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Maureen

Maureen's 3rd Grand Cycle

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Maureen

Maureen's 3rd Grand Cycle

Originally published on November 22,

From a POF on October 12, 2011

Maureen:  In my last private session with you Michael I asked about a recent meeting with a young man (a Server-cast Artisan) and you said: “His Essence appears to be an Essence Mate, which is an Essence Twin from a previous Grand Cycle; your third Grand Cycle as a Sage. When one comes across an Essence Mate, it is often an immediate Recognition, marked by a level of comfort that is often quite confusing.”

Maureen:  Could you describe a significant life lived with this Essence Mate (Essence Twin in my third Grand Cycle) in a way that illuminates the species, life cycle, notable traits, things learned as the Sage Role in Essence, etc.? Please use my allotted time, as required, for this one question.

MEntity:  The Grand Cycle in question appears to have been through a humanoid species that may look a bit like a cross between an insect and human to you, less than one meter tall, with a large head, roundish body, two compound eyes, four arms, walking upright, with bristly course skin.

MEntity:  This was on a planet with a harsh environment above ground, so most of the civilizations were below ground, with technology developing in such a way as to capture light from various sources, not only from the primary star of that system, but from radiating sources below ground.

MEntity:  There were very few lifeforms sharing this planet with that species, so relationships were developed with minerals. In the same way that your species now may adopt a mammal, reptile, bird, or fish, etc as a companion, crystals were taken in as personal and family companions.

MEntity:  Crystals were used for everything from religion to music to healing to light sources to "pets."

MEntity:  Global communication was based on them, as well.

MEntity:  One of the striking things about this species was its inability to sing, at least not in ways that would be considered beautiful. Their vocalizations would sound like the shattering of glass to you.

Maureen:  lol

MEntity:  A significant lifetime, then, shared between the Essence Twins, was the work of installing structures above ground that took advantage of the winds, sands, and metallic dusts that were normally something to protect oneself from, and allowed that species to hear music for the first time.

MEntity:  The Crystals began to "sing."

Maureen:  :)

MEntity:  This led to a transformation of the species in terms of evolution and soul age, as this could then be extrapolated from and used eventually for elaborate songs that were used to identify various cultures, societies, cities, etc.

MEntity:  One of the ways that the various challenges among the cultures were resolved was by fine-tuning one another's "song" in a way that would move into harmony, and this would resolve the issues of conflict, allowing for a focus on resolution of the more tangible conflicts.

Maureen:  that is truly beautiful

MEntity:  If one were to visit the planet, it would be heard much like a rising and falling of a chorus.

Martha:  that is beautiful, I've got tears now

MEntity:  This species developed great skills in remote viewing, and while no off-planet travel has yet developed, a 12th Design and variation on the species does still exist, and has "visited" some of our students.

Maureen:  "visited" - in what way?

Bobby:  via remote viewing

Martha:  peeking in through the cats?

Maureen:  ok :)

MEntity:  Remote viewing, mostly through dreams, through felines, or in meditations.

MEntity:  Though this is only a fraction of a view of life in that Grand Cycle, it is a fair glimpse that reveals a great deal.

Update: Additional information received from Michael November 7, 2011:

Maureen:  Could you provide a broader definition of “12th Design” and is this design related to this species only or is there a more general applicability to other species as well?

MEntity:  A Design is what we use to refer to a whole set of Sentient fragments who choose to incarnate across a Grand Cycle together in a particular species, until all have reunited with Tao.

MEntity:  Sometimes, a Design is done incarnating in a species that remains with a capacity for sentience.

MEntity:  Rather than that species falling back into non-sentience, which is sometimes the case, there can also come a new Design that either picks up that species after a clean break from the previous Design, or there is an overlapping, if you will.

MEntity:  When there is overlapping, there is often an evolutionary branch or leap that occurs to differentiate the previous bodies used for the previous Design from the new Design.

MEntity:  In a species that has had a long-standing cycling of Designs, records can sometime begin to be developed as a way to pass along ancestral histories.

MEntity:  In the case to which you refer, that 12th Design, though it had no direct interaction with your species, knew enough of our history with that line of Designs through that Species that contact was kept intact to some extent.

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Jeroen

I love the description of this species, especially the relationship this species had with crystals like humans have with animal companions and how the music of the crystals transformed the species.

 

"MEntity:  There were very few lifeforms sharing this planet with that species, so relationships were developed with minerals. In the same way that your species now may adopt a mammal, reptile, bird, or fish, etc as a companion, crystals were taken in as personal and family companions.

 

MEntity:  Crystals were used for everything from religion to music to healing to light sources to "pets."

 

...

 

MEntity:  The Crystals began to "sing.""

 

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