of the most valuable mores any species has ever had. [MEntity] Its own inherent survival instincts ironically nearly drove the species to extinction several times before someone "caught on" that the slowing down of reproduction must be considered. [MEntity] This was on par with the discovery of electricity for this species. [MEntity] Bringing such an awareness to the process of something that was "so natural" that was causing so much harm was profound, and turned the species into a careful, measured, and ultimately extremely joyful species. [MEntity] All species have some similar process to its evolution of awareness as a whole. For instance, Humans continue to return to the "Achilles' Heel" of Consumption. [MEntity] Rather, all Sentient Species. [MEntity] Humans, it would seem, also "love to procreate," but more than procreation, Humans consume. [MEntity] However, the species of which we speak "loved" to procreate, and once there is a means for managing what one "loves to do" without it being a source of one's demise, a great shift occurs for the species as a whole. [MEntity] This is true for the individual, as well, of course. [MEntity] The species never took off for off-planet exploration, but became a great sanctuary for other Sentient species who had discovered them at the time, turning the planet into a rather wonderful retreat for education, meditation, and healing. [MEntity] This species, then, became a great influence in its part of the galaxy for mediation, peace-keeping, and policies that were of benefit to all. [MEntity] Unfortunately, near the end of the cycle for this species, it was "wiped out" by a species who decimated their planet. [Bobby] [those damn Klingons] [Oscar] lol [Oscar] What was the reason for that? Conquest? [MEntity] A handful of survivors who were able to be taken into sanctuary on planets that had benefited so much from them, and the instinct for procreation returned in a way that was tremendously successful for returning the species to a population that allowed for completion of the cycles. [MEntity] Though interplanetary travel remained unappealing to the species, interplanetary incarnations began then, as the species now had stations across a few planets. [MEntity] And when the species finally died out, its influence continued for what might be equivalent of 3 Grand Cycles of incarnations through that system. [MEntity] These became loving gods and protectors of subsequent sentient species. [MEntity] We will complete our session with you here today. Synopsizing these Grand Cycles does not do justice to the complexities and beauty that each represents for your Essence, but they are a start in understanding just how vast each of us is.
  8. Oscar


    Personality Role Influence FROM OSCAR: What is the ratio of the role influence on Personality? FROM MICHAEL: In terms of assigning percentages of influence, only the Role, Goal, Mode, and Attitude would be necessary. Centering changes too often, or has the capacity to change drastically and regularly, and Chief Features are not overleaves. The Personality fluctuates in which overleaf is most dominant and this makes for a more complex dynamic. Any assignment of percentages to Personality must be seen in terms of how the overleaves naturally and generally show up, but it should be noted that context changes the emphasis on a regular basis. That being said, all fluctuations would start from the strength of emphasis as attributed below. The general assignment would be: ROLE = 25% GOAL = 20% MODE = 20% ATTITUDE = 35% I've made a simple tool to calculate and show the influences: PRIC. The Essence version: ERIC.
  9. The Turtle on Healing & Healers (Ning) (17 May 2011) Michael said: Chaos ---- Healing/Healer ----> Order In order to order some of the less ordered channeling, I've come up with this. 7 Ways to die/get wounded, links, and healing Way Axis CFs Area True Healing Illness Inspiration Self-deprecation Arrogance Self-Esteem True Love Poisoning Impact Action Martyrdom Impatience Losing Control True Order Impaling Suffocation Expression Self-destruction Greed [Worth/Value] The Truth Starvation/Dehydration Natural/Shutdown Assimilation Stubbornness Fear of Change Understanding This applies to Physical, Emotional, Intellectual, and "Spiritual" bodies. There are 4 ways of implementing these, which are connected to the Axes: 1. Suicide 2. Homicide 3. Accident 4. Natural The process of Wounding: Intellectual ---> Emotional ---> Physical There are 3 ways of healing: 1. Truth 2. Love 3. Energy
  10. ? Musings over Frequency and M/F Energy Ratio part 2 (moved from Ning; couldn't find part 1) How do Frequency and M/F Energy show up in our daily life? Let's first look at how Michael defines them: Frequency: We will define FREQUENCY as that range within the spectrum of Human Consciousness/Sentience that describes how a fragment processes experiences. M/F Energy: If FREQUENCY is how one PROCESSES the experiences of life, then Male/Female Energy is how one CREATES the experiences that will be processed. Male/Focused Energy is that energy that is naturally linear, planning, strategic, forceful, with momentum, direct, and action-oriented. Female/Creative Energy is naturally non-lineary, spontaneous, intuitive, chaotic, spiraling, indirect, and inspiration-oriented. Frequency is what we might think is directly expressed in our behavior, but Michael says: Behavior is not linked to Frequency. There is a tendency to associate flighty, speedy, or chaotic behaviors with higher Frequencies, and solid, sedentary, or steady behaviors with lower Frequencies, and while this CAN be the case, and often is, it is not consistent enough to be a correlation. This is not to say that one cannot "feel" the Frequency of another, especially if one is intuitive, but it is not always reflected in behavior; it is reflected in life patterns and that person's processing of experiences. So Frequency isn't directly expressed, but what about M/F Energy? More often than not, the higher Male or Female Energies are far more reflected in behavior, so that the Higher Female Energy displays the more chaotic, creative, and non-linear; the Higher Male Energy displaying the more direct, strategic, and linear. Okay, so where do Frequency and M/F Energy show up? The reason Frequency is often associated with Behavior is because Frequency most obviously shows up in how one uses his Primary Centering, which is the Body's means of processing experiences. In other words, if someone is Emotionally-Centered and of High Frequency, then it could be said that he or she is Emotionally Fast. If someone is Moving-Centered and of Low Frequency, he might be of Slow Motion. Aha! Frequency is linked to Centering! I have a feeling where the M/F Energy is going to show up: The Energy Ratio is then reflected in the Part of the Centering. If someone is Emotionally-Centered, Intellectual Part, and with a Higher Female Energy, then that Personality's expression into the world about what is emotionally experienced may be scattered, unorganized, non-linear, etc. So to recap: Centering is how the body or Personality processes experiences, and the Part is how the body or Personality puts what was processed back out into the world. Centering is how one finds his or her way around, and Part is how one determines where one is. So, it could be said that Frequency is the "speed" at which one Thinks, Feels, or Moves as a means of navigating life, and Energy Ratio is the manner in which that is expressed, inspired, or acted out in the world. Now we know more about how to 'translate' Frequency and M/F Energy into our behavior, but there is a caveat: Keep in mind that no single trait of Essence or Personality can be discerned in such an isolated way, as they are all parts that add up to a whole that is greater than those parts. In any case, when looking at others, we can rely on: Frequency and Energy Ratios are those elements of Essence that one accesses before anything else. Even the most rejecting of fragments tend to allow their Essence's Frequency and Energy Ratio through to some extent.
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